Humanitext Reader

Ovid · The Loves §1.6.1-1.6.74

Plea to the Doorkeeper to Unlock the Closed Door

Passage 7 of 53 · Latin

Summary

The poet pleads with and threatens the stubborn janitor to unlock the closed door and let him reach his lover, lamenting his suffering, but ultimately fails and departs at dawn.

§1.6.1Ianitor — indignum! — dura religate catena, §1.6.2Difficilem moto cardine pande forem!
Janitor — oh, unworthy sight! — bound with a hard chain, turn the hinge and open the difficult door!
§1.6.3Quod precor, exiguum est — aditu fac ianua parvo §1.6.4Obliquum capiat semiadaperta latus.
What I pray for is a tiny thing — make it so that, with a small opening, the door, half-open, may receive my slanting side.
§1.6.5Longus amor tales corpus tenuavit in usus §1.6.6Aptaque subducto pondere membra dedit.
Long love has thinned my body for such uses, and by removing weight has given me suitable limbs.
§1.6.7Ille per excubias custodum leniter ire §1.6.8Monstrat: inoffensos derigit ille pedes.
He shows how to go gently through the guards' watches; he guides feet that stumble not.
§1.6.9At quondam noctem simulacraque vana timebam; §1.6.10Mirabar, tenebris quisquis iturus erat.
But once I used to fear the night and empty phantoms; I used to wonder at whoever was going to travel in the darkness.
§1.6.11Risit, ut audirem, tenera cum matre Cupido §1.6.12Et leviter 'fies tu quoque fortis' ait. §1.6.13Nec mora, venit amor — non umbras nocte volantis, §1.6.14Non timeo strictas in mea fata manus.
Cupid, with his tender mother, laughed so that I might hear, and gently said: "You too shall become brave." And without delay, love came — I do not fear shadows flitting in the night, nor do I fear hands drawn against my fate.
§1.6.15Te nimium lentum timeo, tibi blandior uni; §1.6.16Tu, me quo possis perdere, fulmen habes.
I fear you, who are too unyielding; I flatter you alone; you hold the thunderbolt with which you can destroy me.
§1.6.17Adspice — uti videas, inmitia claustra relaxa — §1.6.18Uda sit ut lacrimis ianua facta meis!
Look — so that you may see, relax the cruel barriers — how wet the door has become with my tears!
§1.6.19Certe ego, cum posita stares ad verbera veste, §1.6.20Ad dominam pro te verba tremente tuli.
Surely I, when you stood with stripped clothing for your lashings, brought words to your mistress on behalf of your trembling self.
§1.6.21Ergo quae valuit pro te quoque gratia quondam — §1.6.22Heu facinus! — pro me nunc valet illa parum?
Therefore, the gratitude which once had power on your behalf also — alas, what a crime! — does it now have too little power for me?
§1.6.23Redde vicem meritis! grato licet esse quod optas.
Return the favor for my merits! You may be grateful, which you desire.
§1.6.24Tempora noctis eunt; excute poste seram!
The hours of the night are passing; knock the bolt from the post!
§1.6.25Excute! sic, inquam, longa relevere catena, §1.6.26Nec tibi perpetuo serva bibatur aqua!
Knock it! Thus, I say, may you be released from your long chain, nor may slave's water be drunk by you forever!
§1.6.27Ferreus orantem nequiquam, ianitor, audis, §1.6.28Roboribus duris ianua fulta riget.
Iron-hearted janitor, you hear me praying in vain; the door, supported by hard oak, stands rigid.
§1.6.29Urbibus obsessis clausae munimina portae §1.6.30Prosunt; in media pace quid arma times?
Closed gates of defense are useful to besieged cities; but in the midst of peace, why do you fear weapons?
§1.6.31Quid facies hosti, qui sic excludis amantem?
What will you do to an enemy, you who thus shut out a lover?
§1.6.32Tempora noctis eunt; excute poste seram!
The hours of the night are passing; knock the bolt from the post!
§1.6.33Non ego militibus venio comitatus et armis; §1.6.34Solus eram, si non saevus adesset Amor.
I do not come accompanied by soldiers and weapons; I would be alone, if savage Love were not present.
§1.6.35Hunc ego, si cupiam, nusquam dimittere possum; §1.6.36Ante vel a membris dividar ipse meis.
I cannot dismiss him anywhere, even if I should wish to; sooner would I be divided from my own limbs.
§1.6.37Ergo Amor et modicum circa mea tempora vinum §1.6.38Mecum est et madidis lapsa corona comis.
Therefore, Love and a little wine around my temples are with me, and a crown slipped from my wet hair.
§1.6.39Arma quis haec timeat? quis non eat obvius illis?
Who would fear these weapons? Who would not go to meet them?
§1.6.40Tempora noctis eunt; excute poste seram!
The hours of the night are passing; knock the bolt from the post!
§1.6.41Lentus es: an somnus, qui te male perdat, amantis §1.6.42Verba dat in ventos aure repulsa tua?
You are sluggish: or does sleep, which may ruin you badly, scatter the lover's words to the winds, repulsed by your ear?
§1.6.43At, memini, primo, cum te celare volebam, §1.6.44Pervigil in mediae sidera noctis eras.
But, I remember, at first, when I wished to hide from you, you were awake all night under the stars of midnight.
§1.6.45Forsitan et tecum tua nunc requiescit amica — §1.6.46Heu, melior quanto sors tua sorte mea!
Perhaps even now your girlfriend is resting with you — alas, how much better is your lot than mine!
§1.6.47Dummodo sic, in me durae transite catenae!
As long as it is so, pass onto me, hard chains!
§1.6.48Tempora noctis eunt; excute poste seram!
The hours of the night are passing; knock the bolt from the post!
§1.6.49Fallimur, an verso sonuerunt cardine postes, §1.6.50Raucaque concussae signa dedere fores?
Am I deceived, or did the posts sound with a turned hinge, did the shaken door give its hoarse signals?
§1.6.51Fallimur — inpulsa est animoso ianua vento.
I am deceived — the door was pushed by a spirited wind.
§1.6.52Ei mihi, quam longe spem tulit aura meam!
Woe is me, how far the breeze has carried away my hope!
§1.6.53Si satis es raptae, Borea, memor Orithyiae, §1.6.54Huc ades et surdas flamine tunde foris!
If you are sufficiently mindful, Boreas, of stolen Orithyia, come hither and beat these deaf doors with your blast!
§1.6.55Urbe silent tota, vitreoque madentia rore §1.6.56Tempora noctis eunt; excute poste seram!
They are silent in the whole city, and wet with glassy dew, the hours of the night are passing; knock the bolt from the post!
§1.6.57Aut ego iam ferroque ignique paratior ipse, §1.6.58Quem face sustineo, tecta superba petam.
Or I myself, now better prepared with iron and fire, which I sustain with a torch, will attack this proud house.
§1.6.59Nox et Amor vinumque nihil moderabile suadent; §1.6.60Illa pudore vacat, Liber Amorque metu.
Night and Love and wine persuade to nothing moderate; the former is free from shame, Liber and Love from fear.
§1.6.61Omnia consumpsi, nec te precibusque minisque §1.6.62Movimus, o foribus durior ipse tuis.
I have exhausted everything, yet neither by prayers nor threats have we moved you, oh you who are harder than your own doors.
§1.6.63Non te formosae decuit servare puellae §1.6.64Limina, sollicito carcere dignus eras.
It did not suit you to guard the threshold of a beautiful girl; you were worthy of an anxious prison.
§1.6.65Iamque pruinosus molitur Lucifer axes, §1.6.66Inque suum miseros excitat ales opus.
And now frosty Lucifer is steering his axle, and the winged bird rouses wretched men to their work.
§1.6.67At tu, non laetis detracta corona capillis, §1.6.68Dura super tota limina nocte iace!
But you, crown torn from my unhappy hair, lie upon the hard threshold all night long!
§1.6.69Tu dominae, cum te proiectam mane videbit, §1.6.70Temporis absumpti tam male testis eris.
You will be a witness to your mistress, when she sees you cast aside in the morning, of time so badly wasted.
§1.6.71Qualiscumque vale sentique abeuntis honorem; §1.6.72Lente nec admisso turpis amante, vale!
Farewell, whatever you are like, and receive the tribute of one departing; farewell, stubborn man, and shameful for not letting the lover in!
§1.6.73Vos quoque, crudeles rigido cum limine postes §1.6.74Duraque conservae ligna, valete, fores!
You too, cruel doorposts with your rigid threshold, and doors, hard wood of a fellow slave, farewell!

Notes

  1. 1.6.18Uda sit ut — The conjunction ut with the subjunctive sit is interpreted here either as an exclamation ('how wet...') or as an indirect question clause dependent on Adspice (1.6.17) ('see how...'). It could also be understood as a purpose clause ('so that...'), in which case it would modify relaxa.
  2. 1.6.23grato licet esse — The subject of the infinitive following licet (the implied tibi) attracts the predicate adjective gratus into the dative case grato (dative attraction). The meaning is 'it is permitted to you to be a grateful person, which is what you desire.'
  3. 1.6.34Solus eram — In a conditional sentence with a contrary-to-fact subjunctive imperfect in the protasis (si non adesset), the indicative imperfect (eram) is used in the apodosis. This is a rhetorical device emphasizing how close the event came to happening, or its vivid reality.
  4. 1.6.58Quem — The accusative masculine singular relative pronoun. Its antecedent is igni (ignisque) in the preceding line (1.6.57), meaning 'the fire which I sustain with a torch (fax).'

Cite this passage

Ovid, The Loves §1.6.1-1.6.74. Humanitext Reader, https://reader.humanitext.ai/en/text/urn:cts:latinLit:phi0959.phi001.humanitext-lat2:1.6.1-1.6.74

Please note the AI-draft status of the translation and the date accessed.

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