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Pausanias · Description of Greece §5.25.1-5.25.6

The Messenian Boys' Chorus and Peoples of Sicily

Passage 220 of 465 · Greek

Summary

Pausanias begins to describe non-Zeus dedications in the Altis, detailing the statues of the lost Messenian boys' chorus and those of boys dedicated by the Agrigentines, followed by an overview of the ethnic composition of Sicily.

§5.25.1τοσαῦτα ἐντὸς τῆς Ἄλτεως ἀγάλματα εἶναι Διὸς ἀνηριθμησάμεθα ἐς τὸ ἀκριβέστατον.
We have enumerated with the greatest accuracy that there are so many statues of Zeus within the Altis.
τὸ ἀνάθημα γὰρ τὸ πρὸς τῷ μεγάλῳ ναῷ ὑπὸ ἀνδρὸς Κορινθίου τεθέν, Κορινθίων δὲ οὐ τῶν ἀρχαίων ἀλλʼ οἳ παρὰ βασιλέως ἔχουσιν εἰληφότες τὴν πόλιν, τοῦτο τὸ ἀνάθημα Ἀλέξανδρός ἐστιν ὁ Φιλίππου, Διὶ εἰκασμένος δῆθεν.
For the dedication near the great temple, which was dedicated by a Corinthian man—not indeed one of the ancient Corinthians, but of those who hold the city having received it from the king—this dedication is Alexander the son of Philip, supposedly made to resemble Zeus.
ὁπόσα δὲ ἀλλοῖα καὶ οὐ μίμησίς ἐστι Διός, ἐπιμνησόμεθα καὶ τούτων· εἰκόνας δὲ οὐ τιμῇ τῇ πρὸς τὸ θεῖον, τῇ δὲ ἐς αὐτοὺς χάριτι ἀνατεθείσας τοὺς ἀνθρώπους, λόγῳ σφᾶς τῷ ἐς τοὺς ἀθλητὰς ἀναμίξομεν.
As for all the other offerings which are of a different kind and not an imitation of Zeus, we shall mention these too; but as for statues dedicated not in honor toward the divine, but out of gratitude to the men themselves, we shall mix them in our account concerning the athletes.
§5.25.2Μεσσηνίους τοὺς ἐπὶ τῷ πορθμῷ κατὰ ἔθος δή τι ἀρχαῖον πέμποντας ἐς Ῥήγιον χορὸν παίδων πέντε ἀριθμὸν καὶ τριάκοντα καὶ διδάσκαλόν τε ὁμοῦ τῷ χορῷ καὶ ἄνδρα αὐλητὴν ἐς ἑορτήν τινα ἐπιχώριον Ῥηγίνων, κατέλαβεν αὐτούς ποτε συμφορά, μηδένα ὀπίσω τῶν ἀποσταλέντων σφίσιν ἀποσωθῆναι· ἀλλὰ ἡ ναῦς ἡ ἄγουσα τοὺς παῖδας ἠφανίσθη σὺν αὐτοῖς κατὰ τοῦ βυθοῦ.
As for the Messenians on the strait, who according to some ancient custom were sending to Rhegium a chorus of boys, thirty-five in number, and together with the chorus a teacher and a flute-player, for a certain local festival of the Rhegians, a disaster once befell them, so that not one of those sent returned safe to them; but the ship carrying the boys vanished with them down into the deep.
ἔστι γὰρ δὴ ἡ κατὰ τοῦτον θάλασσα τὸν πορθμὸν θαλάσσης χειμεριωτάτη πάσης· §5.25.3οἵ τε γὰρ ἄνεμοι ταράσσουσιν αὐτὴν ἀμφοτέρωθεν τὸ κῦμα ἐπάγοντες ἐκ τοῦ Ἀδρίου καὶ ἐξ ἑτέρου πελάγους ὃ καλεῖται Τυρσηνόν, ἤν τε καὶ ἀνέμων ἀπῇ πνεύματα, ὁ δὲ καὶ τηνικαῦτα ὁ πορθμὸς κίνησιν βιαιοτάτην αὐτὸς ἐξ αὑτοῦ καὶ ἰσχυρὰς παρέχεται παλιρροίας· θηρία τε τοσαῦτα ἐς αὐτὸν τὰ ἀθροιζόμενά ἐστιν, ὡς καὶ τὸν ἀέρα τὸν ὑπὲρ τῆς θαλάσσης ταύτης ἀναπίμπλασθαι τῶν θηρίων τῆς ὀσμῆς, ὡς σωτηρίας γε ἐκ τοῦ πορθμοῦ μηδὲ ἐλπίδος τι ὑπολείπεσθαι ναυαγῷ.
For indeed, the sea along this strait is the most tempestuous of all seas; for both the winds disturb it from both sides, bringing the wave from the Adriatic and from the other sea which is called Tyrrhenian, and even if the blasts of the winds are absent, even then the strait itself of itself presents the most violent agitation and strong undercurrents; and so many are the beasts that gather in it, that even the air above this sea is filled with the smell of the beasts, so that indeed not even any hope of safety from the strait is left for a shipwrecked person.
εἰ δὲ ἐνταῦθα συνέπεσε καὶ Ὀδυσσεῖ διαφθαρῆναι τὴν ναῦν, ἄλλως μὲν οὐκ ἄν τις πείθοιτο ἐκνήξασθαι ζῶντα ἐς τὴν Ἰταλίαν αὐτόν· τὸ δὲ ἐκ τῶν θεῶν εὐμενὲς ἐπὶ παντὶ ἐργάζεται ῥᾳστώνην.
And if it happened that Odysseus' ship was destroyed here, in any other way one would not believe that he swam out alive to Italy; but the goodwill from the gods makes everything easy.
§5.25.4τότε δὲ ἐπὶ τῇ ἀπωλείᾳ τῶν παίδων οἱ Μεσσήνιοι πένθος ἦγον, καὶ ἄλλα τέ σφισιν ἐς τιμὴν αὐτῶν ἐξευρέθη καὶ εἰκόνας ἐς Ὀλυμπίαν ἀνέθεσαν χαλκᾶς, σὺν δὲ αὐτοῖς τὸν διδάσκαλον τοῦ χοροῦ καὶ τὸν αὐλητήν.
And at that time, because of the loss of the boys, the Messenians went into mourning, and other things were devised by them for their honor, and they dedicated bronze statues in Olympia, and along with them the teacher of the chorus and the flute-player.
τὸ μὲν δὴ ἐπίγραμμα ἐδήλου τὸ ἀρχαῖον ἀναθήματα εἶναι τῶν ἐν πορθμῷ Μεσσηνίων· χρόνῳ δὲ ὕστερον Ἱππίας ὁ λεγόμενος ὑπὸ Ἑλλήνων γενέσθαι σοφὸς τὰ ἐλεγεῖα ἐπʼ αὐτοῖς ἐποίησεν.
The ancient inscription indeed showed that they were dedications of the Messenians on the strait; but at a later time, Hippias, the one who is said by the Greeks to have been wise, composed the elegiac verses upon them.
ἔργα δέ εἰσιν Ἠλείου Κάλλωνος αἱ εἰκόνες.
And the statues are works of Callon of Elis.
§5.25.5ἔστι δὲ κατὰ τὴν ἄκραν ἐν Σικελίᾳ τὴν τετραμμένην ἐπὶ Λιβύης καὶ Νότου, καλουμένην δὲ Πάχυνον, Μοτύη πόλις· οἰκοῦσι δὲ Λίβυες ἐν αὐτῇ καὶ Φοίνικες.
Near the promontory in Sicily which is turned toward Libya and the South wind, and is called Pachynus, there is a city Motya; and Libyans and Phoenicians inhabit it.
τούτοις τοῖς ἐν Μοτύῃ βαρβάροις Ἀκραγαντῖνοι καταστάντες ἐς πόλεμον καὶ λείαν τε καὶ λάφυρα ἀπʼ αὐτῶν λαβόντες ἀνέθεσαν τοὺς παῖδας ἐς Ὀλυμπίαν τοὺς χαλκοῦς, προτείνοντάς τε τὰς δεξιὰς καὶ εἰκασμένους εὐχομένοις τῷ θεῷ.
Against these barbarians in Motya the Agrigentines engaged in war, and having taken booty and spoils from them, they dedicated the bronze boys at Olympia, stretching out their right hands and made to resemble people praying to the god.
κεῖνται δὲ ἐπὶ τοῦ τείχους οὗτοι τῆς Ἄλτεως· Καλάμιδος δὲ εἶναι σφᾶς ἔργα ἐγώ τε εἴκαζον καὶ ἐς αὐτοὺς κατὰ τὰ αὐτὰ εἶχεν ὁ λόγος.
These stand on the wall of the Altis; and I myself conjectured that they were the works of Calamis, and the tradition concerning them held to the same effect.
§5.25.6Σικελίαν δὲ ἔθνη τοσάδε οἰκεῖ, Σικανοί τε καὶ Σικελοὶ καὶ Φρύγες, οἱ μὲν ἐξ Ἰταλίας διαβεβηκότες ἐς αὐτήν, Φρύγες δὲ ἀπὸ τοῦ Σκαμάνδρου ποταμοῦ καὶ χώρας τῆς Τρῳάδος· οἱ δὲ Φοίνικες καὶ Λίβυες στόλῳ ἀφίκοντο ἐς τὴν νῆσον κοινῷ καὶ ἄποικοι Καρχηδονίων εἰσὶ.
The following nations inhabit Sicily: Sicanians, Sicels, and Phrygians—the Sicels having crossed into it from Italy, and the Phrygians from the river Scamander and the region of the Troad; and the Phoenicians and Libyans arrived in the island in a joint expedition, and they are colonists of the Carthaginians.
τοσαῦτα μὲν ἐν Σικελίᾳ ἔθνη βάρβαρα· Ἑλλήνων δὲ Δωριεῖς τε ἔχουσιν αὐτὴν καὶ Ἴωνες καὶ τοῦ Φωκικοῦ καὶ τοῦ Ἀττικοῦ γένους ἑκατέρου μοῖρα οὐ πολλή.
So many are the barbarian nations in Sicily; and of the Greeks, Dorians hold it, and Ionians, and of the Phocian and the Attic race a small portion of each.

Notes

  1. 5.25.1τοσαῦτα ... εἶναι ... ἀνηριθμησάμεθα — The accusative phrase 'τοσαῦτα ... ἀγάλματα' combined with the infinitive 'εἶναι' forms an accusative and infinitive construction serving as the direct object (substantive clause) of the main verb 'ἀνηριθμησάμεθα'.
  2. 5.25.2Μεσσηνίους ... κατέλαβεν αὐτούς — An instance of anacoluthon involving prolepsis; the accusative 'Μεσσηνίους' placed at the beginning of the sentence is grammatically resumed and repeated by the pronoun 'αὐτούς' as the direct object of the main verb 'κατέλαβεν'.
  3. 5.25.2μηδένα ... ἀποσωθῆναι — The infinitive clause 'μηδένα ... ἀποσωθῆναι' functions either in apposition to explain the content of the preceding noun 'συμφορά' (disaster) or as an infinitive of result.
  4. 5.25.3συνέπεσε καὶ Ὀδυσσεῖ διαφθαρῆναι ... οὐκ ἄν τις πείθοιτο — The protasis contains an impersonal verb 'συνέπεσε' followed by an accusative and infinitive subject clause, while the apodosis employs 'ἄν' with the optative ('οὐκ ἄν τις πείθοιτο') to express a potential or hypothetical conclusion ('otherwise, no one would believe...').

Cite this passage

Pausanias, Description of Greece §5.25.1-5.25.6. Humanitext Reader, https://reader.humanitext.ai/en/text/urn:cts:greekLit:tlg0525.tlg001.humanitext-grc2:5.25.1-5.25.6

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