- Source
- Diogenes Laertius. Hicks, R. D., editor. Cambridge, MA.: Harvard University Press; London: William Heinemann Ltd., 1925.
- Translation
- AI-generated (gemini-3.8-flash) — machine translation; may contain errors
- Languages
- 日本語 · English · 简体中文 · 한국어
- CTS URN
- urn:cts:greekLit:tlg0004.tlg001.humanitext-grc2:6.2.76-6.2.81
- Generated
- Humanitext Reader · reader.humanitext.ai · 2026-09-27
The passage records Diogenes' influence on disciples and public figures, his death in old age and the varied accounts of its cause, his burial and honorary epitaphs, concluding with a catalog of his writings, a list of homonymous figures, and a final personal anecdote.
τὸ τρίτον αὐτὸν ἀφιγμένον1 μηδὲν ἧττον συνεῖναι τοῖς παισὶ συμφιλοσοφοῦντα. τοιαύτη τις προσῆν ἴυγξ τοῖς Διογένους λόγοις. ἤκουσε δʼ αὐτοῦ καὶ Φωκίων ὁ ἐπίκλην χρηστὸς καὶ Στίλπων ὁ Μεγαρεὺς καὶ ἄλλοι πλείους ἄνδρες πολιτικοί. Λέγεται δὲ πρὸς τὰ ἐνενήκοντα ἔτη βιοὺς τελευτῆσαι. περὶ δὲ τοῦ θανάτου διάφοροι λέγονται λόγοι· οἱ μὲν γὰρ πολύποδα φαγόντα ὠμὸν χολερικῇ ληφθῆναι καὶ ὧδε τελευτῆσαι· οἱ δὲ τὸ πνεῦμα συγκρατήσαντα, ὧν ἐστι καὶ Κερκιδᾶς ὁ Μεγαλοπολίτης [ἢ Κρής], λέγων ἐν τοῖς μελιάμβοις οὕτως· "οὐ μὰν ὁ πάρος γε Σινωπεὺς τῆνος ὁ βακτροφόρας, διπλοείματος, αἰθεριβόσκας,"
And it is said that he himself (the father) came a third time, but no less consorted with Diogenes together with his sons, practicing philosophy with him; so great a spell of enchantment was attached to the words of Diogenes. Phocion, surnamed the Good, and Stilpo the Megarian, along with many other public men, also became his listeners. He is said to have died having lived to nearly ninety years of age. Different accounts are given concerning his death: some say that he ate a raw octopus, was seized with cholera, and died in this way; others say that he held his breath, among whom is Cercidas of Megalopolis [or Crete], who says in his meliambics as follows: "Not so indeed was that Sinopian of old, he who bore the staff, double-cloaked, feeding on the open air;
" ἀλλʼ ἀνέβα χεῖλος ποτʼ ὀδόντας ἐρείσας [καὶ τὸ πνεῦμα συνδακών]. ἦς γὰρ ἀλαθέως Διογένης Ζανὸς γόνος οὐράνιός τε κύων." Ἄλλοι φασὶ πολύπουν κυσὶ συμμερίσασθαι βουλόμενον οὕτω δηχθῆναι τοῦ ποδὸς τὸν τένοντα καὶ καταστρέψαι. οἱ μέντοι γνώριμοι αὐτοῦ, καθά φησιν Ἀντισθένης ἐν Διαδοχαῖς, εἴκαζον τὴν τοῦ πνεύματος συγκράτησιν. ἐτύγχανε μὲν γὰρ διάγων ἐν τῷ Κρανείῳ τῷ πρὸ τῆς Κορίνθου γυμνασίῳ· κατὰ δὲ τὸ ἔθος ἧκον οἱ γνώριμοι καὶ αὐτὸν καταλαμβάνουσιν ἐγκεκαλυμμένον καὶ εἴκασαν αὐτὸν κοιμᾶσθαι· οὐδὲ γὰρ ἦν τις νυσταλέος καὶ ὑπνηλός. ὅθεν, ἀποπετάσαντες τὸν τρίβωνα ἔκπνουν αὐτὸν καταλαμβάνουσι καὶ ὑπέλαβον τοῦτο πρᾶξαι βουλόμενον λοιπὸν ὑπεξελθεῖν τοῦ βίου.
but he ascended pressing his lip against his teeth [and biting off his breath]. For truly Diogenes was Zeus’s offspring and a hound of heaven." Others say that, wishing to divide an octopus among dogs, he was thus bitten on the tendon of his foot and met his end. His acquaintances, however, as Antisthenes says in the *Successions*, surmised that he held his breath. For he happened to be staying in the Craneum, the gymnasium before Corinth; and according to custom the acquaintances came and found him covered up, and they surmised that he was asleep, for he was not at all drowsy or given to sleep. Then, uncovering his cloak, they found him expired, and conjectured that he had done this from a desire at last to depart from life.
Ἔνθα καὶ στάσις, ὥς φασιν, ἐγένετο τῶν γνωρίμων, τίνες αὐτὸν θάψουσιν· ἀλλὰ καὶ μέχρι χειρῶν ἦλθον. ἀφικομένων δὲ τῶν πατέρων καὶ τῶν ὑπερεχόντων, ὑπὸ τούτοις ταφῆναι2 τὸν ἄνδρα παρὰ τῇ πύλῃ τῇ φερούσῃ εἰς τὸν Ἰσθμόν. ἐπέστησάν τʼ αὐτῷ κίονα καὶ ἐπʼ αὐτῷ λίθου Παρίου κύνα. ὕστερον δὲ καὶ οἱ πολῖται αὐτοῦ χαλκαῖς εἰκόσιν ἐτίμησαν αὐτὸν καὶ ἐπέγραψαν οὕτω· "γηράσκει καὶ χαλκὸς ὑπὸ χρόνου, ἀλλὰ σὸν οὔτι κῦδος ὁ πᾶς αἰών, Διόγενες, καθελεῖ· μοῦνος ἐπεὶ βιοτᾶς αὐτάρκεα δόξαν ἔδειξας θνατοῖς καὶ ζωᾶς οἶμον ἐλαφροτάταν."
Thereupon, as they say, a strife also arose among his acquaintances as to which of them should bury him, and they even came to blows. But when the fathers and men of distinction arrived, the man was buried by their hands near the gate leading to the Isthmus. They set up over him a pillar, and upon it a dog of Parian marble. Later, his fellow citizens also honored him with bronze statues and inscribed the following epigram: "Even bronze grows old under time, but your glory, Diogenes, all eternity shall never tear down; since you alone showed to mortals the self-sufficient rule of life, and the lightest path of living."
Ἔστι καὶ ἡμῶν ἐν τῷ προκελευσματικῷ μέτρῳ· "Α. Διόγενες, ἄγε λέγε τίς ἔλαβέ σε μόρος ἐς Ἄϊδος. Δ. ἔλαβέ με κυνὸς ἄγριον ὀδάξ." Ἔνιοι δέ φασι τελευτῶντα αὐτὸν [καὶ] ἐντείλασθαι ἄταφον ῥῖψαι ὡς πᾶν θηρίον αὐτοῦ μετάσχοι, ἢ εἴς γε βόθρον συνῶσαι καὶ ὀλίγην κόνιν ἐπαμῆσαι· οἱ δέ, εἰς τὸν Ἰλισσὸν ἐμβαλεῖν, ἵνα τοῖς ἀδελφοῖς χρήσιμος γένηται. Δημήτριος δʼ ἐν τοῖς Ὁμωνύμοις φησὶ τῆς αὐτῆς ἡμέρας Ἀλέξανδρον μὲν ἐν Βαβυλῶνι, Διογένην δʼ ἐν Κορίνθῳ τελευτῆσαι. ἦν δὲ γέρων κατὰ τὴν τρίτην καὶ δεκάτην καὶ ἑκατοστὴν Ὀλυμπιάδα.
There is also a poem of our own in the proceleusmatic meter: "A. Come, tell me, Diogenes, what fate took you to Hades? D. The savage bite of a dog took me." Some say that when dying he ordered them to cast him out unburied so that every wild beast might partake of him, or to thrust him into a pit and scrape a little dust over him; others say that he ordered them to throw him into the Ilissus, so that he might become useful to his brethren. Demetrius says in his *Homonyms* that Alexander died in Babylon and Diogenes in Corinth on the very same day. He was an old man in the hundred and thirteenth Olympiad.
Φέρεται δʼ αὐτοῦ βιβλία τάδε· διάλογοι· Κεφαλίων. Ἰχθύας. Κολοιός. Πόρδαλος. Δῆμος Ἀθηναίων. Πολιτεία. Τέχνη ἠθική. Περὶ πλούτου. Ἐρωτικός. Θεόδωρος. Ὑψίας. Ἀρίσταρχος. Περὶ θανάτου. Ἐπιστολαί. Τραγῳδίαι ἑπτά· Ἑλένη. Θυέστης. Ἡρακλῆς. Ἀχιλλεύς. Μήδεια. Χρύσιππος. Οἰδίπους. Σωσικράτης δʼ ἐν τῷ πρώτῳ τῆς Διαδοχῆς καὶ Σάτυρος ἐν τῷ τετάρτῳ τῶν Βίων οὐδὲν εἶναι Διογένους φασί· τά τε τραγῳδάριά φησιν ὁ Σάτυρος Φιλίσκου εἶναι τοῦ Αἰγινήτου, γνωρίμου τοῦ Διογένους. Σωτίων δʼ ἐν τῷ ἑβδόμῳ ταῦτα μόνα φησὶ Διογένους εἶναι, Περὶ ἀρετῆς, Περὶ ἀγαθοῦ, Ἐρωτικόν, Πτωχόν, Τολμαῖον, Πόρδαλον, Κάσανδρον, Κεφαλίωνα, Φιλίσκον, Ἀρίσταρχον, Σίσυφον, Γανυμήδην, Χρείας, Ἐπιστολάς.
And the following books of his are in circulation: dialogues; *Cephalion*, *Ichthyas*, *The Jackdaw*, *Pordalus*, *The People of Athens*, *Republic*, *The Art of Ethics*, *On Wealth*, *The Art of Love*, *Theodorus*, *Hypsias*, *Aristarchus*, *On Death*, *Letters*. Seven tragedies: *Helen*, *Thyestes*, *Heracles*, *Achilles*, *Medea*, *Chrysippus*, *Oedipus*. Sosicrates in the first book of his *Succession* and Satyrus in the fourth book of his *Lives* say that none of these is by Diogenes; and Satyrus says the short tragedies are by Philiscus of Aegina, the acquaintance of Diogenes. Sotion, however, in the seventh book says that these alone are by Diogenes: *On Virtue*, *On the Good*, *The Art of Love*, *The Beggar*, *The Bold Man*, *Pordalus*, *Casander*, *Cephalion*, *Philiscus*, *Aristarchus*, *Sisyphus*, *Ganymede*, *Anecdotes*, *Letters*.
Γεγόνασι δὲ Διογένεις πέντε· πρῶτος Ἀπολλωνιάτης, φυσικός· ἀρχὴ δʼ αὐτῷ τοῦ συγγράμματος ἥδε· Λόγου παντὸς ἀρχόμενον δοκέει μοι χρεὼν εἶναι τὴν ἀρχὴν ἀναμφισβήτητον παρέχεσθαι3. δεύτερος Σικυώνιος, ὁ γράψας τὰ περὶ Πελοπόννησον· τρίτος αὐτὸς οὗτος· τέταρτος στωικός, γένος Σελευκεύς, ὁ καὶ Βαβυλώνιος καλούμενος διὰ τὴν γειτονίαν· πέμπτος Ταρσεύς, γεγραφὼς περὶ ποιητικῶν ζητημάτων ἃ λύειν ἐπιχειρεῖ. Τὸν δὴ φιλόσοφον Ἀθηνόδωρός φησιν ἐν ὀγδόῃ Περιπάτων ἀεὶ στιλπνὸν φαίνεσθαι διὰ τὸ ἀλείφεσθαι.
There have been five men named Diogenes: the first from Apollonia, a natural philosopher, and the beginning of his treatise is as follows: "It seems to me that one who begins any discourse must present his starting point beyond dispute." The second was from Sicyon, who wrote about the Peloponnese; the third was this man himself; the fourth was a Stoic, by birth of Seleucia, who was also called the Babylonian because of proximity; the fifth was of Tarsus, who wrote on poetic problems which he attempts to solve. Athenodorus says in the eighth book of his *Walks* that this philosopher always appeared sleek because of rubbing himself.
- 6.2.76τὸ τρίτον αὐτὸν ἀφιγμένον
Continuation of the accusative and infinitive construction governed by λέγεται at the end of the previous section (§75). The pronoun αὐτόν refers to the father, Onesicritus, after his two sons (Androsthenes and Philiscus) had already been sent. τὸ τρίτον functions as an adverbial accusative ('for the third time').
- 6.2.78ὑπὸ τούτοις ταφῆναι
The preposition ὑπό takes the dative τούτοις (referring back to 'the fathers and men of distinction') to denote the persons under whose authority and agency the burial was conducted. While Classical prose regularizes ὑπό + genitive for personal agency, ὑπό + dative is found in poetry and later prose expressing agency or supervision ('under their auspices/by their hands').
- 6.2.81Λόγου παντὸς ἀρχόμενον δοκέει μοι χρεὼν εἶναι τὴν ἀρχὴν ἀναμφισβήτητον παρέχεσθαι
Quotation of the opening sentence of Diogenes of Apollonia. The impersonal main clause δοκέει μοι ('it seems to me') governs the infinitive clause χρεὼν εἶναι ('that it is necessary'), which in turn governs the middle infinitive παρέχεσθαι ('to present/provide'). The participle ἀρχόμενον is masculine accusative singular, functioning as the subject of παρέχεσθαι ('that one who begins any discourse should present...').
