Humanitext Reader

Ovid · The Art of Love §3.161-3.241

Garment Colors, Cosmetics, and Concealing Grooming

Passage 23 of 30 · Latin

Summary

The poet gives advice on hairpieces as a solution to hair loss, choosing garment colors to match different skin tones, and makeup application. He emphasizes that the grooming process must remain hidden from lovers, revealing only the finished beauty.

§3.161Nos male detegimur, raptique aetate capilli, §3.162Ut Borea frondes excutiente, cadunt.
We men are badly exposed, and our hair, snatched away by age, falls like leaves when Boreas shakes them down.
§3.163Femina canitiem Germanis inficit herbis, §3.164Et melior vero quaeritur arte color:
A woman dyes her gray hair with Germanic herbs, and a better color than the true one is sought by art.
§3.165Femina procedit densissima crinibus emptis, §3.166Proque suis alios efficit aere suos.
A woman goes forth very thick with bought hair, and for money she makes another's hair her own instead of her own.
§3.167Nec rubor est emisse; palam venire videmus §3.168Herculis ante oculos virgineumque chorum.
Nor is there any shame in having bought it; we see them openly for sale before the eyes of Hercules and the virgin choir.
§3.169Quid de veste loquar? Nec vos, segmenta, requiro §3.170Nec te, quae Tyrio murice, lana, rubes.
What shall I say of clothing? I do not demand borders, nor you, wool, who blush with Tyrian purple.
§3.171Cum tot prodierint pretio leviore colores, §3.172Quis furor est census corpore ferre suos!
Since so many colors go forth at a lighter price, what madness it is to carry one's own fortune on one's body!
§3.173Aëris, ecce, color, tum cum sine nubibus aër, §3.174Nec tepidus pluvias concitat auster aquas:
Behold, the color of the sky, at that time when the sky is without clouds, nor does the warm south wind stir up rainy waters.
§3.175Ecce, tibi similis, quae quondam Phrixon et Hellen §3.176Diceris Inois eripuisse dolis;
Behold, a color similar to you, who once are said to have snatched Phrixus and Helle from the treachery of Ino.
§3.177Hic undas imitatur, habet quoque nomen ab undis:
This one imitates waves, and also has its name from waves.
§3.178Crediderim nymphas hac ego veste tegi.
I would believe that nymphs are covered with this garment.
§3.179Ille crocum simulat: croceo velatur amictu, §3.180Roscida luciferos cum dea iungit equos:
That one simulates saffron: she is veiled in a saffron cloak, when the dewy goddess yokes her light-bringing horses.
§3.181Hic Paphias myrtos, hic purpureas amethystos, §3.182Albentesve rosas, Threïciamve gruem;
This one simulates Paphian myrtles, this one purple amethysts, or white roses, or the Thracian crane.
§3.183Nec glandes, Amarylli, tuae, nec amygdala desunt; §3.184Et sua velleribus nomina cera dedit.
Neither your acorns, Amaryllis, nor almonds are lacking; and wax has given its own name to fleeces.
§3.185Quot nova terra parit flores, cum vere tepenti §3.186Vitis agit gemmas pigraque fugit hiemps, §3.187Lana tot aut plures sucos bibit; elige certos: §3.188Nam non conveniens omnibus omnis erit.
As many flowers as the new earth produces, when in warm spring the vine puts forth buds and sluggish winter flees, wool drinks as many or more juices; choose certain ones, for not every color will be suitable for everyone.
§3.189Pulla decent niveas: Briseïda pulla decebant: §3.190Cum rapta est, pulla tum quoque veste fuit.
Dark colors become snow-white women: dark became Briseis; when she was snatched away, she was then also in dark clothing.
§3.191Alba decent fuscas: albis, Cepheï, placebas: §3.192Sic tibi vestitae pressa Seriphos erat.
White becomes dark women: in white, daughter of Cepheus, you pleased; thus dressed, Seriphos was trodden by you.
§3.193Quam paene admonui, ne trux caper iret in alas, §3.194Neve forent duris aspera crura pilis!
How nearly I warned you, lest a wild goat should go into your armpits, or lest your legs should be rough with hard hairs!
§3.195Sed non Caucasea doceo de rupe puellas, §3.196Quaeque bibant undas, Myse Caice, tuas.
But I do not teach girls from the Caucasian rock, or those who drink your waters, Mysian Caicus.
§3.197Quid si praecipiam ne fuscet inertia dentes, §3.198Oraque suscepta mane laventur aqua?
What if I should command that neglect not blacken your teeth, and that your mouth be washed in the morning with drawn water?
§3.199Scitis et inducta candorem quaerere creta: §3.200Sanguine quae vero non rubet, arte rubet.
You know also how to seek whiteness by applying chalk; she who does not blush with true blood, blushes by art.
§3.201Arte supercilii confinia nuda repletis, §3.202Parvaque sinceras velat aluta genas.
By art you fill up the bare borders of the eyebrow, and a small patch of leather covers your unblemished cheeks.
§3.203Nec pudor est oculos tenui signare favilla, §3.204Vel prope te nato, lucide Cydne, croco.
Nor is there any shame in marking the eyes with thin ash, or with saffron born near you, bright Cydnus.
§3.205Est mihi, quo dixi vestrae medicamina formae, §3.206Parvus, sed cura grande, libellus, opus; §3.207Hinc quoque praesidium laesae petitote figurae; §3.208Non est pro vestris ars mea rebus iners.
I have a small book, but a work great in care, in which I spoke of the cosmetics for your beauty; from here also seek protection for your damaged appearance; my art is not inactive for your affairs.
§3.209Non tamen expositas mensa deprendat amator §3.210Pyxidas: ars faciem dissimulata iuvat.
Yet let no lover find the cosmetic boxes exposed on the table: concealed art helps the face.
§3.211Quem non offendat toto faex inlita vultu, §3.212Cum fluit in tepidos pondere lapsa sinus?
Whom would the dregs smeared over the whole face not offend, when sliding down by weight they flow into warm breasts?
§3.213Oesypa quid redolent? quamvis mittatur Athenis §3.214Demptus ab inmundo vellere sucus ovis.
How bad oesypum smells! although the juice of the sheep taken from the dirty fleece is sent from Athens.
§3.215Nec coram mixtas cervae sumpsisse medullas, §3.216Nec coram dentes defricuisse probem; §3.217Ista dabunt formam, sed erunt deformia visu: §3.218Multaque, dum fiunt, turpia, facta placent;
Nor would I approve of taking mixed deer's marrow in public, nor of rubbing teeth in public; those things will give beauty, but they will be ugly to look at: and many things, while they are being done, are shameful, but when done, they please.
§3.219Quae nunc nomen habent operosi signa Myronis §3.220Pondus iners quondam duraque massa fuit;
The statues of industrious Myron which now have a name, once were an inactive weight and a hard mass.
§3.221Anulus ut fiat, primo conliditur aurum; §3.222Quas geritis vestis, sordida lana fuit;
In order that a ring may be made, gold is first beaten; the clothes you wear were dirty wool.
§3.223Cum fieret, lapis asper erat: nunc, nobile signum, §3.224Nuda Venus madidas exprimit imbre comas.
While it was being made, it was a rough stone; now, a noble statue, naked Venus squeezes her wet hair from the rain.
§3.225Tu quoque dum coleris, nos te dormire putemus; §3.226Aptius a summa conspiciere manu.
You too, while you are being groomed, let us think you are asleep; you will be seen more fittingly from the final hand.
§3.227Cur mihi nota tuo causa est candoris in ore?
Why is the cause of whiteness on your face known to me?
§3.228Claude forem thalami! quid rude prodis opus?
Close the chamber door! Why do you bring forth unfinished work?
§3.229Multa viros nescire decet; pars maxima rerum §3.230Offendat, si non interiora tegas.
It is fitting for men to be ignorant of many things; a very great part of things would offend, if you did not hide the inside.
§3.231Aurea quae splendent ornato signa theatro, §3.232Inspice, contemnes: brattea ligna tegit;
The golden statues which shine in the decorated theater, look at them closely, you will despise them: gold leaf covers wood.
§3.233Sed neque ad illa licet populo, nisi facta, venire, §3.234Nec nisi summotis forma paranda viris.
But neither is it allowed for the public to come to them, unless finished, nor is beauty to be prepared except with men removed.
§3.235At non pectendos coram praebere capillos, §3.236Ut iaceant fusi per tua terga, veto.
Yet I do not forbid you to offer your hair to be combed in public, so that it may lie flowing over your back.
§3.237Illo praecipue ne sis morosa caveto §3.238Tempore, nec lapsas saepe resolve comas.
Beware especially of being morose at that time, nor often untie your fallen hair.
§3.239Tuta sit ornatrix; odi, quae sauciat ora §3.240Unguibus et rapta brachia figit acu.
Let the hair-dresser be safe; I hate her who scratches faces with her nails and pricks arms with a snatched needle.
§3.241Devovet, ut tangit, dominae caput illa, simulque
She curses her mistress's head as she touches it, and at the same time...

Notes

  1. 3.162Borea frondes excutiente — "With Boreas shaking down the leaves." This is an ablative absolute construction formed by the noun Borea and the present participle excutiente.
  2. 3.172census — Accusative plural of the fourth-declension masculine noun census, here meaning "one's entire fortune/property values," serving as the direct object of the infinitive ferre.
  3. 3.205quo — Ablative singular neuter of the relative pronoun qui, functioning equivalent to "in which" (in quo), leading the relative clause that modifies libellus. It refers to Ovid's own work, *Medicamina Faciei Femineae*.
  4. 3.226conspiciere — A poetic and archaic shortened form of the second-person singular future passive conspicieris (ending in -re instead of -ris).

Cite this passage

Ovid, The Art of Love §3.161-3.241. Humanitext Reader, https://reader.humanitext.ai/en/text/urn:cts:latinLit:phi0959.phi004.humanitext-lat2:3.161-3.241

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