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Diodorus Siculus · Bibliotheca Historica §13.82.1-13.82.8

The Temple of Zeus and Luxury at Acragas

Passage 261 of 723 · Greek

Summary

As symbols of Acragas' prosperity, Diodorus describes the architectural style, structure, and beautiful decorations of the massive Temple of Zeus, along with an artificial pond, luxurious monuments for prize horses and pet birds, and the lavish lifestyle of the citizens.

§13.82.1ἥ τε γὰρ τῶν ἱερῶν κατασκευὴ καὶ μάλιστα ὁ τοῦ Διὸς νεὼς ἐμφαίνει τὴν μεγαλοπρέπειαν τῶν τότε ἀνθρώπων·
Indeed, both the construction of the temples and especially the temple of Zeus show the magnificence of the men of that time.
τῶν μὲν οὖν ἄλλων ἱερῶν τὰ μὲν κατεκαύθη, τὰ δὲ τελείως κατεσκάφη διὰ τὸ πολλάκις ἡλωκέναι τὴν πόλιν, τὸ δʼ Ὀλύμπιον μέλλον λαμβάνειν τὴν ὀροφὴν ὁ πόλεμος ἐκώλυσεν· ἐξ οὗ τῆς πόλεως κατασκαφείσης οὐδέποτε ὕστερον ἴσχυσαν Ἀκραγαντῖνοι τέλος ἐπιθεῖναι τοῖς οἰκοδομήμασιν.
Now, of the other temples, some were burned down and others were completely demolished because of the city having been captured many times, but as for the Olympieion, when it was about to receive its roof, the war prevented its completion; since which time, after the city was destroyed, the Acragantines were never afterwards able to put the finishing touch to the buildings.
§13.82.2ἔστι δὲ ὁ νεὼς ἔχων τὸ μὲν μῆκος πόδας τριακοσίους τεσσαράκοντα, τὸ δὲ πλάτος ἑξήκοντα, τὸ δὲ ὕψος ἑκατὸν εἴκοσι χωρὶς τοῦ κρηπιδώματος.
The temple has a length of three hundred and forty feet, a width of sixty, and a height of one hundred and twenty, excluding the foundation.
μέγιστος δʼ ὢν τῶν ἐν Σικελίᾳ καὶ τοῖς ἐκτὸς οὐκ ἀλόγως ἂν συγκρίνοιτο κατὰ τὸ μέγεθος τῆς ὑποστάσεως· καὶ γὰρ εἰ μὴ τέλος λαβεῖν συνέβη τὴν ἐπιβολήν, ἥ γε προαίρεσις ὑπάρχει φανερά.
Being the greatest of those in Sicily, it might not unreasonably be compared, as regards the size of its plan, with those outside the island; for even if the undertaking did not happen to reach completion, the design at least is manifest.
§13.82.3τῶν δʼ ἄλλων ἢ μετὰ περιτειχῶν τοὺς νεὼς οἰκοδομούντων ἢ κύκλῳ κίοσι τοὺς σηκοὺς περιλαμβανόντων, οὗτος ἑκατέρας τούτων μετέχει τῶν ὑποστάσεων· συνῳκοδομοῦντο γὰρ τοῖς τοίχοις οἱ κίονες, ἔξωθεν μὲν στρογγύλοι, τὸ δʼ ἐντὸς τοῦ νεὼ ἔχοντες τετράγωνον· καὶ τοῦ μὲν ἐκτὸς μέρους ἐστὶν αὐτῶν ἡ περιφέρεια ποδῶν εἴκοσι, καθʼ ἣν εἰς τὰ διαξύσματα δύναται ἀνθρώπινον ἐναρμόζεσθαι σῶμα, τὸ δʼ ἐντὸς ποδῶν δώδεκα.
While others build their temples either with screen-walls or enclosing the cellas with columns in a circle, this one shares in both of these designs; for the columns were built into the walls, being rounded on the outside, but having a square shape on the inside of the temple; and the circumference of their outer part is twenty feet, in the flutings of which a human body can fit, while that of the inner part is twelve feet.
§13.82.4τῶν δὲ στοῶν τὸ μέγεθος καὶ τὸ ὕψος ἐξαίσιον ἐχουσῶν, ἐν μὲν τῷ πρὸς ἕω μέρει τὴν γιγαντομαχίαν ἐποιήσαντο γλυφαῖς καὶ τῷ μεγέθει καὶ τῷ κάλλει διαφερούσαις, ἐν δὲ τῷ πρὸς δυσμὰς τὴν ἅλωσιν τῆς Τροίας, ἐν ᾗ τῶν ἡρώων ἕκαστον ἰδεῖν ἔστιν οἰκείως τῆς περιστάσεως δεδημιουργημένον.
And since the porticoes had an extraordinary size and height, on the eastern part they represented the Battle of the Giants with sculptures outstanding in both size and beauty, and on the western part the capture of Troy, in which one can see each of the heroes fashioned appropriately to his circumstances.
§13.82.5ἦν δὲ καὶ λίμνη κατʼ ἐκεῖνον τὸν χρόνον ἐκτὸς τῆς πόλεως χειροποίητος, ἔχουσα τὴν περίμετρον σταδίων ἑπτά, τὸ δὲ βάθος εἴκοσι πηχῶν· εἰς ἣν ἐπαγομένων ὑδάτων ἐφιλοτέχνησαν πλῆθος ἰχθύων ἐν αὐτῇ ποιῆσαι παντοίων εἰς τὰς δημοσίας ἑστιάσεις, μεθʼ ὧν συνδιέτριβον κύκνοι καὶ τῶν ἄλλων ὀρνέων πολὺ πλῆθος, ὥστε μεγάλην τέρψιν παρασκευάζειν τοῖς θεωμένοις.
There was also at that time a man-made pond outside the city, having a circumference of seven stades and a depth of twenty cubits; into which, since water was conducted, they took artistic pains to breed a multitude of all kinds of fish in it for public banquets, along with which swans and a great multitude of other birds lived, so as to provide great pleasure to the onlookers.
§13.82.6δηλοῖ δὲ τὴν τρυφὴν αὐτῶν καὶ ἡ πολυτέλεια τῶν μνημείων, ἃ τινὰ μὲν τοῖς ἀθληταῖς ἵπποις κατεσκεύασαν, τινὰ δὲ τοῖς ὑπὸ τῶν παρθένων καὶ παίδων ἐν οἴκῳ τρεφομένοις ὀρνιθαρίοις, ἃ Τίμαιος ἑωρακέναι φησὶ μέχρι τοῦ καθʼ ἑαυτὸν βίου διαμένοντα.
Their luxury is also shown by the costliness of the monuments, some of which they built for prize-winning horses, and others for the pet birds reared in the house by girls and boys, which Timaeus says remained down to his own lifetime.
§13.82.7καὶ κατὰ τὴν προτέραν δὲ ταύτης Ὀλυμπιάδα, δευτέραν ἐπὶ ταῖς ἐνενήκοντα, νικήσαντος Ἐξαινέτου Ἀκραγαντίνου, κατήγαγον αὐτὸν εἰς τὴν πόλιν ἐφʼ ἅρματος· συνεπόμπευον δʼ αὐτῷ χωρὶς τῶν ἄλλων συνωρίδες τριακόσιαι λευκῶν ἵππων, πᾶσαι παρʼ αὐτῶν τῶν Ἀκραγαντίνων.
And in the Olympiad preceding this, the ninety-second, when Exaenetus of Acragas won, they conducted him into the city on a chariot; and there escorted him, besides the other things, three hundred two-horse chariots of white horses, all belonging to the Acragantines themselves.
§13.82.8καθόλου δὲ καὶ τὰς ἀγωγὰς εὐθὺς ἐκ παίδων ἐποιοῦντο τρυφεράς, τήν τʼ ἐσθῆτα μαλακὴν φοροῦντες καθʼ ὑπερβολὴν καὶ χρυσοφοροῦντες, ἔτι δὲ στλεγγίσι καὶ ληκύθοις ἀργυραῖς τε καὶ χρυσαῖς χρώμενοι.
In general, too, they made their lifestyle luxurious straight from childhood, wearing exceedingly soft clothing and carrying gold ornaments, and furthermore using strigils and oil-flasks of silver and gold.

Notes

  1. §13.82.1τὸ δʼ Ὀλύμπιον μέλλον λαμβάνειν τὴν ὀροφὴν ὁ πόλεμος ἐκώλυσεν — The neuter noun τὸ Ὀλύμπιον serves as the direct object (accusative) of the transitive verb ἐκώλυσεν, and the participle μέλλον agrees with it in the accusative. The subject of the clause is the following noun ὁ πόλεμος.
  2. §13.82.1ἐξ οὗ τῆς πόλεως κατασκαφείσης — The relative phrase ἐξ οὗ is a temporal idiom meaning 'since which time' (with the noun χρόνου omitted). It is followed by the genitive absolute construction τῆς πόλεως κατασκαφείσης.
  3. §13.82.2ἔστι δὲ ὁ νεὼς ἔχων — The combination of the copula ἔστι and the present participle ἔχων forms a periphrastic construction, which, rather than a simple verb ἔχει, serves to emphasize the permanent dimensions and character of the temple.
  4. §13.82.3τῶν δʼ ἄλλων ἢ μετὰ περιτειχῶν τοὺς νεὼς οἰκοδομούντων ἢ κύκλῳ κίοσι τοὺς σηκοὺς περιλαμβανόντων — A genitive absolute construction presenting the architectural style of others. It serves to contrast the practice of other builders with the subject of the main clause, οὗτος (this temple).
  5. §13.82.5εἰς ἣν ἐπαγομένων ὑδάτων — Within the relative clause introduced by the relative pronoun ἣν, the genitive absolute construction ἐπαγομένων ὑδάτων ('water being conducted') is embedded with a passive meaning.

Cite this passage

Diodorus Siculus, Bibliotheca Historica §13.82.1-13.82.8. Humanitext Reader, https://reader.humanitext.ai/en/text/urn:cts:greekLit:tlg0060.tlg001.humanitext-grc4:13.82.1-13.82.8

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