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Ovid · The Art of Love §2.1-2.74

Art of Retaining Love and Daedalus's Wings

Passage 11 of 30 · Latin

Summary

The poet explains the crucial importance of the art of retaining a captured lover and, to illustrate this difficult endeavor, begins to recount the myth of Daedalus and Icarus inventing wings to escape from the dominion of King Minos.

§2.1Dicite 'io Paean!' et 'io' bis dicite 'Paean!' §2.2Decidit in casses praeda petita meos; §2.3Laetus amans donat viridi mea carmina palma, §2.4Praelata Ascraeo Maeonioque seni.
Say 'Hurrah, Paean!' and say twice 'Hurrah, Paean!' The sought-for prey has fallen into my nets; The joyful lover rewards my songs with the green palm, preferred to the Ascraean and the Maeonian elder.
§2.5Talis ab armiferis Priameïus hospes Amyclis §2.6Candida cum rapta coniuge vela dedit; §2.7Talis erat qui te curru victore ferebat, §2.8Vecta peregrinis Hippodamia rotis.
In such guise the Priameian guest from warlike Amyclae set his white sails with his stolen bride; such was he who bore you in his victorious chariot, Hippodamia, carried on foreign wheels.
§2.9Quid properas, iuvenis? mediis tua pinus in undis
Why do you hasten, youth?
§2.10Navigat, et longe quem peto portus abest.
Your pine bark navigates in the midst of the waves, and the harbor which I seek is far away.
§2.11Non satis est venisse tibi me vate puellam: §2.12Arte mea capta est, arte tenenda mea est.
It is not enough that the girl has come to you through me as prophet: she was captured by my art, by my art she must be held.
§2.13Nec minor est virtus, quam quaerere, parta tueri: §2.14Casus inest illic; hoc erit artis opus.
Nor is it a lesser virtue to guard what is acquired than to seek it: in the latter there is chance; the former will be a work of art.
§2.15Nunc mihi, siquando, puer et Cytherea, favete, §2.16Nunc Erato, nam tu nomen amoris habes.
Now, if ever, favor me, boy and Cytherea; now Erato, for you have the name of love.
§2.17Magna paro, quas possit Amor remanere per artes, §2.18Dicere, tam vasto pervagus orbe puer.
Great things I prepare: to tell by what arts Love may be made to stay, a boy so wandering over the vast world.
§2.19Et levis est, et habet geminas, quibus avolet, alas: §2.20Difficile est illis inposuisse modum.
He is both light and has twin wings with which to fly away: it is difficult to impose a limit on them.
§2.21Hospitis effugio praestruxerat omnia Minos: §2.22Audacem pinnis repperit ille viam.
Minos had blocked every way against his guest's escape: he found a bold path with feathers.
§2.23Daedalus ut clausit conceptum crimine matris §2.24Semibovemque virum semivirumque bovem, §2.25'Sit modus exilio,' dixit 'iustissime Minos: §2.26Accipiat cineres terra paterna meos.
When Daedalus shut up the one conceived by his mother's crime, the half-bull man and half-man bull, "Let there be an end to my exile," he said, "most just Minos: let my paternal land receive my ashes.
§2.27Et quoniam in patria, fatis agitatus iniquis, §2.28Vivere non potui, da mihi posse mori.
And since in my fatherland, driven by unjust fates, I could not live, grant me to be able to die.
§2.29Da reditum puero, senis est si gratia vilis: §2.30Si non vis puero parcere, parce seni. ' §2.31Dixerat haec; sed et haec et multo plura licebat §2.32Dicere: regressus non dabat ille viro.
Grant return to the boy, if favor to the old man is cheap: if you will not spare the boy, spare the old man." He had said these things; but though he might say these and much more, he did not grant return to the man.
§2.33Quod simul ut sensit, 'nunc, nunc, o Daedale,' dixit: §2.34'Materiam, qua sis ingeniosus, habes.
As soon as he perceived this, he said, "Now, now, Daedalus, you have the material with which to be ingenious.
§2.35Possidet et terras et possidet aequora Minos: §2.36Nec tellus nostrae nec patet unda fugae.
Minos possesses both lands and possesses seas: neither earth nor wave lies open for our flight.
§2.37Restat iter caeli: caelo temptabimus ire.
The route of heaven remains: we will try to go by heaven.
§2.38Da veniam coepto, Iupiter alte, meo: §2.39Non ego sidereas adfecto tangere sedes: §2.40Qua fugiam dominum, nulla, nisi ista, via est.
Grant pardon to my undertaking, high Jupiter: I do not affect to touch the starry seats: there is no way, except that one, by which I may flee my master.
§2.41Per Styga detur iter, Stygias transnabimus undas; §2.42Sunt mihi naturae iura novanda meae. ' §2.43Ingenium mala saepe movent: quis crederet umquam §2.44Aërias hominem carpere posse vias?
Though a route through the Styx were given, we will swim across the Stygian waves; the laws of my nature must be renewed by me." Evils often stir the intellect: who would ever believe that a man could travel aerial ways?
§2.45Remigium volucrum disponit in ordine pinnas, §2.46Et leve per lini vincula nectit opus, §2.47Imaque pars ceris adstringitur igne solutis, §2.48Finitusque novae iam labor artis erat.
He disposes feathers, the rowing-gear of birds, in order, and weaves the light work with flaxen bonds, and the lowest part is bound with wax melted by fire, and the work of the new art was already finished.
§2.49Tractabat ceramque puer pinnasque renidens, §2.50Nescius haec umeris arma parata suis.
Smiling, the boy was handling both the wax and feathers, unknowing that these weapons were being prepared for his own shoulders.
§2.51Cui pater 'his' inquit 'patria est adeunda carinis, §2.52Hac nobis Minos effugiendus ope.
To whom his father said: "With these ships we must go to our fatherland, by this help Minos must be escaped by us.
§2.53Aëra non potuit Minos, alia omnia clausit; §2.54Quem licet, inventis aëra rumpe meis.
Minos could not close the air, though he closed all other things; break through the air, which is allowed, by my inventions.
§2.55Sed tibi non virgo Tegeaea comesque Bootae §2.56Ensiger Orion aspiciendus erit: §2.57Me pinnis sectare datis; ego praevius ibo: §2.58Sit tua cura sequi; me duce tutus eris.
But you must not look at the Tegean maiden, nor the companion of Bootes, nor sword-bearing Orion: Follow me with the wings given; I will go before: let it be your care to follow; with me as guide, you will be safe.
§2.59Nam sive aetherias vicino sole per auras §2.60Ibimus, impatiens cera caloris erit: §2.61Sive humiles propiore freto iactabimus alas, §2.62Mobilis aequoreis pinna madescet aquis.
For whether we go through the ethereal airs with the sun close, the wax will be impatient of heat: or if we beat our low wings closer to the sea, the movable feather will grow wet with the waters of the deep.
§2.63Inter utrumque vola; ventos quoque, nate, timeto, §2.64Quaque ferent aurae, vela secunda dato. ' §2.65Dum monet, aptat opus puero, monstratque moveri, §2.66Erudit infirmas ut sua mater aves.
Fly between the two; fear the winds also, my son, and where the breezes carry you, set your favorable sails." While he advises, he fits the work on the boy, and shows him how to move, as a mother bird trains her weak young.
§2.67Inde sibi factas umeris accommodat alas, §2.68Perque novum timide corpora librat iter.
Then he fits the wings made for himself on his shoulders, and timidly balances his body along the new path.
§2.69Iamque volaturus parvo dedit oscula nato, §2.70Nec patriae lacrimas continuere genae.
And now about to fly, he gave kisses to his little son, nor did his father's cheeks restrain their tears.
§2.71Monte minor collis, campis erat altior aequis: §2.72Hinc data sunt miserae corpora bina fugae.
A hill lower than a mountain, higher than the level plains, was there: hence two bodies were committed to their wretched flight.
§2.73Et movet ipse suas, et nati respicit alas §2.74Daedalus, et cursus sustinet usque suos.
Daedalus both moves his own wings and looks back at his son's, and continually sustains his own course.

Notes

  1. 2.4Praelata Ascraeo Maeonioque seni. — `Ascraeus senex` refers to Hesiod (from Ascra), and `Maeonius senex` to Homer (traditionally associated with Maeonia). `praelata` (perfect participle nominative neuter plural agreeing with `mea carmina`) indicates that the poet's love elegies are preferred over the works of these epic giants.
  2. 2.11me vate — An ablative absolute construction consisting of the noun `vates` and the pronoun `me` without a participle, meaning "with me as prophet/poet" or "under my guidance."
  3. 2.13Nec minor est virtus, quam quaerere, parta tueri — A comparative structure where `parta tueri` (to guard what has been acquired, with `parta` as the substantival perfect participle neuter plural accusative of `pario`) is the subject of the sentence, compared via `quam` to `quaerere` (to seek/acquire). `virtus` is the predicate nominative.
  4. 2.28da mihi posse mori — The infinitive `posse` is used substantively as the direct object of the imperative `da` (from `do`), and itself governs the passive/deponent infinitive `mori`. It translates literally to "grant to me to be able to die."
  5. 2.41Per Styga detur iter — `detur` is the third-person singular present subjunctive passive of `do`, expressing concession ("even if a route were granted"). `Styga` is the Greek accusative singular of the noun `Styx`.
  6. 2.55non virgo Tegeaea ... aspiciendus erit — The future passive periphrastic `aspiciendus erit` (third-person singular masculine) grammatically agrees with the final subject `Orion` (masculine), but semantically applies also to the preceding subjects `virgo Tegeaea` (feminine) and `comes` (common), illustrating zeugma.

Cite this passage

Ovid, The Art of Love §2.1-2.74. Humanitext Reader, https://reader.humanitext.ai/en/text/urn:cts:latinLit:phi0959.phi004.humanitext-lat2:2.1-2.74

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