Humanitext Reader

Ovid · The Cure of Love §370-443

Appropriate Poetic Genre and Means of Disillusionment

Passage 6 of 11 · Latin

Summary

The poet defends his work against critics by emphasizing the importance of matching style with genre, and then offers practical remedies to cool down desire, such as meeting another partner beforehand, using unflattering positions, and closely observing physical flaws.

§370Summa petunt dextra fulmina missa Iovis.
Lightning bolts sent from the right hand of Jove seek the highest summits.
§371At tu, quicumque es, quem nostra licentia laedit, §372Si sapis, ad numeros exige quidque suos.
But as for you, whoever you are whom our licentiousness offends, if you are wise, demand each thing according to its own meters.
§373Fortia Maeonio gaudent pede bella referri; §374Deliciis illic quis locus esse potest?
Brave wars rejoice to be related in Maeonian foot; what place can there be there for playful delights?
§375Grande sonant tragici; tragicos decet ira cothurnos: §376Usibus e mediis soccus habendus erit.
Tragic writers sound grandly; anger becomes tragic buskins: from the midst of daily practices, the comic sock must be held.
§377Liber in adversos hostes stringatur iambus, §378Seu celer, extremum seu trahat ille pedem.
Let free iambus be drawn against opposing enemies, whether swift, or whether that one drags its final foot.
§379Blanda pharetratos Elegia cantet Amores, §380Et levis arbitrio ludat amica suo.
Let charming Elegy sing of quiver-bearing Loves, and let the light mistress play according to her own will.
§381Callimachi numeris non est dicendus Achilles, §382Cydippe non est oris, Homere, tui.
Achilles is not to be spoken of in Callimachus' numbers, Cydippe is not of your mouth, Homer.
§383Quis feret Andromaches peragentem Thaida partes?
Who will bear Thais acting the parts of Andromache?
§384Peccet, in Andromache Thaida quisquis agat.
Whoever should act Thais in Andromache would err.
§385Thais in arte mea est; lascivia libera nostra est; §386Nil mihi cum vitta; Thais in arte mea est.
Thais is in my art; our licentiousness is free; I have nothing to do with the headband; Thais is in my art.
§387Si mea materiae respondet Musa iocosae, §388Vicimus, et falsi criminis acta rea est.
If my Muse responds to playful material, we have won, and the accusation of false crime is held guilty.
§389Rumpere, Livor edax: magnum iam nomen habemus; §390Maius erit, tantum quo pede coepit eat.
Burst, greedy Envy: we already have a great name; it will be greater, if only it goes on the same foot with which it began.
§391Sed nimium properas: vivam modo, plura dolebis; §392Et capiunt animi carmina multa mei.
But you hasten too much: if only I live, you will grieve more; and my mind contains many poems.
§393Nam iuvat et studium famae mihi crevit honore; §394Principio clivi noster anhelat equus.
For it pleases, and my zeal for fame has grown with honor; at the beginning of the hill our horse is panting.
§395Tantum se nobis elegi debere fatentur, §396Quantum Vergilio nobile debet epos.
Elegies confess that they owe as much to us, as the noble epic owes to Virgil.
§397Hactenus invidiae respondimus: attrahe lora §398Fortius, et gyro curre, poeta, tuo.
Thus far we have answered envy: pull back the reins more tightly, and run, poet, in your own circle.
§399Ergo ubi concubitus et opus iuvenale petetur, §400Et prope promissae tempora noctis erunt, §401Gaudia ne dominae, pleno si corpore sumes, §402Te capiant, ineas quamlibet ante velim; §403Quamlibet invenias, in qua tua prima voluptas §404Desinat: a prima proxima segnis erit.
Therefore when intercourse and youthful work are sought, and the times of the promised night are near, lest the joys of your mistress, if you take them with a full body, captivate you, I would wish that you enter any girl beforehand; find any girl in whom your first pleasure may end: the next one will be sluggish because of the first.
§405Sustentata venus gratissima; frigore soles, §406Sole iuvant umbrae, grata fit unda siti.
Love-making is most pleasing when deferred; suns after cold, shades after sun are pleasing, and water becomes pleasing to thirst.
§407Et pudet, et dicam: venerem quoque iunge figura, §408Qua minime iungi quamque decere putas.
I am both ashamed and I will say it: join also in love-making in that position in which you think she is least suited to be joined and which least becomes her.
§409Nec labor efficere est: rarae sibi vera fatentur, §410Et nihil est, quod se dedecuisse putent.
Nor is it a labor to bring this about: rare women confess the truth to themselves, and there is nothing which they think has not become them.
§411Tunc etiam iubeo totas aperire fenestras, §412Turpiaque admisso membra notare die.
Then also I command to open all the windows, and to note the ugly limbs when the day is admitted.
§413At simul ad metas venit finita voluptas, §414Lassaque cum tota corpora mente iacent, §415Dum piget, et malis nullam tetigisse puellam, §416Tacturusque tibi non videare diu, §417Tunc animo signa, quaecumque in corpore menda est, §418Luminaque in vitiis illius usque tene.
But as soon as the finished pleasure comes to its goals, and the weary bodies lie together with the whole mind, while it repents you, and you would prefer to have touched no girl, and you do not seem to yourself about to touch one for a long time, then mark in your mind whatever blemish is on her body, and keep your eyes continually on her defects.
§419Forsitan haec aliquis (nam sunt quoque) parva vocabit, §420Sed, quae non prosunt singula, multa iuvant.
Perhaps someone will call these things small (for they are also), but things which do not help individually, help when they are many.
§421Parva necat morsu spatiosum vipera taurum: §422A cane non magno saepe tenetur aper.
A small viper kills a spacious bull with its bite: a wild boar is often held by a dog that is not large.
§423Tu tantum numero pugna, praeceptaque in unum §424Contrahe: de multis grandis acervus erit.
Do you fight only with number, and draw your precepts into one: from many there will be a great heap.
§425Sed quoniam totidem mores totidemque figurae, §426Non sunt iudiciis omnia danda meis.
But since there are as many dispositions as there are figures, not everything must be granted to my judgments.
§427Quo tua non possunt offendi pectora facto, §428Forsitan hoc alio iudice crimen erit.
By which deed your heart cannot be offended, perhaps this will be an accusation under another's judgment.
§429Ille quod obscenas in aperto corpore partes §430Viderat, in cursu qui fuit, haesit amor: §431Ille quod a Veneris rebus surgente puella §432Vidit in inmundo signa pudenda toro.
That man's love, because he had seen obscene parts on an exposed body while he was in his course, faltered: another's, because he saw shameful signs on the unclean bed as the girl was rising from the matters of Venus.
§433Luditis, o siquos potuerunt ista movere: §434Adflarant tepidae pectora vestra faces.
You are playing, oh you whom those things could move: warm torches had only blown upon your hearts.
§435Adtrahat ille puer contentos fortius arcus: §436Saucia maiorem turba petetis opem.
Let that boy draw his bent bows more strongly: you wounded crowd will seek greater help.
§437Quid, qui clam latuit reddente obscena puella, §438Et vidit, quae mos ipse videre vetat?
What of him who lay hidden secretly while the girl was performing obscene things, and saw things which custom itself forbids to see?
§439Di melius, quam nos moneamus talia quemquam!
May the gods grant better things than that we should advise anyone of such things!
§440Ut prosint, non sunt expedienda tamen.
Even if they are useful, they are not to be set forth nonetheless.
§441Hortor et, ut pariter binas habeatis amicas §442(Fortior est, plures siquis habere potest): §443Secta bipertito cum mens discurrit utroque,
I also urge that you have two mistresses at the same time (he is stronger if anyone can have more): when the mind, split in two, runs hither and thither,

Notes

  1. 372ad numeros exige quidque suos — The verb `exigo` (to measure or adjust) is used here with the preposition `ad` (according to). The phrase `numeros... suos` refers to the proper "meters" or "rules" appropriate for each literary genre.
  2. 388falsi criminis acta rea est — `rea` is the feminine singular nominative of `reus` (accused, defendant), personifying `falsi criminis` (false accusation) which is the subject. `acta [est]` is the perfect passive of `ago` (to treat/drive), meaning "the false accusation is treated as guilty" (i.e., defeated in court).
  3. 401Gaudia ne dominae... Te capiant, ineas quamlibet ante velim — `velim` is a present subjunctive (1st person singular) expressing a wish. It takes a dependent subjunctive `ineas` (with `ut` omitted). The clause `ne... capiant` is a negative purpose clause ("lest the joys of your mistress captivate you") depending on `velim`.
  4. 408Qua minime iungi quamque decere putas — The relative pronouns `qua` (ablative of manner/means) and `quam` (accusative feminine singular) both refer to the antecedent `figura` (position). `qua` modifies the infinitive `iungi`, meaning "by which [you are] least joined." `quam` serves as the accusative subject of the impersonal infinitive `decere`, meaning "which you think suits [her] best."
  5. 415Dum piget, et malis nullam tetigisse puellam — The impersonal verb `piget` (it disgusts/repents) is paired with `malis` (the 2nd person singular present subjunctive of `malle`, "you would prefer"). `nullam tetigisse puellam` (to have touched no girl) functions as the object clause of `malis` using a perfect infinitive.

Cite this passage

Ovid, The Cure of Love §370-443. Humanitext Reader, https://reader.humanitext.ai/en/text/urn:cts:latinLit:phi0959.phi005.humanitext-lat2:370-443

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