§42ἃ γὰρ νήφοντες ἐν σταδίοις ἐκεῖνοι θεαταῖς χρώμενοι τοῖς Πανέλλησι μεθ’ ἡμέραν ἕνεκα νίκης καὶ στεφάνων [Ὀλυμπιονῖκαι] σὺν τέχνῃ δρῶσιν, οὗτοι κιβδηλεύοντες ἐπὶ συμποσίων νύκτωρ ἐν σκότῳ καὶ μεθύοντες, ἐμπαροινοῦντες, ἀνεπιστημόνως καὶ κακοτέχνως ἐπ’ ἀτιμίᾳ καὶ ὕβρει καὶ αἰκίᾳ χαλεπῇ τῶν ὑπομενόντων ἐνεργοῦσιν. §43εἰ δὲ μηδεὶς οἷα βραβευτὴς παρελθὼν μέσος διαλύσειε, μετὰ πλείονος ἐξουσίας καταπαλαίουσι, φονῶντες ἐν ταὐτῷ καὶ θανατῶντες· πάσχουσι γὰρ οὐκ ἐλάττονα ὧν διατιθέασιν, ὅπερ οὐκ ἴσασι, παραπαίοντες οἱ τὸν οἶνον οὐχ, ὡς ὁ κωμικός φησιν, ἐπὶ κακῷ τῶν πλησίον αὐτὸ μόνον ἀλλὰ καὶ ἐπὶ τῷ ἰδίῳ πίνειν ὑπομένοντες. §44τοιγαροῦν οἱ πρὸ μικροῦ παρελθόντες εἰς τὰ συμπόσια σῷοι καὶ φίλοι μικρὸν ὕστερον ἐξίασιν ἐχθροὶ καὶ τὰ σώματα ἠκρωτηριασμένοι· καὶ οἱ μὲν συνηγόρων καὶ δικαστῶν, οἱ δὲ καταπλαστῶν καὶ ἰατρῶν καὶ τῆς ὑπὸ τούτων δέονται βοηθείας. §45ἕτεροι δὲ τῶν μετριωτέρων δοκούντων εἶναι συμποτῶν ὥσπερ μανδραγόραν τὸν ἄκρατον πιόντες ὑπερβεβλύκασι καὶ τὸν εὐώνυμον ἀγκῶνα προβαλόντες καὶ τὸν αὐχένα ἐγκάρσιον ἐπιστρέψαντες, ἐνερευγόμενοι ταῖς κύλιξιν, ὕπνῳ βαθεῖ πιέζονται. μηδὲν μήτε ἰδόντες μήτε ἀκούσαντες, ὡς μίαν μόνην ἔχοντες αἴσθησιν, τὴν ἀνδραποδωδεστάτην γεῦσιν. §46οἶδα δέ τινας, [οἳ] ἐπειδὰν ἀκροθώρακες γένωνται, πρὶν τελέως βαπτισθῆναι, τὸν εἰς τὴν ὑστεραίαν πότον ἐξ ἐπιδόσεως καὶ συμβολῶν προευτρεπιζομένους, μέρος ὑπολαμβάνοντας τῆς ἐν χερσὶν εὐφροσύνης εἶναι τὴν περὶ τῆς εἰς τὸ μέλλον μέθης ἐλπίδα. §47τοῦτον τὸν τρόπον διαζῶντες ἄοικοι καὶ ἀνέστιοι διατελοῦσιν, ἐχθροὶ μὲν γονέων καὶ γυναικῶν καὶ τέκνων, ἐχθροὶ δὲ καὶ τῆς πατρίδος, πολέμιοι δὲ καὶ ἑαυτῶν· ὑγρὸς γὰρ καὶ ἄσωτος βίος ἅπασιν ἐπίβουλος. §48Ἴσως δ’ ἄν τις ἀποδέξαιτο τὴν ἐπιπολάζουσαν νυνὶ τῶν συμποσίων πανταχοῦ διάθεσιν κατὰ πόθον τῆς Ἰταλικῆς πολυτελείας καὶ τρυφῆς, ἣν ἐζήλωσαν Ἕλληνές τε καὶ βάρβαροι πρὸς ἐπίδειξιν μᾶλλον ἢ πρὸς εὐωχίαν ποιούμενοι τὰς παρασκευάς. §49τρίκλινά τε καὶ πολύκλινα χελώνης ἢ ἐλέφαντος κατεσκευασμένα καὶ τιμαλφεστέρας ὕλης, ὧν τὰ πλεῖστα λιθοκόλλητα· στρωμναὶ ἁλουργεῖς ἐνυφασμένου χρυσοῦ καὶ ἀνθοβαφεῖς ἕτεραι παντοίων χρωμάτων πρὸς τὸ τῆς ὄψεως ἐπαγωγόν· ἐκπωμάτων πλῆθος ἐκτεταγμένων καθ’ ἕκαστον εἶδος, ῥυτὰ γὰρ καὶ φιάλαι καὶ κύλικες καὶ ἕτερα πολυειδῆ τεχνικώτατα θηρίκλεια καὶ τορείαις ἐπιστημονικῶν ἀνδρῶν ἠκριβωμένα. §50διακονικὰ ἀνδράποδα εὐμορφότατα καὶ περικαλλέστατα, ὡς ἀφιγμένα οὐχ ὑπηρεσίας ἕνεκα μᾶλλον ἢ τοῦ φανέντα τὴν τῶν θεωμένων ὄψιν ἡδῦναι· τούτων οἱ μὲν παῖδες ἔτι ὄντες οἰνοχοοῦσιν, ὑδροφοροῦσι δὲ βούπαιδες λελουμένοι καὶ λελειασμένοι, οἳ τά τε πρόσωπα ἐντρίβονται καὶ ὑπογράφονται καὶ τὰς τῆς κεφαλῆς τρίχας εὖ πως διαπλέκονται σφηκούμενοι· §51βαθυχαῖται γάρ εἰσιν ἢ μὴ κειρόμενοι τὸ παράπαν ἢ τὰς προμετωπιδίους αὐτὸ μόνον ἐξ ἄκρων εἰς ἐπανίσωσιν καὶ γραμμῆς κυκλοτεροῦς ἠκριβωμένον σχῆμα· χιτῶνάς τε ἀραχνοϋφεῖς καὶ ἐκλεύκους ἐπαναζωσάμενοι, τὰ μὲν ἐμπρόσθια κατωτέρω τῶν ὑπὸ γόνου, τὰ δὲ κατόπιν μικρὸν ὑπὸ τοῖς γονατίοις, ἑκάτερον δὲ μέρος οὐλοτέραις ταῖς σειραίαις ἐπιδιπλώσεσι κατὰ τὴν τῶν χιτωνίσκων συμβολὴν συστέλλοντες ἐκ πλαγίων κόλπους ἀπαιωροῦσιν, εὐρύνοντες τὰ κοῖλα τῶν πλευρῶν. §52ἐφεδρεύουσι δ’ ἄλλοι, μειράκια ἢ πρωτογένεια, τοὺς ἰούλους ἄρτι ἀνθοῦντες, ἀθύρματα πρὸ μικροῦ παιδεραστῶν γεγονότες, ἠσκημένοι σφόδρα περιέργως πρὸς τὰς βαρυτέρας ὑπηρεσίας, ἐπίδειξις ἑστιατόρων εὐπορίας, ὡς ἴσασιν οἱ χρώμενοι, ὡς δὲ ἔχει τὸ ἀληθές, ἀπειροκαλίας. §53πρὸς δὲ τούτοις αἱ πεμμάτων καὶ ὄψων καὶ ἡδυσμάτων ποικιλίαι, περὶ ἃ σιτοπόνοι καὶ ὀψαρτυταὶ πονοῦνται, φροντίζοντες οὐ γεῦσιν, ὅπερ ἀναγκαῖον ἦν, ἡδῦναι μόνον, ἀλλὰ καὶ ὄψιν τῇ καθαριότητι. * * * τοὺς αὐχένας ἐν κύκλῳ περιάγοντες τοῖς ὀφθαλμοῖς καὶ τοῖς μυκτῆρσι περιλιχνεύουσι, τοῖς μὲν τὰς εὐσαρκίας καὶ τὸ πλῆθος, τοῖς δὲ τὴν ἀναδιδομένην κνῖσαν.
For what those Olympic victors, being sober, in the stadiums, using the Panhellenes as spectators, do by day with art for the sake of victory and crowns, these men, debasing it at banquets by night in darkness and being drunk, behaving like drunken brawlers, unskilfully and with bad art, actively perform for the dishonor and insult and severe injury of those who endure it.\n And if no one should come forward in the middle as an arbitrator to separate them, they wrestle one another down with greater license, simultaneously murderers and victims; for they suffer no less than what they inflict, which they do not know, being out of their minds, they who endure to drink wine not only, as the comic poet says, for the harm of their neighbors, but also for their own.\n Therefore, those who a little while before entered the banquets safe and as friends, a little later go out as enemies and with their bodies mutilated; and some stand in need of advocates and judges, and others of plasters and doctors and the assistance from these.\n And others of the guests who seem to be more moderate, having drunk the unmixed wine like mandragora, are overwhelmed, and casting forward their left elbow and turning their neck awry, belching into the cups, are oppressed by a deep sleep, seeing nothing and hearing nothing, as if having only one single sense, the most slavish taste.\n And I know some who, when they become tipsy, before being completely drowned, prepare beforehand the drinking of the next day by contributions and subscriptions, supposing that the hope of future drunkenness is a part of the pleasure in hand.\n Living in this manner, they continue homeless and hearthless, enemies of parents, wives, and children, and enemies of their country, and hostile also to themselves; for a wet and dissolute life is a plotter against all.\n Perhaps, however, someone might approve of the arrangement of banquets now prevailing everywhere out of a desire for Italian luxury and indulgence, which both Greeks and barbarians have emulated, making their preparations for display rather than for feasting.\n Couches with three or many cushions are constructed of tortoiseshell or ivory and more costly material, of which most are inlaid with precious stones; purple coverlets with woven gold, and others dyed in flowers of all kinds of colors for the attraction of the sight; a multitude of drinking cups arranged according to each kind, for there are rhytons and phialai and kylikes and other manifold, highly artistic Thericlean vessels, and perfected by the engravings of skillful men.\n Serving slaves are most well-formed and very beautiful, as if having arrived not so much for service as to please the sight of the spectators by being seen; of these, those who are still boys pour wine, and those who are larger boys, washed and smoothed, carry water, who rub their faces with cosmetics and paint their eyes and weave the hair of their head in a certain fine way, binding it tight;\n for they are long-haired, either not cutting it at all, or only that of the forehead from the tips for equalizing it and for the perfected shape of a circular line; and having girded up spider-like and white tunics, the front parts lower than the knees, and the back parts a little below the knees, and drawing together each part with curly rope-like foldings at the junction of the tunics, they hang folds from the sides, widening the hollows of the ribs.\n And others wait in reserve, youths or those just growing their first beard, just blooming with down, who a little while before were the playthings of pederasts, trained very meticulously for the heavier services, a display of the wealth of the hosts, as those who use them know, but as the truth has it, of bad taste.\n And in addition to these, the varieties of pastries and relishes and seasonings, about which bakers and cooks labor, taking thought not only to please the taste, which was necessary, but also the sight by its elegance. * * * turning their necks in a circle, they eagerly lick with their eyes and noses, with the former the fatness and the quantity, and with the latter the rising steam.
εἶτα ὅταν ἀμφοτέρων, ὄψεών τε καὶ ὀσμῶν, γένωνται διακορεῖς, ἐσθίειν κελεύουσιν, ἐπαινέσαντες οὐκ ὀλίγα τὴν παρασκευὴν καὶ τὸν ἑστιάτορα τῆς πολυτελείας.
Then when they have become satiated with both, sights and smells, they bid them eat, having praised not a little the preparation and the host for his luxury.