§5Καὶ τί τὸ θαῦμα ἐνῆν τῇ γραφῇ αὐτοῦ, ἤρετό τις, ὡς τὸν Ἑλλανοδίκην δι’ αὐτὸ οὐκ ἐπιχωρίῳ τῷ Ἀετίωνι συνάψασθαι τῆς θυγατρὸς τὸν γάμον;
"And what was the wonder in his painting, someone might ask, that because of it the Hellanodikes, though Aetion was not a local man, joined his daughter to him in marriage?
ἔστιν ἡ εἰκὼν ἐν Ἰταλίᾳ, κἀγὼ εἶδον ὥστε καὶ σοὶ ἂν εἰπεῖν ἔχοιμι.
The picture is in Italy, and I saw it so that I could tell you too.
θάλαμός ἐστι περικαλλὴς καὶ κλίνη νυμφική, καὶ ἡ Ῥωξάνη κάθηται πάγκαλόν τι χρῆμα παρθένου ἐς γῆν ὁρῶσα, αἰδουμένη ἑστῶτα τὸν Ἀλέξανδρον.
It is a very beautiful bedchamber and a bridal bed, and Roxana is sitting, a wonderfully beautiful thing of a maiden, looking toward the ground, bashful before Alexander who is standing.
Ἔρωτες δέ τινες μειδιῶντες· ὁ μὲν κατόπιν ἐφεστὼς ἀπάγει τῆς κεφαλῆς τὴν καλύπτραν καὶ δείκνυσι τῷ νυμφίῳ τὴν Ῥωξάνην, ὁ δὲ τις μάλα δουλικῶς ἀφαιρεῖ τὸ σανδάλιον ἐκ τοῦ ποδός ὡς κατακλίνοιτο ἤδη, ἄλλος τῆς χλανίδος τοῦ Ἀλεξάνδρου ἐπειλημμένος, Ἔρως καὶ οὗτος, ἕλκει αὐτὸν πρὸς τὴν Ῥωξάνην πάνυ βιαίως ἐπισπώμενος.
And there are some smiling Loves; one standing behind withdraws the veil from her head and shows Roxana to the bridegroom; another very servant-like removes the sandal from her foot as if she were already about to lie down; another, having laid hold of Alexander's cloak—this one is also a Love—pulls him toward Roxana, drawing him on quite violently.
ὁ βασιλεὺς δὲ αὐτὸς μὲν στέφανόν τινα ὀρέγει τῇ παιδί, πάροχος δὲ καὶ νυμφαγωγὸς Ἡφαιστίων συμπάρεστι δᾷδα καιομένην ἔχων, μειρακίῳ πάνυ ὡραίῳ ἐπερειδόμενος—Ὑμέναιος οἶμαί ἐστιν (οὐ γὰρ ἐπεγέγραπτο τοὔνομα).
The king himself is offering a crown to the girl, and Hephaestion is present as the best man and bridal escort, holding a burning torch, leaning on a very beautiful youth—I think it is Hymenaeus (for his name was not inscribed).
ἑτέρωθι δὲ τῆς εἰκόνος ἄλλοι Ἔρωτες παίζουσιν ἐν τοῖς ὅπλοις τοῦ Ἀλεξάνδρου, δύο μὲν τὴν λόγχην αὐτοῦ φέροντες, μιμούμενοι τοὺς ἀχθοφόρους ὁπότε δοκὸν φέροντες βαροῖντο· ἄλλοι δὲ δύο ἕνα τινὰ ἐπὶ τῆς ἀσπίδος κατακείμενον, βασιλέα δῆθεν καὶ αὐτόν, σύρουσιν τῶν ὀχάνων τῆς ἀσπίδος ἐπειλημμένοι· εἷς δὲ δὴ ἐς τὸν θώρακα ἐσελθὼν ὕπτιον κείμενον λοχῶντι ἔοικεν, ὡς φοβήσειεν αὐτούς, ὁπότε κατ' αὐτὸν γένοιντο σύροντες. §6Οὐ παιδιὰ δὲ ἄλλως ταῦτά ἐστιν οὐδὲ περιείργασται ἐν αὐτοῖς ὁ Ἀετίων, ἀλλὰ δηλοῖ τοῦ Ἀλεξάνδρου καὶ τὸν ἐς τὰ πολεμικὰ ἔρωτα, καὶ ὅτι ἅμα καὶ Ῥωξάνης ἤρα καὶ τῶν ὅπλων οὐκ ἐπελέληστο.
On another part of the picture, other Loves are playing with the armor of Alexander, two of them carrying his spear, imitating porters when they are weighed down while carrying a beam; and two others drag one who is lying down upon his shield—acting as a king himself indeed—having laid hold of the handles of the shield; and one having entered into the breastplate, lying on his back, is like one lying in wait in order to frighten them when they come near him while dragging." "Nor is this mere play, nor has Aetion busied himself with it in vain, but he shows also Alexander's love for warlike matters, and that while he loved Roxana, he had not at the same time forgotten his armor.
πλὴν ἀλλ’ ἥ γε εἰκὼν αὐτὴ καὶ ἄλλως γαμήλιόν τι ἐπὶ τῆς ἀληθείας διεφάνη ἔχουσα, προμνησαμένη τῷ Ἀετίωνι τὴν τοῦ Προξενίδου θυγατέρα.
But indeed, the picture itself in another way shone forth as having something truly of a wedding about it in reality, since it match-made the daughter of Proxenidas for Aetion.
καὶ ἀπῆλθε γήμας καὶ αὐτός, πάρεργον τῶν Ἀλεξάνδρου γάμων, ὑπὸ νυμφαγωγῷ τῷ βασιλεῖ, μισθὸν εἰκασμένου γάμου προσλαβὼν ἀληθῆ γάμον. §7Ἡρόδοτος μὲν οὖν (ἐπάνειμι γὰρ ἐπ' ἐκεῖνον) ἱκανὴν τῶν Ὀλυμπίων τὴν πανήγυριν ἡγεῖτο καὶ συγγραφέα θαυμαστὸν δεῖξαι τοῖς Ἕλλησι τὰς Ἑλληνικὰς νίκας διεξιόντα, ὡς ἐκεῖνος διεξῆλθεν.
And he himself went away married, a byproduct of Alexander's wedding, with the king as his bridal escort, receiving a real marriage as the reward for an imagined one." "Herodotus then (for I will return to him) thought the festival of the Olympics was sufficient both to show himself to the Greeks as a wonderful writer and to relate the Greek victories, as he did relate them.
ἐγὼ δὲ—καὶ πρὸς Φιλίου μή με κορυβαντιᾶν ὑπολάβητε μηδὲ τἀμὰ εἰκάζειν τοῖς ἐκείνου, ἵλεως ὁ ἀνήρ—ἀλλὰ τοῦτό γε ὅμοιον παθεῖν φημι αὐτῷ.
But I—and by the god of friendship, do not suppose that I am raving or comparing my things with his, may the man be propitious—yet I say that I have experienced this very same thing as he did.
ὅτε γὰρ τὸ πρῶτον ἐπεδήμησα τῇ Μακεδονίᾳ, πρὸς ἐμαυτὸν ἐσκόπουν ὅ τι μοι χρηστέον τῷ πράγματι.
For when first I stayed in Macedonia, I was considering with myself what I must do with my business.
καὶ ὁ μὲν ἔρως οὗτος ἦν ἅπασιν ὑμῖν γνωσθῆναι καὶ ὅτι πλείστοις Μακεδόνων δεῖξαι τἀμά· τὸ δὲ αὐτὸν περιιόντα τηνικαῦτα τοῦ ἔτους συγγίγνεσθαι τῇ πόλει ἑκάστῃ οὐκ εὐμαρὲς ἐφαίνετο, εἰ δὲ τηρήσαιμι τήνδε ὑμῶν τὴν σύνοδον, εἶτα παρελθὼν ἐς μέσον δείξαιμι τὸν λόγον, ἐς δέον οὕτως ἀποβήσεσθαί μοι τὰ τῆς εὐχῆς. §8Αὐτοί τε οὖν ἤδη συνεληλύθατε, ὅ τι περ ὄφελος ἐξ ἑκάστης πόλεως, αὐτὸ δὴ τὸ κεφάλαιον ἁπάντων Μακεδόνων, καὶ ὑποδέχεται πόλις ἡ ἀρίστη οὖσα οὐ κατὰ Πίσαν μὰ Δί' οὐδὲ τὴν κεῖθι στενοχωρίαν καὶ σκηνὰς καὶ καλύβας καὶ πνῖγος·
And this desire indeed was to be known to all of you and to show my things to as many Macedonians as possible; but to go around myself at this time of year and visit each city did not seem easy, but if I should wait for this assembly of yours and then, coming forward into the midst, show my speech, my wishes would turn out for me as was necessary." "And so you yourselves have already assembled, the very best from each city, indeed the very sum of all Macedonians, and the best city welcomes us, by Zeus, not like Pisa, nor the narrowness and tents and huts and stifling heat there; and again, the festival-goers are not a trashy crowd, who are rather spectators of athletes, for the most part putting Herodotus in a secondary place, but the most approved of rhetoricians and writers and sophists—this is already no small thing, lest my performance appear far inferior to the Olympics.
οἵ τε αὖ πανηγυρισταὶ οὐ συρφετώδης ὄχλος, ἀθλητῶν μᾶλλον φιλοθεάμονες, ἐν παρέργῳ οἱ πολλοὶ τὸν Ἡρόδοτον τιθέμενοι, ἀλλὰ ῥητόρων τε καὶ συγγραφέων καὶ σοφιστῶν οἱ δοκιμώτατοι—ὅσον οὐ μικρὸν ἤδη, μὴ τοὐμὸν παρὰ πολὺ ἐνδεέστερον φαίνηται τῶν Ὀλυμπίων. ἀλλ’ ἢν μὲν ὑμεῖς Πολυδάμαντι ἢ Γλαύκῳ ἢ Μίλωνι παραθεωρῆτέ με, κομιδῇ ὑμῖν δόξω θρασὺς ἄνθρωπος εἶναι.
But if you compare me with Polydamas or Glaucus or Milo, I shall seem to you to be a completely audacious man.
ἢν δὲ πολὺ ἐκείνων ἀπαγαγόντες τὴν μνήμην ἐπ' ἐμαυτοῦ μόνου ἀποδύσαντες ἴδητε, τάχ' ἂν οὐ πάνυ μαστιγώσιμος ὑμῖν δόξαιμι.
But if you lead away your memory far from those men and look at me alone, stripped, you might perhaps think me not altogether deserving of the whip.
ὡς ἔν γε τηλικούτῳ σταδίῳ ἱκανὸν ἐμοὶ γοῦν καὶ τοῦτο.
For in so great a stadium, even this is enough for me at least."