Humanitext Reader

Ovid · The Cure of Love §1-75

Defense to Amor and Offer of the Cure

Passage 1 of 11 · Latin

Summary

The poet clears up a misunderstanding with Amor, receiving permission to write 'Remedia Amoris' to free lovers from destructive passion, and calls upon young men and women to use his art, citing various tragic examples from Greek mythology.

§1Legerat huius Amor titulum nomenque libelli: §2'Bella mihi, video, bella parantur' ait.
Amor had read the title and the name of this little book: 'War, I see, war is being prepared against me,' he said.
§3'Parce tuum vatem sceleris damnare, Cupido, §4Tradita qui toties te duce signa tuli.
'Spare to condemn your poet of a crime, Cupido, who have so often carried the standards entrusted under your leadership.
§5Non ego Tydides, a quo tua saucia mater §6In liquidum rediit aethera Martis equis.
I am not the son of Tydeus, by whom your wounded mother returned into the liquid air on the horses of Mars.
§7Saepe tepent alii iuvenes: ego semper amavi, §8Et si, quid faciam, nunc quoque, quaeris, amo.
Often other youths are lukewarm; I have always loved, and if you ask what I am doing now also, I love.
§9Quin etiam docui, qua posses arte parari, §10Et quod nunc ratio est, impetus ante fuit.
Nay, I have even taught by what art you could be won, and what is now a system was once an impulse.
§11Nec te, blande puer, nec nostras prodimus artes, §12Nec nova praeteritum Musa retexit opus.
Neither you, charming boy, nor our arts do we betray, nor has a new Muse unraveled the past work.
§13Siquis amat quod amare iuvat, feliciter ardens §14Gaudeat, et vento naviget ille suo.
If anyone loves what it pleases to love, let him, happily burning, rejoice, and let him sail with his own wind.
§15At siquis male fert indignae regna puellae, §16Ne pereat, nostrae sentiat artis opem.
But if anyone bears poorly the tyranny of an unworthy girl, lest he perish, let him feel the help of our art.
§17Cur aliquis laqueo collum nodatus amator §18A trabe sublimi triste pependit onus?
Why has some lover, his neck knotted in a noose, hung a sad burden from a high beam?
§19Cur aliquis rigido fodit sua pectora ferro?
Why has someone pierced his own breast with rigid iron?
§20Invidiam caedis, pacis amator, habes.
You, lover of peace, bear the odium of the slaughter.
§21Qui, nisi desierit, misero periturus amore est, §22Desinat; et nulli funeris auctor eris.
He who, unless he desists, is doomed to perish of a miserable love, let him desist; and you will be the author of no one's death.
§23Et puer es, nec te quicquam nisi ludere oportet: §24Lude; decent annos mollia regna tuos.
And you are a boy, and nothing is proper for you except to play: play; gentle reigns suit your years.
§27Vitricus et gladiis et acuta dimicet hasta, §28Et victor multa caede cruentus eat: §29Tu cole maternas, tuto quibus utimur, artes, §30Et quarum vitio nulla fit orba parens.
Let your stepfather fight both with swords and with the sharp spear, and let him go as victor, stained with much slaughter: you cultivate maternal arts, which we use safely, and by whose fault no parent is made bereaved.
§31Effice nocturna frangatur ianua rixa, §32Et tegat ornatas multa corona fores: §33Fac coeant furtim iuvenes timidaeque puellae, §34Verbaque dent cauto qualibet arte viro: §35Et modo blanditias rigido, modo iurgia posti §36Dicat et exclusus flebile cantet amans.
Make it so that the door is broken in a nocturnal brawl, and let many a garland cover the adorned gates: make it so that youths and timid girls meet secretly, and let them deceive the cautious husband by any art: and let the shut-out lover say now flatteries, now insults to the rigid post, and let him sing mournfully.
§37His lacrimis contentus eris sine crimine mortis; §38Non tua fax avidos digna subire rogos. ' §39Haec ego: movit Amor gemmatas aureus alas, §40Et mihi 'propositum perfice' dixit 'opus. ' §41Ad mea, decepti iuvenes, praecepta venite, §42Quos suus ex omni parte fefellit amor.
With these tears you will be content without the crime of death; your torch is not worthy to go under greedy funeral pyres.' Thus I spoke: golden Amor moved his gemmed wings, and said to me, 'Finish the proposed work.' Come to my precepts, deceived youths, whom your own love has deceived in every part.
§43Discite sanari, per quem didicistis amare: §44Una manus vobis vulnus opemque feret.
Learn to be healed by him through whom you learned to love: the same hand will bring both the wound and the help to you.
§45Terra salutares herbas, eademque nocentes §46Nutrit, et urticae proxima saepe rosa est; §47Vulnus in Herculeo quae quondam fecerat hoste, §48Vulneris auxilium Pelias hasta tulit.
The earth nourishes salutary herbs, and the same nourishes harmful ones, and the rose is often closest to the nettle; the Pelian spear brought help for the wound which it had once made in the Herculean enemy.
§49Sed quaecumque viris, vobis quoque dicta, puellae, §50Credite: diversis partibus arma damus, §51E quibus ad vestros siquid non pertinet usus, §52Attamen exemplo multa docere potest.
But whatever is said to men, believe it said to you also, girls: we give weapons to opposing sides, of which, if anything does not pertain to your uses, yet it can teach much by example.
§53Utile propositum est saevas extinguere flammas, §54Nec servum vitii pectus habere sui.
It is a useful purpose to extinguish fierce flames, and not to have a heart slave to its own vice.
§55Vixisset Phyllis, si me foret usa magistro, §56Et per quod novies, saepius isset iter; §57Nec moriens Dido summa vidisset ab arce §58Dardanias vento vela dedisse rates; §59Nec dolor armasset contra sua viscera matrem, §60Quae socii damno sanguinis ulta virum est.
Phyllis would have lived, if she had used me as teacher, and she would have gone more often the journey which she went nine times; nor would dying Dido have seen from her highest citadel the Dardanian ships give their sails to the wind; nor would grief have armed against her own offspring the mother who avenged her husband by the loss of shared blood.
§61Arte mea Tereus, quamvis Philomela placeret, §62Per facinus fieri non meruisset avis.
By my art, Tereus, although Philomela pleased him, would not have deserved to become a bird through crime.
§63Da mihi Pasiphaën, iam tauri ponet amorem: §64Da Phaedram, Phaedrae turpis abibit amor.
Give me Pasiphae, soon she will lay aside her love for the bull: give me Phaedra, the shameful love of Phaedra will depart.
§65Crede Parim nobis, Helenen Menelaus habebit, §66Nec manibus Danais Pergama victa cadent.
Entrust Paris to us, Menelaus will keep Helen, nor will Pergama fall, conquered by Danaan hands.
§67Impia si nostros legisset Scylla libellos, §68Haesisset capiti purpura, Nise, tuo.
If impious Scylla had read our little books, the purple hair would have clung to your head, Nisus.
§69Me duce damnosas, homines, conpescite curas, §70Rectaque cum sociis me duce navis eat.
Under my guidance, O men, restrain your damaging cares, and under my guidance let the straight ship go with its companions.
§71Naso legendus erat tum, cum didicistis amare: §72Idem nunc vobis Naso legendus erit.
Naso had to be read then, when you learned to love: the same Naso will have to be read by you now.
§73Publicus assertor dominis suppressa levabo §74Pectora: vindictae quisque favete suae.
As a public liberator, I will relieve breasts suppressed by masters: let each favor his own deliverance.
§75Te precor incipiens, adsit tua laurea nobis,
I pray to you, Apollo, as I begin, let your laurel be present for us,

Notes

  1. §3Parce tuum vatem sceleris damnare — The verb 'parcere' followed by the infinitive 'damnare'. 'parcere' + infinitive is a poetic construction expressing a prohibition or entreaty ('refrain from doing', 'stop doing'). 'sceleris' is a genitive of charge dependent on 'damnare'.
  2. §5a quo tua saucia mater — The ablative phrase 'a quo' (by whom) refers back to the antecedent 'Tydides' (Diomedes, son of Tydeus). The subject of the verb 'rediit' is 'tua saucia mater' (your wounded mother, Venus), referencing the Trojan War myth where Diomedes wounded her.
  3. §13siquis amat quod amare iuvat — The verb 'iuvat' is used impersonally meaning 'it pleases [someone] to love'. 'quod' is a relative pronoun in the accusative with its antecedent (the object of 'amat') omitted, creating the sense: 'whoever loves that which it pleases to love'.
  4. §34Verbaque dent — The idiomatic expression 'verba dare' (literally 'to give words' instead of deeds), meaning 'to deceive' or 'to trick'. The subjunctive 'dent' expresses a command/wish, referring to the girls and youths deceiving the 'cauto viro' (cautious husband/man).
  5. §55foret usa — The form 'foret' is an alternative for 'esset' (imperfect subjunctive of 'esse'), which combined with the past participle 'usa' (from the deponent 'uti') forms the pluperfect subjunctive. This serves as a past contrary-to-fact condition: 'if she had used me as a teacher'.
  6. §73Publicus assertor — A technical legal term from Roman law; 'assertor' (specifically 'assertor libertatis') is one who formally claims the freedom of a slave in a court of law. Here, the poet uses it metaphorically to describe himself as the public liberator of those enslaved by love.

Cite this passage

Ovid, The Cure of Love §1-75. Humanitext Reader, https://reader.humanitext.ai/en/text/urn:cts:latinLit:phi0959.phi005.humanitext-lat2:1-75

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