Humanitext Reader

Ovid · The Loves §3.9.1-3.9.68

Elegy on the Death of the Poet Tibullus

Passage 46 of 53 · Latin

Summary

Mourning the death of the poet Tibullus, Ovid laments the injustice of death and the immortality of poetry, wishing that Tibullus will reunite with great poets in Elysium.

§3.9.1Memnona si mater, mater ploravit Achillem, §3.9.2Et tangunt magnas tristia fata deas, §3.9.3Flebilis indignos, Elegia, solve capillos!
If a mother wept for Memnon, and a mother for Achilles, and sad fates touch great goddesses, weeping Elegy, loosen your undeservingly disheveled hair!
§3.9.4A, nimis ex vero nunc tibi nomen erit! —
Ah, too much from truth now will your name be!
§3.9.5Ille tui vates operis, tua fama, Tibullus §3.9.6Ardet in extructo, corpus inane, rogo.
That poet of your work, your fame, Tibullus, burns on the built-up pyre, a lifeless body.
§3.9.7Ecce, puer Veneris fert eversamque pharetram §3.9.8Et fractos arcus et sine luce facem; §3.9.9Adspice, demissis ut eat miserabilis alis §3.9.10Pectoraque infesta tundat aperta manu!
Look, Venus' boy carries both his overturned quiver and broken bow and torch without light; look how he goes, wretched, with drooped wings, and beats his bare breast with a beating hand!
§3.9.11Excipiunt lacrimas sparsi per colla capilli, §3.9.12Oraque singultu concutiente sonant.
The hair scattered over his neck catches his tears, and his mouth sounds with shaking sobs.
§3.9.13Fratris in Aeneae sic illum funere dicunt §3.9.14Egressum tectis, pulcher Iule, tuis; §3.9.15Nec minus est confusa Venus moriente Tibullo, §3.9.16Quam iuveni rupit cum ferus inguen aper.
They say he thus, at the funeral of his brother Aeneas, went out from your halls, beautiful Iulus; nor was Venus less confounded at the death of Tibullus than when the fierce boar ruptured the young man's groin.
§3.9.17At sacri vates et divum cura vocamur; §3.9.18Sunt etiam qui nos numen habere putent.
Yet we are called sacred poets and the care of the gods; there are even those who think we possess divinity.
§3.9.19Scilicet omne sacrum mors inportuna profanat, §3.9.20Omnibus obscuras inicit illa manus!
Doubtless, importunate death profanes everything sacred, she lays her dark hands upon all things!
§3.9.21Quid pater Ismario, quid mater profuit Orpheo?
What did his father, what did his mother profit Ismarian Orpheus?
§3.9.22Carmine quid victas obstipuisse feras?
What did it profit that the beasts, conquered by his song, stood amazed?
§3.9.23Et Linon in silvis idem pater 'aelinon!' altis §3.9.24Dicitur invita concinuisse lyra.
And in the deep woods, the same father is said to have sung 'aelinon!' for Linus with an unwilling lyre.
§3.9.25Adice Maeoniden, a quo ceu fonte perenni §3.9.26Vatum Pieriis ora rigantur aquis — §3.9.27Hunc quoque summa dies nigro submersit Averno.
Add the Maeonian, from whom, as from a perennial spring, the mouths of poets are wet with Pierian waters — him too his last day submerged in black Avernus.
§3.9.28Defugiunt avidos carmina sola rogos; §3.9.29Durant, vatis opus, Troiani fama laboris §3.9.30Tardaque nocturno tela retexta dolo.
Songs alone escape the greedy funeral pyres; the fame of the Trojan labor, the poet's work, endures, and the slow web unthreaded by nightly guile.
§3.9.31Sic Nemesis longum, sic Delia nomen habebunt, §3.9.32Altera cura recens, altera primus amor.
Thus Nemesis, thus Delia will have a lasting name, one his recent care, the other his first love.
§3.9.33Quid vos sacra iuvant? quid nunc Aegyptia prosunt
What do your sacred rites help you?
§3.9.34Sistra? quid in vacuo secubuisse toro?
What now do Egyptian sistra profit? What, to have slept apart in an empty bed?
§3.9.35Cum rapiunt mala fata bonos — ignoscite fasso! — §3.9.36Sollicitor nullos esse putare deos.
When evil fates snatch away the good — forgive me for confessing! — I am tempted to think there are no gods.
§3.9.37Vive pius — moriere; pius cole sacra — colentem §3.9.38Mors gravis a templis in cava busta trahet; §3.9.39Carminibus confide bonis — iacet, ecce, Tibullus: §3.9.40Vix manet e toto, parva quod urna capit!
Live pious — you will die; pious, worship sacred things — heavy death will drag from the temples to the hollow tombs; trust in good songs — look, Tibullus lies dead: scarcely remains of the whole of him what a small urn contains!
§3.9.41Tene, sacer vates, flammae rapuere rogales §3.9.42Pectoribus pasci nec timuere tuis?
Did the pyre's flames snatch you, sacred poet, and did they not fear to feed upon your breast?
§3.9.43Aurea sanctorum potuissent templa deorum §3.9.44Urere, quae tantum sustinuere nefas!
They could have burned the golden temples of the holy gods, since they sustained such a great impiety!
§3.9.45Avertit vultus, Erycis quae possidet arces; §3.9.46Sunt quoque, qui lacrimas continuisse negant.
She who possesses the citadel of Eryx averts her face; there are also those who say she did not hold back her tears.
§3.9.47Sed tamen hoc melius, quam si Phaeacia tellus §3.9.48Ignotum vili supposuisset humo.
But yet this is better than if the Phaeacian land had placed you, unknown, under its cheap soil.
§3.9.49Hinc certe madidos fugientis pressit ocellos §3.9.50Mater et in cineres ultima dona tulit; §3.9.51Hinc soror in partem misera cum matre doloris §3.9.52Venit inornatas dilaniata comas, §3.9.53Cumque tuis sua iunxerunt Nemesisque priorque §3.9.54Oscula nec solos destituere rogos.
Here at least your mother closed your moist, fleeing eyes and brought the last gifts to your ashes; here your sister, along with your wretched mother, came into her share of grief, with her unadorned hair torn, and both Nemesis and your former love joined their kisses with yours, and did not leave the pyre lonely.
§3.9.55Delia discedens 'felicius' inquit 'amata §3.9.56Sum tibi; vixisti, dum tuus ignis eram. ' §3.9.57Cui Nemesis 'quid' ait 'tibi sunt mea damna dolori?
Delia, departing, said, "I was loved more happily by you; you lived while I was your flame." To whom Nemesis said, "Why are my losses a grief to you?
§3.9.58Me tenuit moriens deficiente manu. ' §3.9.59Si tamen e nobis aliquid nisi nomen et umbra §3.9.60Restat, in Elysia valle Tibullus erit.
He held me as he died with a failing hand." If, however, something of us remains besides a name and a shadow, Tibullus will be in the Elysian valley.
§3.9.61Obvius huic venias hedera iuvenalia cinctus §3.9.62Tempora cum Calvo, docte Catulle, tuo; §3.9.63Tu quoque, si falsum est temerati crimen amici, §3.9.64Sanguinis atque animae prodige Galle tuae.
May you come to meet him, girded about your youthful temples with ivy, learned Catullus, along with your Calvus; you too, if the accusation of a betrayed friend is false, Gallus, lavish of your blood and of your soul.
§3.9.65His comes umbra tua est; siqua est modo corporis umbra, §3.9.66Auxisti numeros, culte Tibulle, pios.
Your shadow is a companion to these; if only there is any shadow of the body, you have increased the pious numbers, refined Tibullus.
§3.9.67Ossa quieta, precor, tuta requiescite in urna, §3.9.68Et sit humus cineri non onerosa tuo!
May your quiet bones, I pray, rest safe in the urn, and may the earth not be heavy upon your ashes!

Notes

  1. §3.9.3indignos — 'undeserving' or 'unworthy'. Here, it describes the hair of Elegy (personified), which does not deserve to be disheveled in grief for such a tragedy, or it subtly points to the undeserved and unjust nature of Tibullus's death.
  2. §3.9.4ex vero — 'from the truth' or 'etymologically true'. This refers to the etymology of 'Elegy' (from the Greek 'elegeia', lamentation), lamenting that due to Tibullus's death, the genre's name will now become all too literally true to its origins.
  3. §3.9.13dicunt — 'they say' governs an accusative and infinitive construction (AcI), linking the subject accusative 'illum' (him, here Cupid) with the infinitive 'egressum [esse]' (to have gone out). 'pulcher Iule' is an inserted vocative.
  4. §3.9.35sollicitor — passive, 'I am tempted' or 'I am urged'. It takes the following infinitive 'putare' (to think), describing the poetic persona's state of being troubled and shaken to doubt the existence of the gods in the face of unfair reality.
  5. §3.9.43potuissent — subjunctive pluperfect, indicating past potential or capability ('they could have'). Coupled with the relative clause in the next line 'quae... sustinuere' (which sustained such an impiety), it emphasizes that the funeral flames, by mercilessly burning the sacred poet's body, possessed an impious power capable of destroying even the golden temples of the gods.

Cite this passage

Ovid, The Loves §3.9.1-3.9.68. Humanitext Reader, https://reader.humanitext.ai/en/text/urn:cts:latinLit:phi0959.phi001.humanitext-lat2:3.9.1-3.9.68

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