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Description of Greece

§1.42.1-1.42.7

The Citadel of Alcathous and the Resonant Stone

The author describes the second acropolis of Megara named after Alcatheus, its legendary stone of Apollo's cithara compared to the singing colossus of Memnon in Egypt, several local temples, and the tragic myths of Callipolis and Ino.

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§1.42.1

ἔστι δὲ καὶ ἄλλη Μεγαρεῦσιν ἀκρόπολις ἀπὸ Ἀλκάθου τὸ ὄνομα ἔχουσα· ἐς ταύτην τὴν ἀκρόπολιν ἀνιοῦσίν1 ἐστιν ἐν δεξιᾷ Μεγαρέως μνῆμα, ὃς κατὰ τὴν ἐπιστρατείαν τῶν Κρητῶν ξύμμαχός σφισιν ἦλθεν ἐξ Ὀγχηστοῦ. δείκνυται δὲ καὶ ἑστία θεῶν Προδομέων καλουμένων· θῦσαι δέ σφισιν Ἀλκάθουν λέγουσι πρῶτον, ὅτε τῆς οἰκοδομίας τοῦ τείχους ἔμελλεν ἄρχεσθαι.

​There is also another acropolis for the Megarians, having its name from Alcatheus; for those ascending into this acropolis, there is on the right the monument of Megareus, who came from Onchestus as their ally during the expedition of the Cretans. There is also shown a hearth of the gods called Prodomeis; and they say Alcatheus sacrificed to them first, when he was about to begin the building of the wall.

§1.42.2

τῆς δὲ ἑστίας ἐγγὺς ταύτης ἐστὶ λίθος, ἐφʼ οὗ καταθεῖναι λέγουσιν Ἀπόλλωνα τὴν κιθάραν Ἀλκάθῳ τὸ τεῖχος συνεργαζόμενον. δηλοῖ τέ μοι καὶ τόδε ὡς συνετέλουν2 ἐς Ἀθηναίους Μεγαρεῖς· φαίνεται γὰρ τὴν θυγατέρα Ἀλκάθους Περίβοιαν ἅμα Θησεῖ πέμψαι κατὰ τὸν δασμὸν ἐς Κρήτην. τότε δὲ αὐτῷ τειχίζοντι, ὥς φασιν οἱ Μεγαρεῖς, συνεργάζεταί τε Ἀπόλλων καὶ τὴν κιθάραν κατέθηκεν ἐπὶ τὸν λίθον· ἢν δὲ τύχῃ βαλών τις ψηφῖδι, κατὰ ταὐτὰ οὗτός τε ἤχησε καὶ κιθάρα κρουσθεῖσα.

​Near this hearth is a stone, upon which they say Apollo laid down his cithara when helping Alcatheus build the wall. And this also shows me that the Megarians were subject to the Athenians; for it appears that Periboea, the daughter of Alcatheus, was sent to Crete along with Theseus in accordance with the tribute. And at that time, as the Megarians say, when he was building the wall, Apollo helped him and laid down his cithara upon the stone; and if anyone happens to strike it with a pebble, it sounds in the same way as a cithara when struck.

§1.42.3

ἐμοὶ δὲ παρέσχε μὲν καὶ τοῦτο θαυμάσαι, παρέσχε δὲ πολλῷ μάλιστα Αἰγυπτίων ὁ κολοσσός. ἐν Θήβαις ταῖς Αἰγυπτίαις, διαβᾶσι3 τὸν Νεῖλον πρὸς τὰς Σύριγγας καλουμένας, εἶδον ἔτι καθήμενον ἄγαλμα ἠχοῦν—Μέμνονα ὀνομάζουσιν οἱ πολλοί, τοῦτον γάρ φασιν ἐξ Αἰθιοπίας ὁρμηθῆναι ἐς Αἴγυπτον καὶ τὴν ἄχρι Σούσων· ἀλλὰ γὰρ οὐ Μέμνονα οἱ Θηβαῖοι λέγουσι, Φαμένωφα δὲ εἶναι τῶν ἐγχωρίων οὗ τοῦτο ἄγαλμα ἦν, ἤκουσα δὲ ἤδη καὶ Σέσωστριν φαμένων εἶναι —, ὃ Καμβύσης διέκοψε· καὶ νῦν ὁπόσον ἐκ κεφαλῆς ἐς μέσον σῶμά ἐστιν ἀπερριμμένον, τὸ δὲ λοιπὸν κάθηταί τε καὶ ἀνὰ πᾶσαν ἡμέραν ἀνίσχοντος ἡλίου βοᾷ, καὶ τὸν ἦχον μάλιστα εἰκάσει τις κιθάρας ἢ λύρας ῥαγείσης χορδῆς.

​To me, this also caused wonder, but the colossus of the Egyptians did so by far the most. In Egyptian Thebes, for those crossing the Nile toward the place called the Syringes, I saw a statue, still sitting, which makes a sound—most call it Memnon, for they say he set out from Ethiopia into Egypt and as far as Susa; but the Thebans do not call it Memnon, but say it was Phamenoph, one of the natives whose statue this was, and I have already heard some saying it was Sesostris—, which Cambyses cut in two; and now, as much as was from the head to the middle of the body has been cast away, but the remainder sits and every day at the rising of the sun it cries out, and one would especially liken the sound to that of a cithara or a lyre with a broken string.

§1.42.4

Μεγαρεῦσι δὲ ἔστι μὲν βουλευτήριον, Τιμάλκου δὲ ἦν ποτε ὡς λέγουσι τάφος, ὃν πρότερον ὀλίγον τούτων οὐκ ἔφην4 ὑπὸ Θησέως ἀποθανεῖν. ᾠκοδόμηται δὲ ἐπὶ τῇ κορυφῇ τῆς ἀκροπόλεως ναὸς Ἀθηνᾶς, ἄγαλμα δέ ἐστιν ἐπίχρυσον πλὴν χειρῶν καὶ ἄκρων ποδῶν· ταῦτα δὲ καὶ τὸ πρόσωπόν ἐστιν ἐλέφαντος. καὶ ἕτερον ἐνταῦθα ἱερὸν Ἀθηνᾶς πεποίηται καλουμένης Νίκης καὶ ἄλλο Αἰαντίδος· τὰ δὲ ἐς αὐτὸ Μεγαρέων μὲν παρεῖται τοῖς ἐξηγηταῖς, ἐγὼ δὲ ὁποῖα νομίζω γενέσθαι γράψω. Τελαμὼν ὁ Αἰακοῦ θυγατρὶ Ἀλκάθου Περιβοίᾳ συνῴκησεν· Αἴαντα οὖν τὴν ἀρχὴν τὴν Ἀλκάθου διαδεξάμενον ποιῆσαι τὸ ἄγαλμα ἡγοῦμαι τῆς Ἀθηνᾶς.

​For the Megarians there is a council-chamber, and once, as they say, there was the tomb of Timalcus, whom a little before this I said did not die at the hands of Theseus. Built upon the summit of the acropolis is a temple of Athena, and the statue is gilded except for the hands and the tips of the feet; and these and the face are made of ivory. And another sanctuary of Athena called Nike has been made there, and another of Aiantis; as for this, it is omitted by the Megarian guides, but I will write how I think it came about. Telamon, the son of Aeacus, lived with Periboea, the daughter of Alcatheus; I think, therefore, that Ajax, having succeeded to the rule of Alcatheus, made the statue of Athena.

§1.42.5

τοῦ δὲ Ἀπόλλωνος πλίνθου μὲν ἦν ὁ ἀρχαῖος ναός· ὕστερον δὲ βασιλεὺς ᾠκοδόμησεν Ἀδριανὸς λίθου λευκοῦ. ὁ μὲν δὴ Πύθιος καλούμενος καὶ ὁ Δεκατηφόρος τοῖς Αἰγυπτίοις μάλιστα ἐοίκασι ξοάνοις, ὃν δὲ Ἀρχηγέτην ἐπονομάζουσιν, Αἰγινητικοῖς ἔργοις ἐστὶν ὅμοιος· ἐβένου δὲ πάντα ὁμοίως πεποίηται. ἤκουσα δὲ ἀνδρὸς Κυπρίου διακρῖναι πόας ἐς ἀνθρώπων ἴασιν εἰδότος, ὃς τὴν ἔβενον φύλλα οὐκ ἔφη φύειν οὐδὲ εἶναι καρπὸν οὐδένα ἀπʼ αὐτῆς οὐδὲ ὁρᾶσθαι τὸ παράπαν αὐτὴν ὑπὸ ἡλίου, ῥίζας δὲ ὑπογαίους εἶναι, ταύτας δὲ ὀρύσσειν τοὺς Αἰθίοπας καὶ ἄνδρας εἶναί σφισιν οἳ τὴν ἔβενον ἴσασιν εὑρίσκειν.

​The ancient temple of Apollo was of brick; but later the Emperor Hadrian built it of white stone. The one called Pythios and the one called Decatephorus are most like Egyptian wooden statues, but the one they name Archegetes is similar to Aeginetan works; and all are made of ebony in like manner. And I heard from a Cypriot man, who knew how to distinguish herbs for the healing of men, who said that the ebony does not produce leaves nor is there any fruit from it, nor is it seen at all under the sun, but that its roots are underground, and these the Ethiopians dig up, and that there are men among them who know how to find the ebony.

§1.42.6

ἔστι δὲ καὶ Δήμητρος ἱερὸν Θεσμοφόρου. κατιοῦσι δὲ ἐντεῦθεν Καλλιπόλιδος μνῆμά ἐστιν Ἀλκάθου παιδός. ἐγένετο δὲ καὶ ἄλλος Ἀλκάθῳ πρεσβύτερος υἱὸς Ἰσχέπολις, ὃν ἀπέστειλεν ὁ πατὴρ Μελεάγρῳ τὸ ἐν Αἰτωλίᾳ θηρίον συνεξαιρήσοντα. ἀποθανόντος δὲ ἐνταῦθα πρῶτος τεθνεῶτα ἐπύθετο ὁ Καλλίπολις, ἀναδραμὼν δὲ ἐς τὴν ἀκρόπολιν— τηνικαῦτα δὲ ὁ πατήρ οἱ τῷ Ἀπόλλωνι ἐνέκαεν— ἀπορρίπτει τὰ ξύλα ἀπὸ τοῦ βωμοῦ· Ἀλκάθους δὲ ἀνήκοος ὢν ἔτι τῆς Ἰσχεπόλιδος τελευτῆς κατεδίκαζεν οὐ ποιεῖν ὅσια τὸν Καλλίπολιν καὶ εὐθέως ὡς εἶχεν ὀργῆς ἀπέκτεινε παίσας ἐς τὴν κεφαλὴν τῶν ἀπορριφέντων ἀπὸ τοῦ βωμοῦ ξύλῳ.

​There is also a sanctuary of Demeter Thesmophoros. And for those descending from there, there is the monument of Callipolis, the son of Alcatheus. Alcatheus had also another elder son, Ischepolis, whom his father sent to Meleager to help destroy the beast in Aetolia. When he died there, Callipolis was the first to learn of his death, and running up to the acropolis—at that time his father was burning sacrifices to Apollo—he cast away the wood from the altar; but Alcatheus, having not yet heard of the death of Ischepolis, condemned Callipolis as doing what was impious, and straightway in his anger killed him by striking him on the head with a piece of the wood cast away from the altar.

§1.42.7

κατὰ δὲ τὴν ἐς τὸ πρυτανεῖον ὁδὸν Ἰνοῦς ἐστιν ἡρῷον, περὶ δὲ αὐτὸ θριγκὸς λίθων· πεφύκασι δὲ ἐπʼ αὐτῶ καὶ ἐλαῖαι. μόνοι δέ εἰσιν Ἑλλήνων Μεγαρεῖς οἱ λέγοντες τὸν νεκρὸν τῆς Ἰνοῦς ἐς τὰ παραθαλάσσιά σφισιν ἐκπεσεῖν τῆς χώρας, Κλησὼ δὲ καὶ Ταυρόπολιν εὑρεῖν τε καὶ θάψαι—θυγατέρας δὲ αὐτὰς εἶναι Κλήσωνος τοῦ Λέλεγος—, καὶ Λευκοθέαν τε ὀνομασθῆναι παρὰ σφίσι πρώτοις φασὶν αὐτὴν καὶ θυσίαν ἄγειν ἀνὰ πᾶν ἔτος.

​Along the road to the prytaneum is a hero-shrine of Ino, and around it is a stone coping; and olives also grow upon it. The Megarians are the only Greeks who say that the corpse of Ino was washed up on the coast of their country, and that Cleso and Tauropolis—who were daughters of Cleson, the son of Lelex—found and buried it, and they say she was first named Leucothea among them, and they perform a sacrifice every year.

Syntax notes4 items
  1. 1.42.1ἀνιοῦσίν

    Present participle dative plural. It functions as a dative of reference or relation ("for those ascending") indicating the standpoint of a traveler, modifying the phrase ἐστιν ἐν δεξιᾷ ("on the right").

  2. 1.42.2συνετέλουν

    Imperfect 3rd person plural of συντελέω (to contribute, pay together, or belong to a political system). Here it refers to the historical state of the Megarians being subject to or paying tribute to the Athenians.

  3. 1.42.3διαβᾶσι

    Aorist participle dative plural of διαβαίνω (to cross). Similar to ἀνιοῦσίν in 1.42.1, it is used as a dative of reference to specify the location relative to a traveler's journey ("for those who have crossed").

  4. 1.42.4οὐκ ἔφην

    The negative particle οὐκ directly modifies the verb of saying ἔφην, resulting in the meaning "I asserted that ... not" (a standard usage of οὔφημι with an infinitive ἀποθανεῖν to deny a statement).

Translated by Gemini 3.5 Flash (published 2026-05-25) · Revision history (1, latest 2026-09-21)
  • 2026-09-21 AI review — source 1
urn:cts:greekLit:tlg0525.tlg001.humanitext-grc2:1.42.1-1.42.7