- Source
- Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.
- Translation
- AI-generated (gemini-3.5-flash) — machine translation; may contain errors
- Languages
- 日本語 · English · 简体中文 · 한국어
- CTS URN
- urn:cts:greekLit:tlg0525.tlg001.humanitext-grc2:6.25.1-6.25.6
- Generated
- Humanitext Reader · reader.humanitext.ai · 2026-10-28
Describes the temples and statues of Aphrodite, Hades, Tyche, Sosipolis, and Satrapes (Poseidon) in Elis, along with their mythological and historical backgrounds.
ἔστι δὲ τῆς στοᾶς ὀπίσω τῆς ἀπὸ τῶν λαφύρων τῶν ἐκ Κορκύρας Ἀφροδίτης ναός, τὸ δὲ ἐν ὑπαίθρῳ τέμενος οὐ πολὺ ἀφεστηκὸς ἀπὸ τοῦ ναοῦ. καὶ τὴν μὲν ἐν τῷ ναῷ καλοῦσιν Οὐρανίαν, ἐλέφαντος δέ ἐστι καὶ χρυσοῦ, τέχνη Φειδίου, τῷ δὲ ἑτέρῳ ποδὶ ἐπὶ χελώνης βέβηκε· τῆς δὲ1 περιέχεται μὲν τὸ τέμενος θριγκῷ, κρηπὶς δὲ ἐντὸς τοῦ τεμένους πεποίηται καὶ ἐπὶ τῇ κρηπῖδι ἄγαλμα Ἀφροδίτης χαλκοῦν ἐπὶ τράγῳ κάθηται χαλκῷ· Σκόπα τοῦτο ἔργον, Ἀφροδίτην δὲ Πάνδημον ὀνομάζουσι. τὰ δὲ ἐπὶ τῇ χελώνῃ τε καὶ ἐς τὸν τράγον παρίημι τοῖς θέλουσιν εἰκάζειν.
Behind the portico built from the spoils of Corcyra is a temple of Aphrodite, and her precinct in the open air is not far distant from the temple. And the image in the temple they call Urania; it is of ivory and gold, the work of Pheidias, and she stands with one foot upon a tortoise. The other precinct is surrounded by a stone wall, and within the precinct a pedestal has been made, and upon the pedestal a bronze image of Aphrodite sits upon a bronze goat; this is the work of Scopas, and they call her Pandemos. As for the meaning of the tortoise and the goat, I leave it to those who wish to conjecture.
ὁ δὲ ἱερὸς τοῦ Ἅιδου περίβολός τε καὶ ναός—ἔστι γὰρ δὴ Ἠλείοις καὶ Ἅιδου περίβολός τε καὶ ναός— ἀνοίγνυται μὲν ἅπαξ κατὰ ἔτος ἕκαστον, ἐσελθεῖν δὲ οὐδὲ τότε ἐφεῖται πέρα γε τοῦ ἱερωμένου. ἀνθρώπων δὲ ὧν ἴσμεν μόνοι τιμῶσιν Ἅιδην Ἠλεῖοι κατὰ αἰτίαν τήνδε. Ἡρακλεῖ στρατιὰν ἄγοντι2 ἐπὶ Πύλον τὴν ἐν τῇ Ἤλιδι, παρεῖναί οἱ καὶ Ἀθηνᾶν συνεργὸν λέγουσιν· ἀφικέσθαι οὖν καὶ Πυλίοις τὸν Ἅιδην συμμαχήσοντα τῇ ἀπεχθείᾳ τοῦ Ἡρακλέους, ἔχοντα ἐν τῇ Πύλῳ τιμάς.
The sacred enclosure and temple of Hades—for the Eleans indeed have an enclosure and temple of Hades—is opened once in each year, but even then no one is permitted to enter except the priest. Of the men we know, the Eleans alone worship Hades, and they do so for the following reason. They say that when Heracles was leading an army against Pylos in Elis, Athena also was present with him as a helper; therefore Hades also arrived to fight on the side of the Pylians out of hostility to Heracles, since he had honors in Pylos.
ἐπάγονται δὲ καὶ Ὅμηρον τῷ λόγῳ μάρτυρα ποιήσαντα ἐν Ἰλιάδι "τλῆ δʼ Ἀίδης ἐν τοῖσι πελώριος ὠκὺν ὀιστόν, εὖτέ μιν ωὐτὸς ἀνὴρ υἱὸς Διὸς αἰγιόχοιο ἐν Πύλῳ ἐν νεκύεσσι βαλὼν ὀδύνῃσιν ἔδωκεν·" εἰ δὲ κατὰ τὴν Ἀγαμέμνονος καὶ Μενελάου στρατείαν ἐπὶ Ἴλιον Ποσειδῶν τῷ Ὁμήρου λόγῳ τοῖς Ἕλλησιν ἐπίκουρος ἦν, οὐκ ἂν ἄπο τοῦ εἰκότος οὐδὲ Ἅιδην εἴη3 δόξῃ γε τοῦ αὐτοῦ ποιητοῦ Πυλίοις ἀμῦναι. Ἠλεῖοι δʼ οὖν ὡς σφίσι τε εὔνῳ καὶ ἀπεχθανομένῳ πρὸς τὸν Ἡρακλέα ἐποιήσαντο τὸ ἱερὸν τῷ θεῷ· ἑκάστου δὲ ἅπαξ ἀνοίγειν τοῦ ἐνιαυτοῦ νομίζουσιν, ὅτι οἶμαι καὶ ἀνθρώποις ἅπαξ ἡ κάθοδος ἡ ἐς τοῦ Ἅιδου γίνεται.
They also bring forward Homer as a witness to their story, who made in the Iliad: “And giant Hades among them endured a swift arrow, when the same man, the son of aegis-bearing Zeus, having shot him in Pylos among the dead, gave him over to pains.” And if, during the expedition of Agamemnon and Menelaus against Troy, Poseidon was an ally to the Greeks according to the word of Homer, it would not be unlikely, according to the opinion of the same poet, that Hades also should defend the Pylians. At any rate, the Eleans made the sanctuary for the god because he was well-disposed to them and hostile to Heracles; and they hold the custom of opening it once every year because, I suppose, for men also the descent to Hades happens but once.
τοῖς δὲ Ἠλείοις καὶ Τύχης ἐστὶν ἱερὸν· ἐν στοᾷ δὲ τοῦ ἱεροῦ μεγέθει μέγα ἄγαλμα ἀνάκειται, ξόανον ἐπίχρυσον πλὴν προσώπου καὶ χειρῶν τε ἄκρων καὶ ποδῶν, ταῦτα δέ οἵ ἐστι λίθου λευκοῦ. ἐνταῦθα ἔχει τιμὰς καὶ ὁ Σωσίπολις ἐν ἀριστερᾷ τῆς Τύχης, ἐν οἰκήματι οὐ μεγάλῳ· κατὰ δὲ ὄψιν ὀνείρατος γραφῇ μεμιμημένος ἐστὶν ὁ θεός, παῖς μὲν ἡλικίαν, ἀμπέχεται δὲ χλαμύδα ποικίλην ὑπὸ ἀστέρων, τῇ χειρὶ δὲ ἔχει τῇ ἑτέρᾳ τὸ κέρας τῆς Ἀμαλθείας.
For the Eleans there is also a sanctuary of Tyche; in a portico of the sanctuary is dedicated an image great in size, a wooden image gilded except for the face and the extremities of the hands and feet, and these are of white stone. There Sosipolis also has honors on the left of Tyche, in a building not large; according to the vision of a dream, the god is represented in a painting, in age a boy, wrapped in a chlamys variegated with stars, and in one hand he holds the horn of Amaltheia.
καθότι δὲ Ἠλείων ἡ πόλις πληθύει μάλιστα ἀνθρώποις, κατὰ τοῦτο4 ἀνδριάς σφισιν ἀνδρὸς οὐ μείζων μεγάλου χαλκοῦς ἐστιν οὐκ ἔχων πω γένεια τόν τε ἕτερον τῶν ποδῶν ἐπιπλέκων τῷ ἑτέρῳ καὶ ταῖς χερσὶν ἀμφοτέραις ἐπὶ δόρατι ἠρεισμένος· ἐσθῆτα δὲ ἐρεᾶν αὐτῷ καὶ ἀπὸ λίνου τε καὶ βύσσου περιβάλλουσι.
Where the city of the Eleans is most crowded with people, there is for them a bronze statue of a man, not larger than a tall man, not yet having a beard, crossing one of his feet over the other, and leaning with both hands upon a spear; they cast about him clothing of wool, of flax, and of fine linen.
τοῦτο τὸ ἄγαλμα ἐλέγετο εἶναι Ποσειδῶνος, ἔχειν δὲ τὸ ἀρχαῖον ἐπὶ Σαμικῷ τῷ ἐν τῇ Τριφυλίᾳ τιμάς· μετακομισθὲν δὲ ἐς τὴν Ἦλιν τιμῆς μὲν καὶ ἐς πλέον ἔτι ἥκει, Σατράπην δὲ καὶ οὐ Ποσειδῶνα ὄνομα αὐτῷ τίθενται, μετὰ τὴν Πατρέων προσοίκησιν τὸ ὄνομα τοῦ Σατράπου διδαχθέντες· Κορύβαντός τε ἐπίκλησις ὁ Σατράπης ἐστί.
This statue was said to be of Poseidon, and to have had honors in ancient times at Samicum in Triphylia; but having been brought to Elis, it came to even greater honor, but they give it the name Satrapes and not Poseidon, having been taught the name of Satrapes after the settlement of the Patraeans among them; and Satrapes is an epithet of Corybas.
- 6.25.1τῆς δὲ
The feminine genitive singular article τῆς stands in contrast to the preceding τὴν μὲν (Urania Aphrodite), implying the omitted noun ἑτέρας ("of the other," i.e., Pandemos Aphrodite). The genitive functions as a possessive modifier for the following τὸ τέμενος (precinct).
- 6.25.2Ἡρακλεῖ στρατιὰν ἄγοντι
This dative phrase corresponds to the dative pronoun οἱ (to him) which depends on the infinitive παρεῖναι (to be present with/help) within the accusative and infinitive construction introduced by λέγουσιν (they say). The subject of the infinitive is Ἀθηνᾶν (accusative).
- 6.25.3οὐκ ἂν ἄπο τοῦ εἰκότος οὐδὲ Ἅιδην εἴη
This is a potential construction consisting of the particle ἄν and the present optative εἴη (from εἰμί). It forms an impersonal expression οὐκ ἂν ἄπο τοῦ εἰκότος εἴη ("it would not be far from what is likely," i.e., it would be quite probable), which governs the accusative and infinitive subject clause Ἅιδην ... ἀμῦναι (that Hades should defend).
- 6.25.5καθότι... κατὰ τοῦτο
A correlative construction consisting of the relative adverb καθότι (wherever/in what place) and the prepositional phrase κατὰ τοῦτο (in that place). It emphasizes the geographical location, showing that the statue is placed precisely where the city is most crowded.
