Humanitext Reader

Ovid · The Art of Love §2.522-2.596

Tolerating Rivals and the Folly of Catching Lovers

Passage 18 of 30 · Latin

Summary

The poet teaches the rule of tolerating a rival and warns against the folly of catching lovers in the act, illustrating this with the myth of Mars and Venus trapped by Vulcan.

§2.522Isse foras, et te falsa videre puta.
Think that she has gone out, and think that you see false things.
§2.523Clausa tibi fuerit promissa ianua nocte: §2.524Perfer et inmunda ponere corpus humo.
If the promised door has been closed to you at night: endure even to place your body on the dirty ground.
§2.525Forsitan et vultu mendax ancilla superbo §2.526Dicet 'quid nostras obsidet iste fores?' §2.527Postibus et durae supplex blandire puellae, §2.528Et capiti demptas in fore pone rosas.
Perhaps even a lying maid with a proud face will say: "Why is that man besieging our doors?" Flatter the doorposts and the hard girl as a suppliant, and place the roses taken from your head on the door.
§2.529Cum volet, accedes: cum te vitabit, abibis; §2.530Dedecet ingenuos taedia ferre sui.
When she wishes, you will approach; when she avoids you, you will depart; it is unbecoming for free-born men to bear the tediousness of themselves.
§2.531'Effugere hunc non est' quare tibi possit amica
Why should your girlfriend be able to say to you, "There is no escaping this man"?
§2.532Dicere? non omni tempore sensus obest.
Good sense does not always stand in the way.
§2.533Nec maledicta puta, nec verbera ferre puellae §2.534Turpe, nec ad teneros oscula ferre pedes.
Do not think it shameful to bear the curses or the blows of a girl, nor to bring kisses to her tender feet.
§2.535Quid moror in parvis? Animus maioribus instat;
Why do I linger on small things?
§2.536Magna canam: toto pectore, vulgus, ades.
My mind presses on to greater matters; I will sing of great things: be present with all your heart, O crowd.
§2.537Ardua molimur, sed nulla, nisi ardua, virtus: §2.538Difficilis nostra poscitur arte labor.
We attempt arduous things, but there is no virtue unless it is arduous: a difficult labor is demanded by our art.
§2.539Rivalem patienter habe, victoria tecum §2.540Stabit: eris magni victor in arce Iovis.
Tolerate a rival patiently, and victory will stand with you: you will be the victor in the citadel of great Jove.
§2.541Haec tibi non hominem, sed quercus crede Pelasgas §2.542Dicere: nil istis ars mea maius habet.
Believe that not a man, but the Pelasgian oaks are telling these things to you: my art has nothing greater than these.
§2.543Innuet illa, feras; scribet, ne tange tabellas: §2.544Unde volet, veniat; quoque libebit, eat.
If she winks, endure it; if she writes, do not touch the tablets: let her come from where she wishes, let her go where she pleases.
§2.545Hoc in legitima praestant uxore mariti, §2.546Cum, tener, ad partes tu quoque, somne, venis.
Husbands grant this to a lawful wife, when you, gentle sleep, also come to their aid.
§2.547Hac ego, confiteor, non sum perfectus in arte; §2.548Quid faciam? monitis sum minor ipse meis.
In this art, I confess, I am not perfect; what should I do? I myself am inferior to my own advice.
§2.549Mene palam nostrae det quisquam signa puellae, §2.550Et patiar, nec me quo libet ira ferat?
Shall anyone openly give signs to my girl, and shall I endure it, and will anger not carry me wherever it pleases?
§2.551Oscula vir dederat, memini, suus: oscula questus §2.552Sum data; barbaria noster abundat amor.
Her own husband had given her kisses, I remember: I complained of those kisses; our love is full of barbarity.
§2.553Non semel hoc vitium nocuit mihi: doctior ille, §2.554Quo veniunt alii conciliante viri.
This fault has harmed me more than once: more learned is he through whose conciliation other men come.
§2.555Sed melius nescisse fuit: sine furta tegantur, §2.556Ne fugiat ficto fassus ab ore pudor.
But it was better not to have known: let secrets be covered, lest shame, confessed from a feigned face, should flee.
§2.557Quo magis, o iuvenes, deprendere parcite vestras: §2.558Peccent, peccantes verba dedisse putent.
Therefore, O young men, spare to catch your women: let them sin, and let them think they have deceived you while sinning.
§2.559Crescit amor prensis; ubi par fortuna duorum est, §2.560In causa damni perstat uterque sui.
Love increases for those who are caught; when the fortune of the two is equal, each persists in the cause of their own ruin.
§2.561Fabula narratur toto notissima caelo, §2.562Mulciberis capti Marsque Venusque dolis.
A story most famous in all heaven is told, of Mars and Venus caught by the tricks of Mulciber.
§2.563Mars pater, insano Veneris turbatus amore, §2.564De duce terribili factus amator erat.
Father Mars, troubled by the insane love of Venus, had become a lover from a terrible general.
§2.565Nec Venus oranti (neque enim dea mollior ulla est) §2.566Rustica Gradivo difficilisque fuit.
Nor was Venus rude and difficult to the pleading Gradivus (for indeed no goddess is more gentle).
§2.567A, quotiens lasciva pedes risisse mariti §2.568Dicitur, et duras igne vel arte manus.
Ah, how often the wanton girl is said to have laughed at the feet of her husband, and at his hands hardened by fire or art.
§2.569Marte palam simul est Vulcanum imitata, decebat, §2.570Multaque cum forma gratia mixta fuit.
In front of Mars she imitated Vulcan; it became her, and much grace was mixed with her beauty.
§2.571Sed bene concubitus primos celare solebant.
But they used to conceal their first unions well.
§2.572Plena verecundi culpa pudoris erat.
Their fault was full of modest shame.
§2.573Indicio Solis (quis Solem fallere possit?) §2.574Cognita Vulcano coniugis acta suae.
By the evidence of the Sun (who could deceive the Sun?) the deeds of his wife became known to Vulcan.
§2.575Quam mala, Sol, exempla moves! Pete munus ab ipsa
What bad examples you set, O Sun!
§2.576Et tibi, si taceas, quod dare possit, habet.
Seek a gift from her, and she has something she can give you if you keep silent.
§2.577Mulciber obscuros lectum circaque superque §2.578Disponit laqueos: lumina fallit opus.
Mulciber arranges hidden snares around and over the bed: the work deceives the eyes.
§2.579Fingit iter Lemnon; veniunt ad foedus amantes: §2.580Impliciti laqueis nudus uterque iacent.
He feigns a journey to Lemnos; the lovers come to their covenant: both lie naked, entangled in the snares.
§2.581Convocat ille deos; praebent spectacula capti: §2.582Vix lacrimas Venerem continuisse putant.
He summons the gods; the captives present a spectacle: they think Venus could scarcely restrain her tears.
§2.583Non vultus texisse suos, non denique possunt §2.584Partibus obscenis opposuisse manus.
They cannot cover their faces, nor can they at last oppose their hands to their obscene parts.
§2.585Hic aliquis ridens 'in me, fortissime Mavors, §2.586Si tibi sunt oneri, vincula transfer!' ait. §2.587Vix precibus, Neptune, tuis captiva resolvit §2.588Corpora: Mars Thracen occupat, illa Paphon.
Here someone laughing says: "O most brave Mars, if those bonds are a burden to you, transfer them to me!" Scarcely at your prayers, Neptune, does he release the captive bodies: Mars occupies Thrace, she occupies Paphos.
§2.589Hoc tibi pro facto, Vulcane: quod ante tegebant, §2.590Liberius faciunt, ut pudor omnis abest: §2.591Saepe tamen demens stulte fecisse fateris, §2.592Teque ferunt artis paenituisse tuae.
This you got for your deed, Vulcan: what they previously hid, they now do more freely, since all shame is absent: yet often, madman, you confess that you acted foolishly, and they say you repented of your art.
§2.593Hoc vetiti vos este; vetat deprensa Dione §2.594Insidias illas, quas tulit ipsa, dare.
Be forbidden this, you all; detected Dione forbids to set those traps which she herself bore.
§2.595Nec vos rivali laqueos disponite, nec vos §2.596Excipite arcana verba notata manu.
Do not arrange snares for a rival, nor intercept words written by a secret hand.

Notes

  1. 2.522Isse foras — Following 'Dicta erit isse foras' in §2.521, the perfect infinitive 'isse foras' functions as an accusative with infinitive clause (with 'eam' understood) serving as the object of the imperative 'puta'. This counsels a paradoxical acceptance of the rumor as fact.
  2. 2.530taedia ferre sui — The genitive of the reflexive pronoun 'sui' refers back to 'ingenuos'. While literally meaning 'to bear the tediousness of oneself,' it idiomatically refers to 'bearing the state of being a nuisance or tiresome to others (specifically the mistress),' which is unbecoming of a free-born man.
  3. 2.531Effugere hunc non est — The verb 'est' is used impersonally in the sense of 'it is possible' (equivalent to 'potest' or 'licet') with the infinitive 'effugere', meaning 'there is no escaping this man.'
  4. 2.541quercus Pelasgas — The 'Pelasgian oaks' refer to the sacred oaks of Jupiter at Dodona in Epirus, the oldest oracle in Greece. The poet claims his advice has the weight of a divine oracle, rather than mere human opinion.
  5. 2.554Quo veniunt alii conciliante viri — The phrase 'quo ... conciliante' is an ablative absolute construction formed by the ablative of the relative pronoun 'quo' and the present participle 'conciliante'. It means 'with him mediating (or permitting), other men come.'
  6. 2.593Hoc vetiti vos este — The form 'vetiti este' is a plural passive imperative, meaning 'be forbidden of this' or 'you must not do this,' expressing a strong prohibition.

Cite this passage

Ovid, The Art of Love §2.522-2.596. Humanitext Reader, https://reader.humanitext.ai/en/text/urn:cts:latinLit:phi0959.phi004.humanitext-lat2:2.522-2.596

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