Humanitext Reader

Lucian · The Dream or Lucian's Career §6-9

Dispute Between the Craft of Sculpture and Paideia

Passage 2 of 4 · Greek

Summary

In a dream, two women representing the Craft of Sculpturing and Education (Paideia) appear and fight over the young Lucian. The Craft of Sculpturing urges him to follow her by appealing to family tradition and fame, while Education counters by describing the miserable, low-class life of a manual stonecutter.

§6δύο γυναῖκες λαβόμεναι ταῖν χεροῖν εἷλκόν με πρὸς ἑαυτὴν ἑκατέρα μάλα βιαίως καὶ καρτερῶς· μικροῦ γοῦν με διεσπάσαντο πρὸς ἀλλήλας φιλοτιμούμεναι·
Two women, laying hold of my hands, dragged me towards themselves, each of them very violently and forcefully; indeed, they almost tore me to pieces in their rivalry with one another.
καὶ γὰρ καὶ ἄρτι μὲν ἂν ἡ ἑτέρα ἐπεκράτει καὶ παρὰ μικρὸν ὅλον εἶχέ με, ἄρτι δʼ ἂν αὖθις ὑπὸ τῆς ἑτέρας εἰχόμην.
For now one would prevail and almost had me entirely, and now again I would be held by the other.
ἐβόων δὲ πρὸς ἀλλήλας ἑκατέρα, ἡ μὲν ὡς αὐτῆς ὄντα με κεκτῆσθαι βούλοιτο, ἡ δὲ ὡς μάτην τῶν ἀλλοτρίων ἀντιποιοῖτο.
And each of them cried out against the other, the one wishing to possess me as being her own, the other claiming that she was disputing for what belonged to another in vain.
ἦν δὲ ἡ μὲν ἐργατικὴ καὶ ἀνδρικὴ καὶ αὐχμηρὰ τὴν κόμην, τὼ χεῖρε τύλων ἀνάπλεως, διεζωσμένη τὴν ἐσθῆτα, τιτάνου καταγέμουσα, οἷος ἦν ὁ θεῖος ὁπότε ξέοι τοὺς λίθους·
One of them was a working woman, masculine, with dusty hair, her hands full of calluses, her dress tucked up, covered with plaster dust, just like my uncle was whenever he was scraping stones.
ἡ ἑτέρα δὲ μάλα εὐπρόσωπος καὶ τὸ σχῆμα εὐπρεπὴς καὶ κόσμιος τὴν ἀναβολήν.
The other was very beautiful of face, decent in her appearance, and orderly in her attire.
τέλος δ' οὖν ἐφιᾶσί μοι δικάζειν ὁποτέρᾳ βουλοίμην συνεῖναι αὐτῶν.
At last, then, they left it to me to decide with which of them I wished to associate.
προτέρα δὲ ἡ σκληρὰ ἐκείνη καὶ ἀνδρώδης ἔλεξεν· §7ἐγώ, φίλε παῖ, Ἑρμογλυφικὴ τέχνη εἰμί, ἣν χθὲς ἤρξω μανθάνειν, οἰκεία τέ σοι καὶ συγγενὴς οἴκοθεν· ὅ τε γὰρ πάππος σου — εἰποῦσα τοὔνομα τοῦ μητροπάτορος — λιθοξόος ἦν καὶ τὼ θείω ἀμφοτέρω καὶ μάλα εὐδοκιμεῖτον διʼ ἡμᾶς.
And that harsh and masculine one spoke first: "My dear child, I am the Craft of Sculpturing, which you began to learn yesterday, familiar to you and kindred from your home; for your grandfather" — here she spoke the name of my maternal grandfather — "was a stonecutter, and both your uncles, and they are very highly reputed because of me.
εἰ δʼ ἐθέλεις λήρων μὲν καὶ φληνάφων τῶν παρὰ ταύτης ἀπέχεσθαι, — δείξασα τὴν ἑτέραν — ἕπεσθαι δὲ καὶ συνοικεῖν ἐμοί, πρῶτα μὲν θρέψῃ γεννικῶς καὶ τοὺς ὤμους ἕξεις καρτερούς, φθόνου δὲ παντὸς ἀλλότριος ἔσῃ· καὶ οὔποτε ἄπει ἐπὶ τὴν ἀλλοδαπήν, τὴν πατρίδα καὶ τοὺς οἰκείους καταλιπών, οὐδὲ ἐπὶ λόγοις. . . ἐπαινέσονταί σε πάντες.
But if you are willing to keep away from the silly and trifling talk of this woman," — pointing to the other — "and to follow and live with me, first of all you will be nourished generously, and you will have strong shoulders, and you will be free from all envy; and you will never go away to a foreign land, leaving your country and your relatives, nor for words alone... everyone will praise you.
§8μὴ μυσαχθῇς δὲ τοῦ σχήματος τὸ εὐτελὲς μηδὲ τῆς ἐσθῆτος τὸ πιναρόν· ἀπὸ γὰρ τοιούτων ὁρμώμενος καὶ Φειδίας ἐκεῖνος ἔδειξε τὸν Δία καὶ Πολύκλειτος τὴν Ἥραν εἰργάσατο καὶ Μύρων ἐπῃνέθη καὶ Πραξιτέλης ἐθαυμάσθη.
Do not be disgusted by the meanness of my appearance, nor the dirtiness of my clothing; for starting from such a state, even that famous Pheidias showed his Zeus, and Polyclitus fashioned his Hera, and Myron was praised, and Praxiteles was admired.
προσκυνοῦνται γοῦν οὗτοι μετὰ τῶν θεῶν.
At any rate, these are worshipped along with the gods.
εἰ δὴ τούτων εἷς γένοιο, πῶς μὲν οὐ κλεινὸς αὐτὸς παρὰ πᾶσιν ἀνθρώποις ἔσῃ, ζηλωτὸν δὲ καὶ τὸν πατέρα ἀποδείξεις, περίβλεπτον δὲ ἀποφανεῖς καὶ τὴν πατρίδα;
If, then, you should become one of these, how could you fail to be famous yourself among all men, and you will make your father an object of envy, and you will render your country conspicuous?
Ταῦτα καὶ ἔτι τούτων πλείονα διαπταίουσα καὶ βαρβαρίζουσα πάμπολλα εἶπεν ἡ Τέχνη, μάλα δὴ σπουδῇ συνείρουσα καὶ πείθειν με πειρωμένη· ἀλλʼ οὐκέτι μέμνημαι· τὰ πλεῖστα γὰρ ἤδη μου τὴν μνήμην διέφυγεν.
These things, and even more than these, the Craft said, stumbling and making many grammatical errors, stringing words together with great haste and trying to persuade me; but I no longer remember them, for most of them have already escaped my memory.
ἐπεὶ δʼ οὖν ἐπαύσατο, ἄρχεται ἡ ἑτέρα ὧδέ πως· §9ἐγὼ δέ, ὦ τέκνον, Παιδεία εἰμὶ ἤδη συνήθης σοι καὶ γνωρίμη, εἰ καὶ μηδέπω εἰς τέλος μου πεπείρασαι.
When, therefore, she ceased, the other began in some such way: "And I, my child, am Education, already familiar and known to you, even if you have not yet experienced me to the end.
ἡλίκα μὲν οὖν τὰ ἀγαθὰ ποριῇ λιθοξόος γενόμενος, αὕτη προείρηκεν· οὐδὲν γὰρ ὅτι μὴ ἐργάτης ἔσῃ τῷ σώματι πονῶν κἀν τούτῳ τὴν ἅπασαν ἐλπίδα τοῦ βίου τεθειμένος, ἀφανὴς μὲν αὐτὸς ὤν, ὀλίγα καὶ ἀγεννῆ λαμβάνων, ταπεινὸς τὴν γνώμην, εὐτελὴς δὲ τὴν πρόοδον, οὔτε φίλοις ἐπιδικάσιμος οὔτε ἐχθροῖς φοβερὸς οὔτε τοῖς πολίταις ζηλωτός, ἀλλʼ αὐτὸ μόνον ἐργάτης καὶ τῶν ἐκ τοῦ πολλοῦ δήμου εἷς, ἀεὶ τὸν προὔχοντα ὑποπτήσσων καὶ τὸν λέγειν δυνάμενον θεραπεύων, λαγὼ βίον ζῶν καὶ τοῦ κρείττονος ἕρμαιον ὤν·
How great, then, the benefits you will procure for yourself by becoming a stonecutter, she has already said; for you will be nothing but a laborer, toiling with your body and having placed in this all the hope of your life, being yourself obscure, receiving small and ignoble gains, humble in mind, mean in your public life, neither of service to friends nor formidable to enemies nor enviable to citizens, but simply a laborer and one of the common crowd, always cowering before your superior and courting the one who is able to speak, living the life of a hare and being the prey of the stronger.
εἰ δὲ καὶ Φειδίας ἢ Πολύκλειτος γένοιο καὶ πολλὰ θαυμαστὰ ἐξεργάσαιο, τὴν μὲν τέχνην ἅπαντες ἐπαινέσονται, οὐκ ἔστι δὲ ὅστις τῶν ἰδόντων, εἰ νοῦν ἔχοι, εὔξαιτʼ ἂν σοὶ ὅμοιος γενέσθαι· οἷος γὰρ ἂν ᾖς, βάναυσος καὶ χειρῶναξ καὶ ἀποχειροβίωτος νομισθήσῃ.
And even if you should become a Pheidias or a Polyclitus and accomplish many wonderful works, though all will praise your craft, there is no one of those who see you, if he has sense, who would pray to become like you; for whatever you may be, you will be considered a common craftsman, a manual laborer, and one who lives by the work of his hands."

Notes

  1. §6μικροῦ — An idiomatic expression meaning 'almost' or 'nearly' (originally μικροῦ δεῖν, with δεῖν omitted here). It modifies the Aorist indicative verb (διεσπάσαντο), indicating an event that came close to happening in the past but did not.
  2. §6ἂν ... ἐπεκράτει — The particle ἄν combined with the imperfect indicative (ἐπεκράτει, εἰχόμην) expresses a repeated or habitual action in the past ('would often...', 'used to...'). It should not be confused with the apodosis of a contrary-to-fact condition.
  3. §9οὐδὲν γὰρ ὅτι μὴ — An idiomatic phrase equivalent to οὐδὲν ἄλλο ἤ ('nothing other than'), meaning 'nothing but' or 'merely.' It strongly limits the following clause ἐργάτης ἔσῃ ('you will be a laborer').

Cite this passage

Lucian, The Dream or Lucian's Career §6-9. Humanitext Reader, https://reader.humanitext.ai/en/text/urn:cts:greekLit:tlg0062.tlg029.humanitext-grc2:6-9

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