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Ovid · Letters from the Black Sea §4.8.1-4.8.90

Gratitude to Suillius and an Appeal to Germanicus

Passage 43 of 52 · Latin

Summary

Ovid expresses gratitude to his kinsman Suillius for his letter of support, urging him to intercede with his patron Germanicus. He discusses the immortalizing power of poetry over history and the gods, praises Germanicus's own poetic talent, and begs for assistance in obtaining a less harsh place of exile closer to Rome.

§4.8.1Littera sera quidem, studiis exculte Suilii, §4.8.2huc tua pervenit, sed mihi grata tamen, §4.8.3qua, pia si possit superos lenire rogando §4.8.4gratia, laturum te mihi dicis opem.
A letter late indeed, Suillius highly cultivated in studies, has arrived here from you, but welcome to me nonetheless, in which, if pious affection is able to soothe the gods above by praying, you say that you will bring help to me.
§4.8.5ut iam nil praestes, animi sum factus amici §4.8.6debitor, et meritum velle iuvare voco.
Even if you should now provide nothing, I have been made a debtor of your friendly mind, and I call the wishing to help a merit.
§4.8.7impetus iste tuus longum modo duret in aevum, §4.8.8neve malis pietas sit tua lassa meis.
May that impulse of yours endure for a long age, and may your pious affection not be weary of my misfortunes.
§4.8.9ius aliquod faciunt adfinia vincula nobis, §4.8.10quae semper maneant inlabefacta precor.
The ties of affinity create some right for us, which I pray may always remain unbroken.
§4.8.11nam tibi quae coniunx, eadem mihi filia paene est, §4.8.12et quae te generum, me vocat illa virum,
For she who is your wife is almost a daughter to me, and she who calls you son-in-law calls me husband.
§4.8.13ei mihi, si lectis vultum tu versibus istis §4.8.14ducis et adfinem te pudet esse meum!
Ah me, if, when those verses are read, you draw your face, and are ashamed to be my kinsman!
§4.8.15at nihil hic dignum poteris reperire pudore §4.8.16praeter fortunam, quae mihi caeca fuit.
But you will be able to find nothing here worthy of shame except fortune, which was blind to me.
§4.8.17seu genus excutias, equites ab origine prima §4.8.18usque per innumeros inveniemur avos: §4.8.19sive velis qui sint mores inquirere nostri, §4.8.20errorem misero detrahe, labe carent.
Or if you should examine our lineage, we shall be found to be knights from the very first origin all the way through countless ancestors: or if you should wish to inquire what our character is, take away the error from a miserable man, and it is free from stain.
§4.8.21tu modo si quid agi sperabis posse precando, §4.8.22quos colis, exora supplice voce deos.
If only you hope that anything can be done by praying, entreat with suppliant voice the gods whom you worship.
§4.8.23di tibi sunt Caesar iuvenis, tua numina placa, §4.8.24hac certe nulla est notior ara tibi.
Your gods are the young Caesar, appease your divinities; surely no altar is better known to you than this one.
§4.8.25non sinit illa sui vanas antistitis umquam §4.8.26esse preces: nostris hinc pete rebus opem.
That altar never permits the prayers of its own priest to be in vain: seek help from here for our affairs.
§4.8.27quamlibet exigua si nos ea iuverit aura, §4.8.28obruta de mediis cumba resurget aquis.
If that breeze should help us, however small it may be, the boat, submerged in the midst of the waters, will rise again.
§4.8.29tunc ego tura feram rapidis sollemnia flammis, §4.8.30et valeant quantum numina testis ero.
Then I will bring solemn incense to the rapid flames, and I will be a witness of how much the divinities can do.
§4.8.31nec tibi de Pario statuam, Germanice, templum §4.8.32marmore: carpsit opes illa ruina meas.
Nor, Germanicus, shall I erect a temple for you of Parian marble: that ruin of mine has snatched away my wealth.
§4.8.33templa domus facient vobis urbesque beatae; §4.8.34Naso suis opibus, carmine gratus erit.
Wealthy houses and prosperous cities will build temples for you; Naso, with his own wealth, will be pleasing through his song.
§4.8.35parva quidem fateor pro magnis munera reddi, §4.8.36cum pro concessa verba salute damus, §4.8.37sed qui, quam potuit, dat maxima, gratus abunde est, §4.8.38et finem pietas contigit illa suum.
I confess indeed that small gifts are returned for great ones, when we give words in return for granted safety, but he who gives the greatest he could is abundantly grateful, and that pious affection has reached its goal.
§4.8.39nec quae de parva pauper dis libat acerra §4.8.40tura minus grandi quam data lance valent, §4.8.41agnaque tam lactens quam gramine pasta Falisco §4.8.42victima Tarpeios inficit icta focos, §4.8.43nec tamen officio vatum per carmina facto §4.8.44principibus res est aptior ulla viris.
Nor do the incenses which a poor man offers to the gods from a small censer have less power than those given on a large platter, and a lamb, still sucking, stains the Tarpeian altars when struck, as much as a victim fed on Faliscan grass, yet there is no matter more fitting for leading men than the duty of poets performed through songs.
§4.8.45carmina vestrarum peragunt praeconia laudum, §4.8.46neve sit actorum fama caduca cavent.
Songs carry out the heraldry of your praises, and they take care lest the fame of your deeds be fleeting.
§4.8.47carmine fit vivax virtus, expersque sepulchri §4.8.48notitiam serae posteritatis habet.
By song virtue becomes long-lived, and, free from the grave, has the recognition of late posterity.
§4.8.49tabida consumit ferrum lapidemque vetustas, §4.8.50nullaque res maius tempore robur habet.
Wasting old age consumes iron and stone, no thing has greater strength than time.
§4.8.51scripta ferunt annos, scriptis Agamemnona nosti, §4.8.52et quisquis contra vel simul arma tulit, §4.8.53quis Thebas septemque duces sine carmine nosset, §4.8.54et quicquid post haec, quidquid et ante fuit.
Writings bear the years; by writings you know Agamemnon, and whoever bore arms against him or with him, who would know Thebes and the seven leaders without song, and whatever was after these, and whatever was before?
§4.8.55di quoque carminibus, si fas est dicere, fiunt, §4.8.56tantaque maiestas ore canentis eget.
Even the gods, if it is lawful to say, are made by songs, and so great a majesty stands in need of the singer's mouth.
§4.8.57sic Chaos ex illa naturae mole prioris §4.8.58digestum partes scimus habere suas: §4.8.59sic adfectantes caelestia regna Gigantes §4.8.60ad Styga nimbifero vindicis igne datos.
Thus we know that Chaos, sorted from that mass of prior nature, had its own parts: thus we know that the Giants, aspiring to the celestial kingdoms, were given to the Styx by the rain-bearing fire of the avenger.
§4.8.61sic victor laudem superatis Liber ab Indis, §4.8.62Alcides capta traxit ab Oechalia.
Thus victorious Liber drew praise from the conquered Indians, and Alcides from captured Oechalia.
§4.8.63et modo, Caesar, avum, quem virtus addidit astris, §4.8.64sacrarunt aliqua carmina parte tuum.
And recently, Caesar, some songs, in some part, have consecrated your grandfather, whom virtue added to the stars.
§4.8.65siquid adhuc igitur vivi, Germanice, nostro §4.8.66restat in ingenio, serviet omne tibi.
If therefore any living thing still remains, Germanicus, in my talent, the whole of it shall serve you.
§4.8.67non potes officium vatis contemnere vates: §4.8.68iudicio pretium res habet ista tuo.
You, a poet, cannot despise the duty of a poet: that matter has value by your own judgment.
§4.8.69quod nisi te nomen tantum ad maiora vocasset, §4.8.70gloria Pieridum summa futurus eras.
For unless so great a name had called you to greater things, you were destined to be the highest glory of the Muses.
§4.8.71sed dare materiam nobis quam carmina maius: §4.8.72nec tamen ex toto deserere illa potes.
But it is greater to give material to us than songs: and yet you cannot desert them entirely.
§4.8.73numeris modo bella geris, numeris modo verba coerces, §4.8.74quodque aliis opus est, hoc tibi lusus erit.
At one time you wage war in numbers, at another you restrain words in numbers, and what to others is labor, this to you will be play.
§4.8.75utque nec ad citharam nec ad arcum segnis Apollo est. §4.8.76sed venit ad sacras nervus uterque manus, §4.8.77sic tibi nec docti desunt nec principis artes, §4.8.78mixta sed est animo cum Iove Musa tuo.
And as Apollo is sluggish neither for the lyre nor for the bow, but both strings come to his sacred hands, so neither the arts of the learned nor of the prince are lacking in you, but the Muse is mixed with your Jupiter in your mind.
§4.8.79quae quoniam nec nos unda summovit ab illa, §4.8.80ungula Gorgonei quam cava fecit equi, §4.8.81prosit opemque ferat communia sacra tueri, §4.8.82atque isdem studiis inposuisse manum: §4.8.83litora pellitis nimium subiecta Corallis §4.8.84ut tandem saevos effugiamque Getas: §4.8.85clausaque si misero patria est, ut ponar in ullo, §4.8.86qui minus Ausonia distet ab urbe, loco, §4.8.87unde tuas possim laudes celebrare recentes §4.8.88magnaque quam minima facta referre mora.
Since she has not removed us from that wave which the hollow hoof of the Gorgon horse made, may it be of benefit and bring help to protect the common sacred rites, and to have laid hand upon the same studies: so that I may at last escape the shores too subject to the fur-clad Coralli and the fierce Getis: and if my country is closed to miserable me, that I may be placed in any place which is less distant from the Ausonian city, whence I may be able to celebrate your recent praises and relate your great deeds with the least delay.
§4.8.89tangat ut hoc votum caelestia, care Suilli, §4.8.90numina, pro socero paene precare tuo.
That this vow may touch the celestial divinities, dear Suillius, pray almost for your own father-in-law.

Notes

  1. 4.8.6meritum velle iuvare voco — The infinitive clause `velle iuvare` (wishing to help) is nominalized and functions as the direct object, with `meritum` (merit, favor) acting as its object complement, forming a double accusative construction.
  2. 4.8.12et quae te generum, me vocat illa virum — The relative pronoun `quae` refers to `illa` (the poet's wife), and the verb `vocat` governs two parallel clauses (with `vocat` omitted in the first: `te generum [vocat]`), creating a double accusative structure in each. This symmetrically highlights the kinship between Suillius and Ovid, who call the same woman mother-in-law and husband respectively.
  3. 4.8.60ad Styga nimbifero vindicis igne datos — The perfect participle `datos` forms an accusative infinitive construction `datos esse` (having been cast down). This entire infinitive clause functions as the direct object under the verb `scimus` (we know) in line 58.
  4. 4.8.70gloria Pieridum summa futurus eras — As the apodosis of a contrary-to-fact conditional sentence (introduced by `quod nisi ... vocasset`), the indicative periphrastic conjugation (future participle `futurus` + imperfect `eras`) is used instead of the pluperfect subjunctive to emphasize certainty or destined outcome, meaning 'you were destined to be'.

Cite this passage

Ovid, Letters from the Black Sea §4.8.1-4.8.90. Humanitext Reader, https://reader.humanitext.ai/en/text/urn:cts:latinLit:phi0959.phi009.humanitext-lat2:4.8.1-4.8.90

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