← Diogenes Laertius

Lives and Opinions of Eminent Philosophers

§5.6.86-5.6.89

Life, Catalogue of Writings, and Death of Heraclides

Heraclides of Pontus' background, philosophical teachers, appearance, and luxurious manners are described, followed by an extensive catalog of his dialogues spanning ethics, physics, grammar, music, rhetoric, and history. The section concludes with remarks on his style, his liberation of his homeland, and an anecdote regarding his orchestrated death.

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Ἡρακλείδης Εὐθύφρονος Ἡρακλεώτης τοῦ Πόντου, ἀνὴρ πλούσιος. Ἀθήνησι δὲ παρέβαλε πρῶτον μὲν Σπευσίππῳ· ἀλλὰ καὶ τῶν Πυθαγορείων διήκουσε καὶ τὰ Πλάτωνος ἐζηλώκει· καὶ ὕστερον ἤκουσεν Ἀριστοτέλους, ὥς φησι Σωτίων ἐν Διαδοχαῖς. οὗτος ἐσθῆτί τε μαλακῇ ἐχρῆτο καὶ ὑπέρογκος ἦν τὸ σῶμα, ὥστʼ αὐτὸν ὑπὸ τῶν Ἀττικῶν μὴ Ποντικὸν ἀλλὰ Πομπικὸν καλεῖσθαι. πρᾷός τʼ ἦν τὸ βλέμμα1 καὶ σεμνός. φέρεται δʼ αὐτοῦ συγγράμματα κάλλιστά τε καὶ ἄριστα· διάλογοι, ὧν ἠθικὰ μὲν Περὶ δικαιοσύνης γ′. Ἓν δὲ περὶ σωφροσύνης Περί τʼ εὐσεβείας ε′ καὶ Περὶ ἀνδρείας α′. Κοινῶς τε περὶ ἀρετῆς α′ καὶ ἄλλο. Περὶ εὐδαιμονίας α′.

​Heraclides, the son of Euthyphron, of Heraclea in Pontus, was a wealthy man. At Athens he first attached himself to Speusippus; but he also attended the lectures of the Pythagoreans, was an admirer of Plato’s doctrines, and later listened to Aristotle, as Sotion says in his Successions. He wore soft garments and was of immense bulk in body, so that by the Athenians he was called not "the Pontic" (Pontikos) but "the Pompous" (Pompikos). His glance was mild and dignified. Works of his are extant that are most beautiful and excellent: dialogues, of which the ethical ones are: On Justice, three books; On Moderation, one book; On Piety, five books; On Courage, one book; On Virtue in general, one book, and another work; On Happiness, one book;

Περὶ τῆς ἀρχῆς α′ καὶ Νόμων α′ καὶ τῶν συγγενῶν τούτοις. Περὶ ὀνομάτων α′. Συνθῆκαι α′. Ἀκούσιος α′. Ἐρωτικὸς καὶ Κλεινίας α′. Φυσικὰ δὲ Περὶ νοῦ. Περὶ ψυχῆς καὶ κατʼ ἰδίαν περὶ ψυχῆς καὶ Περὶ φύσεως καὶ Περὶ εἰδώλων. Πρὸς Δημόκριτον. Περὶ τῶν ἐν οὐρανῷ α′. Περὶ τῶν ἐν ᾅδου. Περὶ βίων α′ β′. Αἰτίαι περὶ νόσων α′. Περὶ τἀγαθοῦ α′. Πρὸς τὰ Ζήνωνος α′. Πρὸς τὰ Μήτρωνος α′. Γραμματικὰ δὲ Περὶ τῆς Ὁμήρου καὶ Ἡσιόδου ἡλικίας α′ β′. Περὶ Ἀρχιλόχου καὶ Ὁμήρου α′ β′. Καὶ μουσικὰ δὲ Περὶ τῶν παρʼ Εὐριπίδῃ καὶ Σοφοκλεῖ α′ β′ γ′. Περὶ μουσικῆς α′ β′.

​On Rulership, one book; On Laws, one book, and works akin to these; On Names, one book; Covenants, one book; Involuntary Acts, one book; Eroticus and Cleinias, one book. The physical ones are: On the Intellect; On the Soul, and a separate work On the Soul; On Nature; On Images; Against Democritus; On Celestial Phenomena, one book; On the Things in Hades; On Lives, two books; Causes concerning Diseases, one book; On the Good, one book; Against the Doctrines of Zeno, one book; Against Metron, one book. The grammatical ones are: On the Age of Homer and Hesiod, two books; On Archilochus and Homer, two books. And also musical ones: On the Passages in Euripides and Sophocles, three books; On Music, two books;

Λύσεων Ὁμηρικῶν α′ β′. Θεωρηματικὸν α′. Περὶ τῶν τριῶν τραγῳδοποιῶν α′. Χαρακτῆρες α′. Περὶ ποιητικῆς καὶ τῶν ποιητῶν α′. Περὶ στοχασμοῦ α′. Προοπτικὸν α′. Ἡρακλείτου ἐξηγήσεις δ′. Πρὸς τὸν Δημόκριτον ἐξηγήσεις α′. Λύσεων ἐριστικῶν α′ β′. Ἀξίωμα α′. Περὶ εἰδῶν α′. Λύσεις α′. Ὑποθῆκαι α′. Πρὸς Διονύσιον α′. Ῥητορικὰ δὲ Περὶ τοῦ ῥητορεύειν ἢ Πρωταγόρας. Ἱστορικά· Περὶ τῶν Πυθαγορείων καὶ Περὶ εὑρημάτων. Τούτων τὰ μὲν κωμικῶς πέπλακεν, ὡς τὸ Περὶ ἡδονῆς καὶ Περὶ σωφροσύνης· τὰ δὲ τραγικῶς, ὡς τὸ Περὶ τῶν καθʼ ᾅδην καὶ τὸ Περὶ εὐσεβείας καὶ τὸ Περὶ ἐξουσίας.

​Homeric Solutions, two books; Theoretical Treatises, one book; On the Three Tragic Poets, one book; Characters, one book; On Poetics and the Poets, one book; On Conjecturing, one book; Perspective, one book; Expositions of Heraclitus, four books; Expositions against Democritus, one book; Eristic Solutions, two books; Axiom, one book; On Forms, one book; Solutions, one book; Admonitions, one book; To Dionysius, one book. The rhetorical works are: On Speaking Rhetorically, or Protagoras. The historical ones: On the Pythagoreans; On Inventions. Of these, some he has composed in a comic vein, such as On Pleasure and On Moderation; others in a tragic vein, such as On the Things in Hades, On Piety, and On Authority.

Ἔστι δʼ αὐτῷ καὶ μεσότης τις ὁμιλητικὴ φιλοσόφων τε καὶ στρατηγικῶν καὶ πολιτικῶν ἀνδρῶν πρὸς ἀλλήλους διαλεγομένων. ἀλλὰ καὶ γεωμετρικά ἐστιν αὐτοῦ καὶ διαλεκτικά. ἄλλως τʼ ἐν ἅπασι ποικίλος τε καὶ διηρμένος τὴν λέξιν2 ἐστὶ καὶ ψυχαγωγεῖν ἱκανῶς δυνάμενος. Δοκεῖ δὲ καὶ τὴν πατρίδα τυραννουμένην ἐλευθερῶσαι, τὸν μόναρχον κτείνας, ὥς φησι Δημήτριος ὁ Μάγνης ἐν Ὁμωνύμοις. ὃς καὶ τοιόνδε ἱστορεῖ περὶ αὐτοῦ· θρέψαι αὐτὸν δράκοντα ἐκ νέου καὶ αὐξηθέντα, ἐπειδὴ τελευτᾶν ἔμελλε, κελεῦσαί τινι τῶν πιστῶν αὑτοῦ τὸ σῶμα κατακρύψαι, τὸν δὲ δράκοντα ἐπὶ τῆς κλίνης θεῖναι3, ἵνα δόξειεν εἰς θεοὺς μεταβεβηκέναι.

​He also possesses a certain middle style suitable for conversation, in which philosophers, generals, and statesmen converse with one another. There are moreover geometrical and dialectical writings of his. Above all, in all his works he is varied and elevated in diction, and capable of charming the mind effectively. He is also reputed to have freed his native city when it was under tyranny, having slain the monarch, as Demetrius of Magnesia says in his Men of the Same Name. Demetrius also relates the following tale concerning him: that he reared a serpent from its youth, and when it was fully grown, and he himself was on the point of death, he ordered one of his trusted attendants to conceal his corpse, and to place the serpent upon his bed, in order that he might seem to have passed into the company of the gods.

Syntax notes3 items
  1. 5.6.86ὑπέρογκος ἦν τὸ σῶμα ... πρᾷός τʼ ἦν τὸ βλέμμα

    The accusative nouns τὸ σῶμα ("in body") and τὸ βλέμμα ("in glance/look") are accusatives of respect, specifying the realm of application for the adjectives ὑπέρογκος ("immense") and πρᾷος ("mild") respectively.

  2. 5.6.89διηρμένος τὴν λέξιν

    The accusative noun τὴν λέξιν ("in diction/expression") functions as an accusative of respect modifying the perfect passive participle διηρμένος ("elevated, raised"), signifying a lofty or elevated literary style.

  3. 5.6.89θρέψαι αὐτὸν δράκοντα ἐκ νέου καὶ αὐξηθέντα, ἐπειδὴ τελευτᾶν ἔμελλε, κελεῦσαί τινι τῶν πιστῶν αὑτοῦ τὸ σῶμα κατακρύψαι, τὸν δὲ δράκοντα ἐπὶ τῆς κλίνης θεῖναι

    An accusative and infinitive construction in indirect speech dependent on ἱστορεῖ ("relates"). The subject accusative is αὐτόν ("he"), governing the main aorist infinitives θρέψαι ("reared") and κελεῦσαι ("ordered"). Dependent upon κελεῦσαι are the supplementary infinitives κατακρύψαι ("to conceal") and θεῖναι ("to place"), whose agent is τινὶ τῶν πιστῶν αὑτοῦ ("one of his trusted men"). The participle αὐξηθέντα agrees with δράκοντα.

Model: gemini-3.8-flashurn:cts:greekLit:tlg0004.tlg001.humanitext-grc2:5.6.86-5.6.89