Humanitext Reader

Plutarch · On Talkativeness §8

Heroes of Reticence and the Virtue of Silence

Passage 4 of 13 · Greek

Summary

Praising the silent virtues of Zeno and Leaena, and introducing the silent endurance of Odysseus, his family, and companions, the author explains the superiority of silence over speech through the anecdote of Pittacus.

§8Ζήνων δʼ ὁ φιλόσοφος, ἵνα μηδʼ ἄκοντος αὐτοῦ πρόηταί τι τῶν ἀπορρήτων ἐκβιαζόμενον τὸ σῶμα ταῖς ἀνάγκαις, διαφαγὼν τὴν γλῶτταν προσέπτυσε τῷ τυράννῳ.
Zeno the philosopher, in order that he might not, even against his will, let slip any of the secrets when his body was forced by tortures, bit off his tongue and spat it at the tyrant.
καλὸν δὲ καὶ Λέαινα τῆς ἐγκρατείας ἔχει γέρας· ἑταίρα τῶν περὶ Ἁρμόδιον ἦν καὶ Ἀριστογείτονα καὶ τῆς ἐπὶ τοὺς τυράννους συνωμοσίας ἐκοινώνει ταῖς ἐλπίσιν ὡς γυνή· καὶ γὰρ αὕτη περὶ τὸν καλὸν ἐκεῖνον ἐβάκχευσε κρατῆρα τοῦ ἔρωτος, καὶ κατωργίαστο διὰ τοῦ θεοῦ τοῖς ἀπορρήτοις.
And Leaena also has a beautiful reward for her self-control; she was a courtesan associated with Harmodius and Aristogeiton, and shared in the conspiracy against the tyrants in her hopes, as a woman might; for she too had danced in frenzy around that beautiful mixing-bowl of love, and through the god had been initiated into the secrets.
ὡς οὖν ἐκεῖνοι πταίσαντες ἀνῃρέθησαν, ἀνακρινομένη καὶ κελευομένη φράσαι τοὺς ἔτι λανθάνοντας οὐκ ἔφρασεν, ἀλλʼ ἐνεκαρτέρησεν, ἐπιδείξασα τοὺς ἄνδρας οὐδὲν ἀνάξιον ἑαυτῶν παθόντας, εἰ τοιαύτην ἠγάπησαν.
So when those men, having failed, were put to death, she, being questioned and ordered to name those who were still undetected, did not speak, but endured to the end, showing that those men had suffered nothing unworthy of themselves if they loved such a woman.
Ἀθηναῖοι δὲ χαλκῆν ποιησάμενοι, λέαιναν ἄγλωσσον ἐν πύλαις τῆς ἀκροπόλεως ἀνέθηκαν, τῷ μὲν θυμοειδεῖ τοῦ ζῴου τὸ ἀήττητον αὐτῆς τῷ δʼ ἀγλώσσῳ τὸ σιωπηρὸν καὶ μυστηριῶδες ἐμφαίνοντες οὐδεὶς γὰρ οὕτω λόγος ὠφέλησε ῥηθεὶς ὡς πολλοὶ σιωπηθέντες·
And the Athenians, having made a bronze statue, dedicated a tongue-less lioness at the gates of the Acropolis, representing her unconquerable spirit by the fierce nature of the beast, and her silence and mystery by its lack of a tongue.
ἔστι γὰρ εἰπεῖν ποτε τὸ σιγηθέν, οὐ μὴν σιωπῆσαί γε τὸ λεχθέν, ἀλλʼ ἐκκέχυται καὶ διαπεφοίτηκεν.
For no spoken word has ever been of such benefit as many things kept silent; for it is possible to speak at some time what has been kept silent, but it is not possible to keep silent what has been spoken, but it has been poured out and has spread abroad.
ὅθεν οἶμαι τοῦ μὲν λέγειν ἀνθρώπους τοῦ δὲ σιωπᾶν θεοὺς διδασκάλους ἔχομεν, ἐν τελεταῖς καὶ μυστηρίοις σιωπὴν παραλαμβάνοντες.
Hence, I believe, we have men as teachers of speaking, but gods of keeping silence, as we receive silence in initiations and mysteries.
ὁ δὲ ποιητὴς τὸν λογιώτατον Ὀδυσσέα σιωπηλότατον πεποίηκε, καὶ τὸν υἱὸν αὐτοῦ καὶ τὴν γυναῖκα καὶ τὴν τροφόν· ἀκούεις γὰρ λεγούσης "ἕξω δʼ ἠύτε περ κρατερὴ δρῦς ἠὲ σίδηρος" αὐτὸς δὲ τῇ Πηνελόπῃ παρακαθήμενος " θυμῷ μὲν γοόωσαν ἑὴν ἐλέαιρε γυναῖκα, ὀφθαλμοὶ δʼ ὡς εἰ κέρα ἕστασαν ἠὲ σίδηρος, ἀτρέμας ἐν βλεφάροισιν. " οὕτω τὸ σῶμα μεστὸν ἦν αὐτῷ πανταχόθεν ἐγκρατείας, καὶ πάντʼ ἔχων ὁ λόγος εὐπειθῆ καὶ ὑποχείρια προσέταττε τοῖς ὄμμασι μὴ δακρύειν, τῇ γλώττῃ μὴ φθέγγεσθαι, τῇ καρδίᾳ μὴ τρέμειν μηδʼ ὑλακτεῖν. "τῷ δʼ αὖτʼ ἐν πείσῃ κραδίη μένε τετληυῖα" μέχρι τῶν ἀλόγων κινημάτων διήκοντος τοῦ λογισμοῦ καὶ τὸ πνεῦμα καὶ τὸ αἷμα πεποιημένου κατήκοον ἑαυτῷ καὶ χειρόηθες.
And the poet has made the most eloquent Odysseus the most silent, and his son, his wife, and his nurse likewise; for you hear her saying, "And I will hold it like a strong oak or iron," and he himself sitting beside Penelope: "In his heart indeed he pitied his weeping wife, but his eyes stood as if they were horn or iron, without trembling within his eyelids." Thus his body was full of self-control on every side, and his reason, having everything obedient and under its control, commanded his eyes not to weep, his tongue not to speak, and his heart not to tremble or bark: "And his heart remained in obedience, enduring." since his reason reached even to unreasoning movements, and made both his breath and his blood obedient and gentle to itself.
τοιοῦτοι δὲ καὶ οἱ πολλοὶ τῶν ἑταίρων· τὸ γὰρ ἑλκομένους καὶ προσουδιζομένους ὑπὸ τοῦ Κύκλωπος μὴ κατειπεῖν τοῦ Ὀδυσσέως μηδὲ δεῖξαι τὸ πεπυρακτωμένον ἐκεῖνο καὶ παρεσκευασμένον ὄργανον ἐπὶ τὸν ὀφθαλμόν, ἀλλʼ ὠμοὺς ἐσθίεσθαι μᾶλλον ἢ φράσαι τι τῶν ἀπορρήτων, ὑπερβολὴν ἐγκρατείας καὶ πίστεως οὐκ ἀπολέλοιπεν.
And such also were most of his companions; for being dragged and dashed to the ground by the Cyclops, not to betray Odysseus nor to point out that heated and prepared instrument for his eye, but to be eaten raw rather than reveal any of the secrets, has left no room for exaggeration of self-control and loyalty.
ὅθεν ὁ Πιττακὸς οὐ κακῶς, τοῦ Αἰγυπτίων βασιλέως πέμψαντος ἱερεῖον αὐτῷ καὶ κελεύσαντος τὸ κάλλιστον καὶ χείριστον ἐξελεῖν κρέας, ἐξέπεμψεν ἐξελὼν τὴν γλῶτταν ὡς ὄργανον μὲν ἀγαθῶν ὄργανον δὲ κακῶν. τῶν μεγίστων οὖσαν.
Hence Pittacus did not do badly when, the king of the Egyptians having sent him a sacrificial beast and ordered him to cut out the best and the worst meat, he cut out and sent back the tongue, as being the instrument of the greatest goods and the instrument of the greatest evils.

Notes

  1. 505dἵνα μηδʼ ἄκοντος αὐτοῦ — The phrase ἄκοντος αὐτοῦ is a genitive absolute construction consisting of the adjective ἄκων and the pronoun αὐτός, conveying a concessive nuance ('even though he was unwilling'). The negative particle μηδέ ('not even') modifies the entire genitive absolute, emphasizing his strong will not to let any secret slip against his voluntary intention under physical coercion.
  2. 505fἐπιδείξασα τοὺς ἄνδρας οὐδὲν ἀνάξιον ἑαυτῶν παθόντας, εἰ τοιαύτην ἠγάπησαν — The accusative participle παθόντας agrees with the subject of the infinitive construction τοὺς ἄνδρας, serving as the object of the participle ἐπιδείξασα. The conditional clause εἰ τοιαύτην ἠγάπησαν does not express a mere hypothesis but rather a factual premise ('if they indeed loved such a woman'), providing the ground for the main statement οὐδὲν ἀνάξιον ἑαυτῶν ('nothing unworthy of themselves').
  3. 506bτὸ γὰρ ἑλκομένους καὶ προσουδιζομένους ... μὴ κατειπεῖν ... μηδὲ δεῖξαι ... ἀλλʼ ὠμοὺς ἐσθίεσθαι μᾶλλον ἢ φράσαι — The subject of the entire sentence is a massive noun clause consisting of the articular infinitive (τὸ ... μὴ κατειπεῖν ... μηδὲ δεῖξαι ... ἀλλʼ ἐσθίεσθαι). Inside this long infinitival clause, accusative participles like ἑλκομένους (agreeing with the implied subject of the infinitives) are embedded, and this whole complex functions as the subject of the verb οὐκ ἀπολέλοιπεν ('has not left behind' i.e., 'reached the very limit').

Cite this passage

Plutarch, On Talkativeness §8. Humanitext Reader, https://reader.humanitext.ai/en/text/urn:cts:greekLit:tlg0007.tlg101.humanitext-grc2:8

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