§1.51.1ἐπιτελέσας δὲ ὁ Κροῖσος ταῦτα ἀπέπεμπε ἐς Δελφούς, καὶ τάδε ἄλλα ἅμα τοῖσι, κρητῆρας δύο μεγάθεϊ μεγάλους, χρύσεον καὶ ἀργύρεον, τῶν ὁ μὲν χρύσεος ἔκειτο ἐπὶ δεξιὰ ἐσιόντι ἐς τὸν νηόν, ὁ δὲ ἀργύρεος ἐπʼ ἀριστερά.
When Croesus had completed these things, he sent them to Delphi, and with them these other things besides: two mixing-bowls of great size, one of gold and one of silver. Of these, the golden one used to lie on the right hand as one enters the temple, and the silver one on the left.
§1.51.2μετεκινήθησαν δὲ καὶ οὗτοι ὑπὸ τὸν νηὸν κατακαέντα καὶ ὁ μὲν χρύσεος κεῖται ἐν τῷ Κλαζομενίων θησαυρῷ, ἕλκων σταθμὸν εἴνατον ἡμιτάλαντον καὶ ἔτι δυώδεκα μνέας, ὁ δὲ ἀργύρεος ἐπὶ τοῦ προνηίου τῆς γωνίης, χωρέων ἀμφορέας ἑξακοσίους· ἐπικίρναται γὰρ ὑπὸ Δελφῶν Θεοφανίοισι.
These also were moved when the temple was burnt down, and the golden one now lies in the treasury of the Clazomenians, weighing eight talents and a half and twelve minae besides; while the silver one lies in the corner of the vestibule, holding six hundred amphorae, for it is used by the Delphians for mixing wine at the festival of Theophania.
§1.51.3φασὶ δὲ μιν Δελφοὶ Θεοδώρου τοῦ Σαμίου ἔργον εἶναι, καὶ ἐγὼ δοκέω· οὐ γὰρ τὸ συντυχὸν φαίνεταί μοι ἔργον εἶναι.
The Delphians say that it is the work of Theodoros of Samos, and I believe so too, for it does not appear to me to be any ordinary work.
καὶ πίθους τε ἀργυρέους τέσσερας ἀπέπεμψε, οἳ ἐν τῷ Κορινθίων θησαυρῷ ἑστᾶσι, καὶ περιρραντήρια δύο ἀνέθηκε, χρύσεόν τε καὶ ἀργύρεον, τῶν τῷ χρυσέῳ ἐπιγέγραπται Λακεδαιμονίων φαμένων εἶναι ἀνάθημα, οὐκ ὀρθῶς λέγοντες·
He also sent four silver jars, which stand in the treasury of the Corinthians, and dedicated two lustral basins, one of gold and one of silver. On the golden one is inscribed that it is an offering of the Lacedaemonians, who claim it as theirs, though they say this incorrectly.
§1.51.4ἔστι γὰρ καὶ τοῦτο Κροίσου, ἐπέγραψε δὲ τῶν τις Δελφῶν Λακεδαιμονίοισι βουλόμενος χαρίζεσθαι, τοῦ ἐπιστάμενος τὸ οὔνομα οὐκ ἐπιμνήσομαι.
For this also is the gift of Croesus, and one of the Delphians inscribed it, wishing to please the Lacedaemonians; whose name I know but will not mention.
ἀλλʼ ὁ μὲν παῖς, διʼ οὗ τῆς χειρὸς ῥέει τὸ ὕδωρ, Λακεδαιμονίων ἐστί, οὐ μέντοι τῶν γε περιρραντηρίων οὐδέτερον.
However, the boy through whose hand the water flows is indeed the work of the Lacedaemonians, but neither of the lustral basins is theirs.
§1.51.5ἄλλα τε ἀναθήματα οὐκ ἐπίσημα πολλὰ ἀπέπεμψε ἅμα τούτοισι ὁ Κροῖσος, καὶ χεύματα ἀργύρεα κυκλοτερέα, καὶ δὴ καὶ γυναικὸς εἴδωλον χρύσεον τρίπηχυ, τὸ Δελφοὶ τῆς ἀρτοκόπου τῆς Κροίσου εἰκόνα λέγουσι εἶναι.
Croesus sent many other offerings without inscriptions along with these, including some round silver platters, and in particular a golden image of a woman three cubits high, which the Delphians say is a likeness of Croesus' baker-woman.
πρὸς δὲ καὶ τῆς ἑωυτοῦ γυναικὸς τὰ ἀπὸ τῆς δειρῆς ἀνέθηκε ὁ Κροῖσος καὶ τὰς ζώνας.
Moreover, Croesus dedicated his own wife's necklaces and girdles.