Humanitext Reader

Ovid · The Art of Love §3.80-3.160

Enjoying Love in Youth and the Art of Hairstyles

Passage 22 of 30 · Latin

Summary

The poet argues using mythological examples why women should enjoy love before old age arrives, and then instructs them on the art of grooming and choosing suitable hairstyles in the refined golden age of Rome.

§3.80Qui, nisi carptus erit, turpiter ipse cadet.
Which, unless it is plucked, will itself shamefully fall.
§3.81Adde, quod et partus faciunt breviora iuventae §3.82Tempora: continua messe senescit ager.
Add [to this] that childbearing also makes the times of youth shorter; the field grows old with continuous harvest.
§3.83Latmius Endymion non est tibi, Luna, rubori, §3.84Nec Cephalus roseae praeda pudenda deae.
Endymion of Latmus is not a cause of blushing to you, O Moon, nor is Cephalus a shameful prey to the rosy goddess.
§3.85Ut Veneri, quem luget adhuc, donetur Adonis: §3.86Unde habet Aenean Harmoniamque suos?
Even though Adonis is granted to Venus, whom she still mourns: from where does she have her Aeneas and Harmonia?
§3.87Ite per exemplum, genus o mortale, dearum, §3.88Gaudia nec cupidis vestra negate viris.
Go after the example of the goddesses, O mortal race, and do not deny your pleasures to eager men.
§3.89Ut iam decipiant, quid perditis? omnia constant; §3.90Mille licet sumant, deperit inde nihil.
Even if they should now deceive, what do you lose? Everything remains; though they take a thousand times, nothing is destroyed therefrom.
§3.91Conteritur ferrum, silices tenuantur ab usu: §3.92Sufficit et damni pars caret illa metu.
Iron is worn away, flints are thinned by use: that part is sufficient and is free from fear of damage.
§3.93Quis vetet adposito lumen de lumine sumi?
Who would forbid a light to be taken from an adjacent light?
§3.94Quisve cavo vastas in mare servet aquas?
Or who would keep vast waters in a hollow reservoir from the sea?
§3.95Et tamen ulla viro mulier 'non expedit' inquit?
And yet does any woman say to a man "it is not expedient"?
§3.96Quid, nisi quam sumes, dic mihi, perdis aquam?
What water do you lose, tell me, except the water you take?
§3.97Nec vos prostituit mea vox, sed vana timere §3.98Damna vetat: damnis munera vestra carent.
Nor does my voice prostitute you, but it forbids you to fear vain losses: your gifts are free from losses.
§3.99Sed me flaminibus venti maioris iturum, §3.100Dum sumus in portu, provehat aura levis.
But as I am about to go with the blasts of a greater wind, while we are in port, let a light breeze carry me forward.
§3.101Ordior a cultu; cultis bene Liber ab uvis
I begin with grooming; Bacchus comes well from cultivated grapes, and a tall crop stands in cultivated soil.
§3.102Provenit, et culto stat seges alta solo. §3.103Forma dei munus: forma quota quaeque superbit?
Beauty is a gift of God: how few can pride themselves on beauty?
§3.104Pars vestrum tali munere magna caret.
A great part of you lacks such a gift.
§3.105Cura dabit faciem; facies neglecta peribit, §3.106Idaliae similis sit licet illa deae.
Care will give a face; a neglected face will perish, even though it be like that of the Idalian goddess.
§3.107Corpora si veteres non sic coluere puellae, §3.108Nec veteres cultos sic habuere viros; §3.109Si fuit Andromache tunicas induta valentes,
If the girls of old did not cultivate their bodies thus, nor did the old men have such cultivated men; if Andromache was clad in strong tunics, what wonder?
§3.110Quid mirum? duri militis uxor erat.
She was the wife of a rugged soldier.
§3.111Scilicet Aiaci coniunx ornata venires, §3.112Cui tegumen septem terga fuere boum?
Would you, indeed, come adorned as a wife to Ajax, whose covering was the hides of seven bulls?
§3.113Simplicitas rudis ante fuit: nunc aurea Roma est, §3.114Et domiti magnas possidet orbis opes.
Before, there was a rude simplicity: now Rome is golden, and possesses the great wealth of the conquered world.
§3.115Aspice quae nunc sunt Capitolia, quaeque fuerunt: §3.116Alterius dices illa fuisse Iovis.
Look at what the Capitoline is now, and what it was: you would say they belonged to another Jupiter.
§3.117Curia, concilio quae nunc dignissima tanto, §3.118De stipula Tatio regna tenente fuit.
The Senate-house, which is now most worthy of so great an assembly, was made of thatch when Tatius held the kingdom.
§3.119Quae nunc sub Phoebo ducibusque Palatia fulgent, §3.120Quid nisi araturis pascua bubus erant?
The Palatine buildings which now shine under Apollo and our leaders, what were they but pastures for oxen about to plow?
§3.121Prisca iuvent alios: ego me nunc denique natum §3.122Gratulor: haec aetas moribus apta meis.
Let ancient things please others: I congratulate myself that I was born now at last: this age is suited to my manners.
§3.123Non quia nunc terrae lentum subducitur aurum, §3.124Lectaque diverso litore concha venit: §3.125Nec quia decrescunt effosso marmore montes, §3.126Nec quia caeruleae mole fugantur aquae: §3.127Sed quia cultus adest, nec nostros mansit in annos §3.128Rusticitas, priscis illa superstes avis.
Not because tough gold is now drawn from the earth, and selected pearls come from diverse shores: nor because mountains shrink from quarried marble, nor because the blue waters are driven back by moles: but because refinement is here, and rusticity has not remained into our years, that rusticity which survived from our ancient ancestors.
§3.129Vos quoque nec caris aures onerate lapillis, §3.130Quos legit in viridi decolor Indus aqua, §3.131Nec prodite graves insuto vestibus auro, §3.132Per quas nos petitis, saepe fugatis, opes.
You too, do not load your ears with costly gems, which the discolored Indian gathers in green water, nor go forth heavy with gold sewn into your garments, by which wealth you seek us, but often drive us away.
§3.133Munditiis capimur: non sint sine lege capilli: §3.134Admotae formam dantque negantque manus.
We are captured by neatness: let your hair not be without law: hands applied both give and deny beauty.
§3.135Nec genus ornatus unum est: quod quamque decebit §3.136Eligat, et speculum consulate ante suum.
Nor is there only one kind of adornment: let each choose what will become her, and consult her mirror first.
§3.137Longa probat facies capitis discrimina puri: §3.138Sic erat ornatis Laodamia comis.
A long face approves a part down a clear head: so was Laodamia with her adorned hair.
§3.139Exiguum summa nodum sibi fronte relinqui, §3.140Ut pateant aures, ora rotunda volunt.
A round face wants a small knot to be left on the top of the forehead, so that the ears are exposed.
§3.141Alterius crines umero iactentur utroque: §3.142Talis es adsumpta, Phoebe canore, lyra.
Let another's hair be tossed over each shoulder: such are you, tuneful Apollo, when your lyre is taken up.
§3.143Altera succinctae religetur more Dianae, §3.144Ut solet, attonitas cum petit illa feras.
Let another be bound in the manner of girt Diana, as she is wont, when she hunts startled wild beasts.
§3.145Huic decet inflatos laxe iacuisse capillos: §3.146Illa sit adstrictis impedienda comis; §3.147Hanc placet ornari testudine Cyllenea: §3.148Sustineat similes fluctibus illa sinus.
For this one, it is fitting for loose hair to lie flowing: let that one be confined with tight hair; this one likes to be adorned with the Cyllenian tortoise-shell: let that one sustain waves-like folds.
§3.149Sed neque ramosa numerabis in ilice glandes, §3.150Nec quot apes Hyblae, nec quot in Alpe ferae, §3.151Nec mihi tot positus numero conprendere fas est: §3.152Adicit ornatus proxima quaeque dies.
But you will neither count the acorns on a branchy oak, nor how many bees of Hybla, nor how many wild beasts on the Alps, nor is it permitted for me to comprehend so many arrangements in number: each coming day adds new adornments.
§3.153Et neglecta decet multas coma; saepe iacere §3.154Hesternam credas; illa repexa modo est.
And neglected hair becomes many; often you would believe it lay from yesterday; yet it has just been combed.
§3.155Ars casum simulat; sic capta vidit ut urbe §3.156Alcides Iolen, 'hanc ego' dixit 'amo. ' §3.157Talem te Bacchus Satyris clamantibus euhoe §3.158Sustulit in currus, Cnosi relicta, suos. §3.159O quantum indulget vestro natura decori, §3.160Quarum sunt multis damna pianda modis!
Art simulates chance; thus, when the city was captured, did Alcides see Iole, and say: "This is the one I love." Such did Bacchus lift you into his chariot, O abandoned Ariadne, while the Satyrs were shouting "Euhoe." O how much nature indulges your beauty, whose losses must be expiated in many ways!

Notes

  1. 3.83tibi... rubori — Double dative construction, consisting of `tibi` (dative of reference, referring to Luna) and `rubori` (dative of purpose/result, "a cause of blushing").
  2. 3.85Ut Veneri ... donetur — The particle `ut` with the present subjunctive `donetur` introduces a concessive clause ("Even though / Granted that...").
  3. 3.111venires — Imperfect subjunctive, used here to express a counterfactual or hypothetical question addressed to a potential wife in the mythical past ("Would you have come...?").

Cite this passage

Ovid, The Art of Love §3.80-3.160. Humanitext Reader, https://reader.humanitext.ai/en/text/urn:cts:latinLit:phi0959.phi004.humanitext-lat2:3.80-3.160

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