- Source
- Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.
- Translation
- AI-generated (gemini-3.5-flash) — machine translation; may contain errors
- Languages
- 日本語 · English · 简体中文 · 한국어
- CTS URN
- urn:cts:greekLit:tlg0525.tlg001.humanitext-grc2:2.32.1-2.32.10
- Generated
- Humanitext Reader · reader.humanitext.ai · 2026-10-23
Explains the famous sanctuary of Hippolytus, the tomb of Phaedra, and her temple of Aphrodite in Troezen, along with other urban and extra-urban sanctuaries such as those of Athena on the acropolis, Poseidon, Demeter, and the landmarks along the road to Hermione.
Ἱππολύτῳ δὲ τῷ Θησέως1 τέμενός τε ἐπιφανέστατον ἀνεῖται καὶ ναὸς ἐν αὐτῷ καὶ ἄγαλμά ἐστιν ἀρχαῖον. ταῦτα μὲν Διομήδην λέγουσι ποιῆσαι καὶ προσέτι θῦσαι τῷ Ἱππολύτῳ πρῶτον· Τροιζηνίοις δὲ ἱερεὺς μέν ἐστιν Ἱππολύτου τὸν χρόνον τοῦ βίου πάντα ἱερώμενος καὶ θυσίαι καθεστήκασιν ἐπέτειοι, δρῶσι δὲ καὶ ἄλλο τοιόνδε· ἑκάστη παρθένος πλόκαμον ἀποκείρεταί οἱ πρὸ γάμου, κειραμένη δὲ ἀνέθηκεν ἐς τὸν ναὸν φέρουσα. ἀποθανεῖν δὲ αὐτὸν οὐκ ἐθέλουσι συρέντα2 ὑπὸ τῶν ἵππων οὐδὲ τὸν τάφον ἀποφαίνουσιν εἰδότες· τὸν δὲ ἐν οὐρανῷ καλούμενον ἡνίοχον, τοῦτον εἶναι νομίζουσιν ἐκεῖνον Ἱππόλυτον τιμὴν παρὰ θεῶν ταύτην ἔχοντα.
To Hippolytus, the son of Theseus, a most famous sanctuary is dedicated, and in it are a temple and an ancient image. These they say Diomedes made, and moreover was the first to sacrifice to Hippolytus. For the Troezenians there is a priest of Hippolytus who holds office for the whole time of his life, and annual sacrifices are established, and they also do another thing of this kind: each maiden cuts off a lock of hair for him before marriage, and having cut it, she carries and dedicates it in the temple. But they are unwilling to admit that he died by being dragged by his horses, nor do they point out his grave, though they know it; but the one called the Charioteer in heaven, they believe this to be that Hippolytus, having this honor from the gods.
τούτου δὲ ἐντὸς τοῦ περιβόλου ναός ἐστιν Ἀπόλλωνος Ἐπιβατηρίου, Διομήδους ἀνάθημα ἐκφυγόντος τὸν χειμῶνα3 ὃς τοῖς Ἕλλησιν ἐπεγένετο ἀπὸ Ἰλίου κομιζομένοις· καὶ τὸν ἀγῶνα τῶν Πυθίων Διομήδην πρῶτον θεῖναί φασι τῷ Ἀπόλλωνι. ἐς δὲ τὴν Δαμίαν καὶ Αὐξησίαν—καὶ γὰρ Τροιζηνίοις μέτεστιν αὐτῶν—οὐ τὸν αὐτὸν λέγουσιν ὃν Ἐπιδαύριοι καὶ Αἰγινῆται λόγον, ἀλλὰ ἀφικέσθαι παρθένους ἐκ Κρήτης· στασιασάντων δὲ ὁμοίως τῶν ἐν τῇ πόλει ἁπάντων καὶ ταύτας φασὶν ὑπὸ τῶν ἀντιστασιωτῶν καταλευσθῆναι, καὶ ἑορτὴν ἄγουσί σφισι Λιθοβόλια ὀνομάζοντες.
Within this enclosure is a temple of Apollo Epibaterius, an offering of Diomedes having escaped the storm which came upon the Greeks as they were returning from Ilium; and they say Diomedes was the first to establish the Pythian games for Apollo. Concerning Damia and Auxesia—for the Troezenians also have a share in them—they do not tell the same story as the Epidaurians and Aeginetans, but say that they were maidens who came from Crete; and when all those in the city were similarly in revolt, they say that these too were stoned to death by the opposing faction, and they keep a festival for them, calling it Lithobolia.
κατὰ δὲ τὸ ἕτερον τοῦ περιβόλου μέρος στάδιόν ἐστιν Ἱππολύτου καλούμενον καὶ ναὸς ὑπὲρ αὐτοῦ Ἀφροδίτης Κατασκοπίας· αὐτόθεν γάρ, ὁπότε γυμνάζοιτο ὁ Ἱππόλυτος, ἀπέβλεπεν ἐς αὐτὸν ἐρῶσα ἡ Φαίδρα. ἐνταῦθα ἔτι πεφύκει ἡ μυρσίνη, τὰ φύλλα ὡς καὶ πρότερον ἔγραψα ἔχουσα τετρυπημένα· καὶ ἡνίκα ἠπορεῖτο ἡ Φαίδρα καὶ ῥᾳστώνην τῷ ἔρωτι οὐδεμίαν εὕρισκεν, ἐς ταύτης τὰ φύλλα ἐσιναμώρει τῆς μυρσίνης.
By the other part of the enclosure is a stadium called after Hippolytus, and above it a temple of Aphrodite Kataskopia; for from there, whenever Hippolytus was exercising, Phaedra, being in love, used to look down at him. Here there still grows the myrtle, having its leaves pierced as I wrote before; and when Phaedra was in despair and found no relief for her love, she used to damage the leaves of this myrtle.
ἔστι δὲ καὶ τάφος Φαίδρας, ἀπέχει δὲ οὐ πολὺ τοῦ Ἱππολύτου μνήματος· τὸ δὲ οὐ πόρρω κέχωσται4 τῆς μυρσίνης. τοῦ δὲ Ἀσκληπιοῦ τὸ ἄγαλμα ἐποίησε μὲν Τιμόθεος, Τροιζήνιοι δὲ οὐκ Ἀσκληπιὸν ἀλλὰ εἰκόνα Ἱππολύτου φασὶν εἶναι. καὶ οἰκίαν ἰδὼν οἶδα Ἱππολύτου· πρὸ δὲ αὐτῆς ἐστιν Ἡράκλειος καλουμένη κρήνη, τὸ ὕδωρ ὡς οἱ Τροιζήνιοι λέγουσιν ἀνευρόντος Ἡρακλέους.
There is also a grave of Phaedra, and it is not far from the monument of Hippolytus; and the latter is heaped up not far from the myrtle. The image of Asclepius was made by Timotheus, but the Troezenians say it is not Asclepius but an image of Hippolytus. And I know the house of Hippolytus, having seen it; in front of it is a fountain called Heracleian, the water of which, as the Troezenians say, Heracles found.
ἐν δὲ τῇ ἀκροπόλει τῆς Σθενιάδος καλουμένης ναός ἐστιν Ἀθηνᾶς, αὐτὸ δὲ εἰργάσατο τῆς θεοῦ τὸ ξόανον Κάλλων Αἰγινήτης· μαθητὴς δὲ ὁ Κάλλων ἦν Τεκταίου καὶ Ἀγγελίωνος, οἳ Δηλίοις ἐποίησαν τὸ ἄγαλμα τοῦ Ἀπόλλωνος· ὁ δὲ Ἀγγελίων καὶ Τεκταῖος παρὰ Διποίνῳ καὶ Σκύλλιδι ἐδιδάχθησαν.
On the acropolis is a temple of Athena called Sthenias, and the wooden image itself of the goddess was wrought by Callon of Aegina; and Callon was a pupil of Tectaeus and Angelion, who made for the Delians the image of Apollo; and Angelion and Tectaeus were taught by Dipoenus and Scyllis.
κατιόντων δὲ αὐτόθεν5 Λυτηρίου Πανός ἐστιν ἱερόν· Τροιζηνίων γὰρ τοῖς τὰς ἀρχὰς ἔχουσιν ἔδειξεν ὀνείρατα ἃ εἶχεν ἄκεσιν λοιμοῦ πιέσαντος τὴν Τροιζηνίαν, Ἀθηναίους δὲ μάλιστα. διαβὰς δὲ καὶ ναὸν ἂν ἴδοις Ἴσιδος καὶ ὑπὲρ αὐτὸν Ἀφροδίτης Ἀκραίας· τὸν μὲν ἅτε ἐν μητροπόλει τῇ Τροιζῆνι Ἁλικαρνασσεῖς ἐποίησαν, τὸ δὲ ἄγαλμα τῆς Ἴσιδος ἀνέθηκε Τροιζηνίων δῆμος.
As you go down from there, there is a sanctuary of Pan Lyterius; for to those holding office among the Troezenians he showed in dreams remedies for the plague when it oppressed the Troezenian land, and most of all the Athenians. And having crossed over, you may see also a temple of Isis and above it one of Aphrodite Acraea; the former the Halicarnassians made, since Troezen is their mother-city, but the image of Isis was dedicated by the people of Troezen.
ἰοῦσι δὲ τὴν διὰ τῶν ὀρέων ἐς Ἑρμιόνην6 πηγή τέ ἐστι τοῦ Ὑλλικοῦ ποταμοῦ, Ταυρίου δὲ τὸ ἐξ ἀρχῆς καλουμένου, καὶ πέτρα Θησέως ὀνομαζομένη, μεταβαλοῦσα καὶ αὐτὴ τὸ ὄνομα ἀνελομένου Θησέως ὑπʼ αὐτῇ κρηπῖδας τὰς Αἰγέως καὶ ξίφος· πρότερον δὲ βωμὸς ἐκαλεῖτο Σθενίου Διός. τῆς δὲ πέτρας πλησίον Ἀφροδίτης ἐστὶν ἱερὸν Νυμφίας, ποιήσαντος Θησέως ἡνίκα ἔσχε γυναῖκα Ἑλένην.
For those going by the way through the mountains to Hermione, there is a source of the river Hyllicus, originally called Taurius, and a rock called the Rock of Theseus, this too having changed its name when Theseus took up from under it the sandals and sword of Aegeus; and before it was called the Altar of Zeus Sthenius. Near the rock is a sanctuary of Aphrodite Nymphia, made by Theseus when he took Helen to wife.
ἔστι δὲ ἔξω τείχους καὶ Ποσειδῶνος ἱερὸν Φυταλμίου· μηνίσαντα γάρ σφισι τὸν Ποσειδῶνα ποιεῖν φασιν ἄκαρπον τὴν χώραν ἅλμης ἐς τὰ σπέρματα καὶ τῶν φυτῶν τὰς ῥίζας καθικνουμένης, ἐς ὃ θυσίαις τε εἴξας καὶ εὐχαῖς οὐκέτι ἅλμην ἀνῆκεν ἐς τὴν γῆν. ὑπὲρ δὲ τοῦ Ποσειδῶνος τὸν ναόν ἐστι Δημήτηρ Θεσμοφόρος, Ἀλθήπου καθὰ λέγουσιν ἱδρυσαμένου.
Outside the wall there is also a sanctuary of Poseidon Phytalmius; for they say that Poseidon, being angry with them, made the land barren, the brine reaching to the seeds and the roots of the plants, until, yielding to sacrifices and prayers, he no longer sent up brine into the land. Above the temple of Poseidon is Demeter Thesmophorus, established as they say by Althepus.
καταβαίνουσι δὲ ἐπὶ τὸν πρὸς τῇ Κελενδέρει καλουμένῃ λιμένα χωρίον ἐστὶν ὃ Γενέθλιον ὀνομάζουσι, τεχθῆναι Θησέα ἐνταῦθα λέγοντες. πρὸ δὲ τοῦ χωρίου τούτου ναός ἐστιν Ἄρεως, Θησέως καὶ ἐνταῦθα Ἀμαζόνας μάχῃ κρατήσαντος· αὗται δʼ ἂν εἴησαν τῶν ἐν τῇ Ἀττικῇ πρὸς Θησέα καὶ Ἀθηναίους ἀγωνισαμένων.
As you go down to the harbor by what is called Celenderis, there is a place which they name Genethlium, saying that Theseus was born there. In front of this place is a temple of Ares, where Theseus also conquered the Amazons in battle; these would be of those who fought in Attica against Theseus and the Athenians.
ἐπὶ θάλασσαν δὲ τὴν Ψιφαίαν πορευομένοις κότινος πέφυκεν ὀνομαζόμενος ῥᾶχος στρεπτός. ῥάχους μὲν δὴ καλοῦσι Τροιζήνιοι πᾶν ὅσον ἄκαρπον ἐλαίας, κότινον καὶ φυλλίαν καὶ ἔλαιον· στρεπτὸν δὲ ἐπονομάζουσι τοῦτον, ὅτι ἐνσχεθεισῶν αὐτῷ τῶν ἡνιῶν ἀνετράπη τοῦ Ἱππολύτου τὸ ἅρμα. τούτου δὲ οὐ πολὺ τῆς Σαρωνίας Ἀρτέμιδος ἀφέστηκε τὸ ἱερόν, καὶ τὰ ἐς αὐτὸ ἐμήνυσεν ὁ λόγος ἤδη μοι. τοσόνδε δὲ ἔτι δηλώσω· Σαρώνια γὰρ δὴ κατὰ ἔτος τῇ Ἀρτέμιδι ἑορτὴν ἄγουσι.
For those journeying to the sea called Psiphaean there grows a wild olive tree named the twisted rhachos . The Troezenians call rhachos everything that is a barren olive—wild olive, phyllia, and cotinos; and they nickname this one ‘twisted’ because, his reins having become entangled in it, the chariot of Hippolytus was overturned. Not far from this is the sanctuary of Saronian Artemis, and my narrative has already declared the things concerning it. But I will still declare this much: they keep the Saronia, a festival for Artemis, every year.
- 2.32.1Ἱππολύτῳ δὲ τῷ Θησέως
Dative of dedication indicating Hippolytus, the son of Theseus. It depends on the following verb ἀνεῖται (is dedicated).
- 2.32.1ἀποθανεῖν δὲ αὐτὸν οὐκ ἐθέλουσι συρέντα
οὐκ ἐθέλουσι is used here not as 'do not wish,' but 'refuse to admit' or 'do not agree.' The accusative αὐτόν serves as the subject of the infinitive ἀποθανεῖν, and the participle συρέντα agrees with it.
- 2.32.2ἐκφυγόντος τὸν χειμῶνα
The genitive Διομήδους ἐκφυγόντος is a genitive of possession or author modifying ἀνάθημα (offering), with the relative clause ὃς... qualifying the object τὸν χειμῶνα (the storm).
- 2.32.4τὸ δὲ οὐ πόρρω κέχωσται
The neuter demonstrative pronoun τὸ δὲ refers back to the Ἱππολύτου μνήματος (monument of Hippolytus) mentioned in the previous clause.
- 2.32.6κατιόντων δὲ αὐτόθεν
Genitive absolute construction with the subject (implied people) omitted: 'as people go down from there.'
- 2.32.7ἰοῦσι δὲ τὴν διὰ τῶν ὀρέων ἐς Ἑρμιόνην
The dative plural participle ἰοῦσι is a dative of reference or relation ('for those going...'), a standard idiomatic usage to describe geographical orientation or directions.
