← Diogenes Laertius

Lives and Opinions of Eminent Philosophers

§4.5.24-4.5.27

Life, Writings, Literary Tastes, and Death of Crantor

Diogenes recounts the life of the Academic philosopher Crantor, his relationship with Polemo and Arcesilaus, his poetic and critical tastes, his vivid coined metaphors, his renowned work On Grief, and his death from dropsy.

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Κράντωρ Σολεὺς θαυμαζόμενος ἐν τῇ ἑαυτοῦ πατρίδι ἀπῆρεν εἰς Ἀθήνας καὶ Ξενοκράτους διήκουσε Πολέμωνι συσχολάζων. καὶ κατέλιπεν ὑπομνήματα εἰς μυριάδας στίχων τρεῖς, ὧν τινά τινες Ἀρκεσιλάῳ προσάπτουσι. φασὶ δὲ αὐτὸν ἐρωτηθέντα τίνι θηραθείη ὑπὸ Πολέμωνος, εἰπεῖν τῷ μήτʼ ὀξύτερον μήτε βαρύτερον ἀκοῦσαι φθεγγομένου1. οὗτος νοσήσας εἰς τὸ Ἀσκληπιεῖον ἀνεχώρησε κἀκεῖ περιεπάτει· οἱ δὲ πανταχόθεν προσῄεσαν αὐτῷ, νομίζοντες οὐ διὰ νόσον, ἀλλὰ βούλεσθαι αὐτόθι σχολὴν συστήσασθαι2. ὧν ἦν καὶ Ἀρκεσίλαος θέλων ὑπʼ αὐτοῦ συστῆναι Πολέμωνι, καίπερ ἐρῶντος, ὡς ἐν τῷ περὶ Ἀρκεσιλάου λέξομεν.

​Crantor of Soli, who was admired in his own native city, departed for Athens and attended the lectures of Xenocrates while studying together with Polemo. He left behind notes to the number of thirty thousand lines, some of which certain people attribute to Arcesilaus. And they say that when asked what it was that won him over to Polemo, he said that it was hearing him speak neither in too sharp nor in too heavy a tone. Having fallen ill, he retired to the temple of Asclepius and walked about there; and people gathered to him from all sides, thinking not that it was because of sickness, but that he wished to establish a school there. Among these was also Arcesilaus, wishing to be introduced by him to Polemo, although Crantor loved him, as we shall relate in the section on Arcesilaus.

ἀλλὰ καὶ αὐτὸν ὑγιάναντα διακούειν Πολέμωνος, ἐφʼ ᾧ καὶ μάλιστα θαυμασθῆναι. λέγεται δὲ καὶ τὴν οὐσίαν καταλιπεῖν Ἀρκεσιλάω, ταλάντων οὖσαν δυοκαίδεκα. καὶ ἐρωτηθέντα πρὸς αὐτοῦ ποῦ βούλεται ταφῆναι, εἰπεῖν· "ἐν γῆς φίλης μυχοῖσι κρυφθῆναι καλόν." λέγεται δὲ καὶ ποιήματα γράψαι καὶ ἐν τῇ πατρίδι ἐν τῷ τῆς Ἀθηνᾶς ἱερῷ σφραγισάμενος αὐτὰ θεῖναι. καί φησι Θεαίτητος ὁ ποιητὴς περὶ αὐτοῦ οὑτωσί· "ἥνδανεν ἀνθρώποις, ὁ δʼ ἐπὶ πλέον ἥνδανε Μούσαις Κράντωρ, καὶ γήρως ἤλυθεν οὔτι πρόσω. γῆ, σὺ δὲ τεθνηῶτα τὸν ἱερὸν ἄνδρʼ ὑπόδεξαι· ἠρέμα καὶ κεῖθι ζῴη ἐν εὐθενίῃ."

​Moreover, when he recovered, he continued to be a hearer of Polemo, for which he was especially admired. It is also said that he left his estate, amounting to twelve talents, to Arcesilaus. And when asked by him where he wished to be buried, he said: "It is good to be hidden in the recesses of the dear earth." It is also said that he wrote poems, sealed them up, and deposited them in the temple of Athena in his native city. And the poet Theaetetus speaks of him in this way: "Crantor pleased men, and still more he pleased the Muses, and he did not advance far into old age. Earth, do thou receive this sacred man who has died; may he live gently and in abundance even there."

Ἐθαύμαζε δὲ ὁ Κράντωρ πάντων δὴ μᾶλλον Ὅμηρον καὶ Εὐριπίδην, λέγων ἐργῶδες εἶναι ἐν τῷ κυρίῳ3 τραγικῶς ἅμα καὶ συμπαθῶς γράψαι. καὶ προεφέρετο τὸν στίχον τὸν ἐκ τοῦ Βελλεροφόντου· "οἴμοι· τί δʼ οἴμοι; θνητά τοι πεπόνθαμεν." λέγεται δὲ καὶ Ἀνταγόρα τοῦ ποιητοῦ ὡς Κράντορος εἰς Ἔρωτα πεποιημένα φέρεσθαι ταυτί· "ἐν δοιῇ μοι θυμός, ἐπεὶ γένος ἀμφίσβητον, ἤ σε θεῶν τὸν πρῶτον ἀειγενέων, Ἔρος, εἴπω, τῶν ὅσσους Ἔρεβός τε πάλαι βασίλειά τε παῖδας γείνατο Νὺξ πελάγεσσιν ὑπʼ εὐρέος Ὠκεανοῖο·"

​Crantor admired Homer and Euripides above all others, saying that it was a difficult task to write in standard language in a manner at once tragic and moving. And he would recite the verse from the Bellerophon: "Alas! But why 'alas'? We have suffered only what belongs to mortals." And there are also quoted these verses addressed to Eros, belonging either to the poet Antagoras or to Crantor: "My heart is in doubt, since your lineage is disputed, whether I should call you the first among the ever-living gods, Eros, of all the children whom long ago Erebos and Queen Night bore beneath the waves of broad Ocean;

" ἤ σέ γε Κύπριδος υἷα περίφρονος, ἠέ σε Γαίης, ἢ Ἀνέμων· τοῖος σὺ κακὰ φρονέων ἀλάλησαι ἀνθρώποις ἠδʼ ἐσθλά· τὸ καὶ σέο σῶμα δίφυιον." Ἦν δὲ καὶ δεινὸς ὀνοματοποιῆσαι. τραγῳδὸν γοῦν ἀπελέκητον εἶπεν ἔχειν φωνὴν καὶ φλοιοῦ μεστήν· καί τινος ποιητοῦ σκίφης μεστοὺς εἶναι τοὺς στίχους· καὶ τὰς Θεοφράστου θέσεις ὀστρέῳ γεγράφθαι. θαυμάζεται δὲ αὐτοῦ βιβλίον μάλιστα τὸ Περὶ πένθους. καὶ κατέστρεψε πρὸ Πολέμωνος καὶ Κράτητος, ὑδρωπικῇ διαθέσει νοσήσας. καὶ ἔστιν εἰς αὐτὸν ἡμῶν· "ἐπέκλυσε καὶ σέ, Κράντορ, ἡ νόσων κακίστη, χοὔτω μέλαν κατῆλθες Πλουτέως ἄβυσσον. καὶ σὺ μὲν ἐκεῖθι χαίρεις, σῶν λόγων δὲ χήρη ἕστηκεν Ἀκαδήμεια καὶ Σόλοι, πατρίς σευ."

​or the son of prudent Cypris, or of Gaia, or of the Winds; such are you as you wander among mortals plotting both evil and good; wherefore also your body is of double nature." He was also clever at coining expressions. At any rate, he said that a certain tragic actor had a voice that was "unplaned and full of bark," and that the verses of a certain poet were "full of shavings," and that the theses of Theophrastus had been "written with an oyster shell." The most admired of his books is that On Grief. And he passed away before Polemo and Crates, having fallen ill with dropsy. And our epigram upon him runs as follows: "The worst of diseases overwhelmed you too, Crantor, and thus you descended to the black abyss of Pluto. And you indeed rejoice there, but bereft of your words stand the Academy and Soli, your native land."

Syntax notes3 items
  1. 4.5.24τῷ μήτʼ ὀξύτερον μήτε βαρύτερον ἀκοῦσαι φθεγγομένου

    The dative articular infinitive τῷ ἀκοῦσαι expresses the means or reason. φθεγγομένου is a genitive participle governed by the verb of perception ἀκούω, referring to Polemo. The phrase means 'by hearing him speak in a voice neither too high nor too low'.

  2. 4.5.24νομίζοντες οὐ διὰ νόσον, ἀλλὰ βούλεσθαι αὐτόθι σχολὴν συστήσασθαι

    An infinitive phrase such as ἀνακεχωρηκέναι is elliptical after οὐ διὰ νόσον, which stands in parallel with ἀλλὰ βούλεσθαι under the accusative and infinitive construction governed by the participle νομίζοντες.

  3. 4.5.26ἐν τῷ κυρίῳ

    A rhetorical and poetic terminus technicus. In contrast to figurative or metaphorical diction, τὸ κύριον denotes standard, proper, or literal vocabulary. The phrase conveys the difficulty of writing in a tragic and moving manner while using plain, literal words.

Model: gemini-3.8-flashurn:cts:greekLit:tlg0004.tlg001.humanitext-grc2:4.5.24-4.5.27