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Ion

§530-531

Meeting with Ion and the Scope of His Poetic Art

Socrates meets Ion, a rhapsode returning from Epidaurus, and while praising his art, inquires whether Ion's expertise is limited to Homer or extends to other poets like Hesiod.

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§530

ΣΩ. τὸν Ἴωνα χαίρειν.1 πόθεν τὰ νῦν ἡμῖν2 ἐπιδεδήμηκας; ἢ οἴκοθεν ἐξ Ἐφέσου; ΙΩΝ. οὐδαμῶς, ὦ Σώκρατες, ἀλλʼ ἐξ Ἐπιδαύρου ἐκ τῶν Ἀσκληπιείων. ΣΩ. μῶν καὶ ῥαψῳδῶν ἀγῶνα τιθέασιν τῷ θεῷ οἱ Ἐπιδαύριοι; ΙΩΝ. πάνυ γε, καὶ τῆς ἄλλης γε μουσικῆς. ΣΩ. τί οὖν; ἠγωνίζου τι ἡμῖν; καὶ πῶς τι ἠγωνίσω; ΙΩΝ. τὰ πρῶτα τῶν ἄθλων ἠνεγκάμεθα, ὦ Σώκρατες. ΣΩ. εὖ λέγεις· ἄγε δὴ ὅπως καὶ τὰ Παναθήναια νικήσομεν.3 ΙΩΝ. ἀλλʼ ἔσται ταῦτα, ἐὰν θεὸς ἐθέλῃ. ΣΩ. καὶ μὴν πολλάκις γε ἐζήλωσα ὑμᾶς τοὺς ῥαψῳδούς, ὦ Ἴων, τῆς τέχνης· τὸ γὰρ ἅμα μὲν τὸ σῶμα κεκοσμῆσθαι4 ἀεὶ πρέπον ὑμῶν εἶναι τῇ τέχνῃ καὶ ὡς καλλίστοις φαίνεσθαι, ἅμα δὲ ἀναγκαῖον εἶναι ἔν τε ἄλλοις ποιηταῖς διατρίβειν πολλοῖς καὶ ἀγαθοῖς καὶ δὴ καὶ μάλιστα ἐν Ὁμήρῳ, τῷ ἀρίστῳ καὶ θειοτάτῳ τῶν ποιητῶν, καὶ τὴν τούτου διάνοιαν ἐκμανθάνειν, μὴ μόνον τὰ ἔπη, ζηλωτόν ἐστιν. οὐ γὰρ ἂν γένοιτό ποτε ἀγαθὸς ῥαψῳδός, εἰ μὴ συνείη τὰ λεγόμενα ὑπὸ τοῦ ποιητοῦ. τὸν γὰρ ῥαψῳδὸν ἑρμηνέα δεῖ τοῦ ποιητοῦ τῆς διανοίας γίγνεσθαι τοῖς ἀκούουσι· τοῦτο δὲ καλῶς ποιεῖν μὴ γιγνώσκοντα ὅτι λέγει ὁ ποιητὴς ἀδύνατον. ταῦτα οὖν πάντα ἄξια ζηλοῦσθαι. ΙΩΝ. ἀληθῆ λέγεις, ὦ Σώκρατες· ἐμοὶ γοῦν τοῦτο πλεῖστον ἔργον παρέσχεν τῆς τέχνης, καὶ οἶμαι κάλλιστα ἀνθρώπων λέγειν περὶ Ὁμήρου, ὡς οὔτε Μητρόδωρος ὁ Λαμψακηνὸς οὔτε Στησίμβροτος ὁ Θάσιος οὔτε Γλαύκων οὔτε ἄλλος οὐδεὶς τῶν πώποτε γενομένων ἔσχεν εἰπεῖν οὕτω πολλὰς καὶ καλὰς διανοίας περὶ Ὁμήρου ὅσας ἐγώ. ΣΩ. εὖ λέγεις, ὦ Ἴων· δῆλον γὰρ ὅτι οὐ φθονήσεις μοι ἐπιδεῖξαι. ΙΩΝ. καὶ μὴν ἄξιόν γε ἀκοῦσαι, ὦ Σώκρατες, ὡς εὖ κεκόσμηκα τὸν Ὅμηρον· ὥστε οἶμαι ὑπὸ Ὁμηριδῶν ἄξιος εἶναι χρυσῷ στεφάνῳ στεφανωθῆναι.

SOC: Greeting to Ion. From where have you come to us just now? Is it from your home in Ephesus? ION: Not at all, Socrates, but from Epidaurus, from the festival of Asclepius. SOC: Do the Epidaurians really hold a contest for rhapsodes as well in honor of the god? ION: Indeed they do, and for the rest of music too. SOC: What then? Did you compete in any way for us? And how did you fare in the competition? ION: We carried off the first prize, Socrates. SOC: Well said! Come then, let us see to it that we win at the Panathenaia as well. ION: It shall be so, if god wills. SOC: Indeed, Ion, I have often envied you rhapsodes for your art. For it is truly enviable that, on the one hand, your body must always be adorned to befit your art and you must appear as beautiful as possible, and on the other hand, it is necessary to spend time with many excellent poets, and especially with Homer, the best and most divine of poets, and to learn his thought thoroughly, not just his verses. For one could never become a good rhapsode unless he understands what is said by the poet. For the rhapsode must become an interpreter of the poet’s thought to the audience; and to do this well without knowing what the poet says is impossible. All these things, then, are worthy of envy. ION: What you say is true, Socrates. For me, at least, this was the part of my art that gave me the most trouble, and I think I speak about Homer more beautifully than anyone else, so that neither Metrodorus of Lampsacus, nor Stesimbrotus of Thasos, nor Glaucon, nor anyone else who has ever lived, has been able to express as many beautiful thoughts about Homer as I have. SOC: Well said, Ion! For it is clear that you will not grudge me a demonstration. ION: Indeed, Socrates, it is worth hearing how well I have adorned Homer, so that I think I deserve to be crowned with a golden crown by the Homeridae.

§531

ΣΩ. καὶ μὴν ἐγὼ ἔτι ποιήσομαι σχολὴν ἀκροάσασθαί σου, νῦν δέ μοι τοσόνδε ἀπόκριναι· πότερον περὶ Ὁμήρου μόνον δεινὸς εἶ ἢ καὶ περὶ Ἡσιόδου καὶ Ἀρχιλόχου; ΙΩΝ. οὐδαμῶς, ἀλλὰ περὶ Ὁμήρου μόνον· ἱκανὸν γάρ μοι δοκεῖ εἶναι. ΣΩ. ἔστι δὲ περὶ ὅτου Ὅμηρός τε καὶ Ἡσίοδος ταὐτὰ λέγετον; ΙΩΝ. οἶμαι ἔγωγε καὶ πολλά. ΣΩ. πότερον οὖν περὶ τούτων κάλλιον ἂν ἐξηγήσαιο ἃ Ὅμηρος λέγει ἢ ἃ Ἡσίοδος; ΙΩΝ. ὁμοίως ἂν περί γε τούτων, ὦ Σώκρατες, περὶ ὧν ταὐτὰ λέγουσιν. ΣΩ. τί δὲ ὧν πέρι μὴ ταὐτὰ λέγουσιν; οἷον περὶ μαντικῆς λέγει τι Ὅμηρός τε καὶ Ἡσίοδος. ΙΩΝ. πάνυ γε. ΣΩ. τί οὖν; ὅσα τε ὁμοίως καὶ ὅσα διαφόρως περὶ μαντικῆς λέγετον τὼ ποιητὰ τούτω, πότερον σὺ κάλλιον ἂν ἐξηγήσαιο ἢ τῶν μάντεών τις τῶν ἀγαθῶν; ΙΩΝ. τῶν μάντεων. ΣΩ. εἰ δὲ σὺ ἦσθα μάντις, οὐκ, εἴπερ περὶ τῶν ὁμοίως λεγομένων οἷός τʼ ἦσθα ἐξηγήσασθαι, καὶ περὶ τῶν διαφόρως λεγομένων ἠπίστω ἂν ἐξηγεῖσθαι;5 ΙΩΝ. δῆλον ὅτι. ΣΩ. τί οὖν ποτε περὶ μὲν Ὁμήρου δεινὸς εἶ, περὶ δὲ Ἡσιόδου οὔ, οὐδὲ τῶν ἄλλων ποιητῶν; ἢ Ὅμηρος περὶ ἄλλων τινῶν λέγει ἢ ὧνπερ σύμπαντες οἱ ἄλλοι ποιηταί; οὐ περὶ πολέμου τε τὰ πολλὰ διελήλυθεν καὶ περὶ ὁμιλιῶν πρὸς ἀλλήλους ἀνθρώπων ἀγαθῶν τε καὶ κακῶν καὶ ἰδιωτῶν καὶ δημιουργῶν, καὶ περὶ θεῶν πρὸς ἀλλήλους καὶ πρὸς ἀνθρώπους ὁμιλούντων, ὡς ὁμιλοῦσι, καὶ περὶ τῶν οὐρανίων παθημάτων καὶ περὶ τῶν ἐν Ἅιδου, καὶ γενέσεις καὶ θεῶν καὶ ἡρώων; οὐ ταῦτά ἐστι περὶ ὧν Ὅμηρος τὴν ποίησιν πεποίηκεν; ΙΩΝ. ἀληθῆ λέγεις, ὦ Σώκρατες. ΣΩ. τί δὲ οἱ ἄλλοι ποιηταί; οὐ περὶ τῶν αὐτῶν τούτων; ΙΩΝ. ναί, ἀλλʼ, ὦ Σώκρατες, οὐχ ὁμοίως πεποιήκασι καὶ Ὅμηρος. ΣΩ. τί μήν; κάκιον; ΙΩΝ. πολύ γε. ΣΩ. Ὅμηρος δὲ ἄμεινον; ΙΩΝ. ἄμεινον μέντοι νὴ Δία. ΣΩ. οὐκοῦν, ὦ φίλη κεφαλὴ Ἴων, ὅταν περὶ ἀριθμοῦ πολλῶν λεγόντων εἷς τις ἄριστα λέγῃ, γνώσεται δήπου τις τὸν εὖ λέγοντα; ΙΩΝ. φημί. ΣΩ. πότερον οὖν ὁ αὐτὸς ὅσπερ καὶ τοὺς κακῶς λέγοντας, ἢ ἄλλος; ΙΩΝ. ὁ αὐτὸς δήπου. ΣΩ. οὐκοῦν ὁ τὴν ἀριθμητικὴν τέχνην ἔχων οὗτός ἐστιν; ΙΩΝ. ναί. ΣΩ. τί δʼ; ὅταν πολλῶν λεγόντων περὶ ὑγιεινῶν σιτίων ὁποῖά ἐστιν, εἷς τις ἄριστα λέγῃ, πότερον ἕτερος μέν τις τὸν ἄριστα λέγοντα γνώσεται ὅτι ἄριστα λέγει, ἕτερος δὲ τὸν κάκιον ὅτι κάκιον, ἢ ὁ αὐτός; ΙΩΝ. δῆλον δήπου, ὁ αὐτός. ΣΩ. τίς οὗτος; τί ὄνομα αὐτῷ; ΙΩΝ. ἰατρός.

​SOC: Truly, I will make leisure to listen to you another time, but for now answer me just this: are you skilled only in Homer, or also in Hesiod and Archilochus? ION: Not at all, but only in Homer; for that seems to me to be sufficient. SOC: Is there any subject on which both Homer and Hesiod say the same things? ION: I think so, indeed many. SOC: On these subjects, then, would you explain more beautifully what Homer says or what Hesiod says? ION: Equally on these, Socrates, about which they say the same things. SOC: But what about those things of which they do not say the same? For instance, both Homer and Hesiod say something about prophecy. ION: Certainly. SOC: Well then, as to all the things these two poets say about prophecy, both where they agree and where they differ, would you explain them more beautifully, or would one of the good prophets? ION: One of the prophets. SOC: But if you were a prophet, if you were able to explain the things said in agreement, would you not also have known how to explain the things said differently? ION: Clearly I would. SOC: Why then are you skilled in Homer but not in Hesiod or the other poets? Does Homer speak of any other things than those which all the other poets speak of? Has he not described for the most part war, and the relations of men with one another—both good and bad, commoners and craftsmen—and the gods interacting with one another and with men, as they do, and the heavenly events, and those in Hades, and the genealogies of both gods and heroes? Are not these the subjects about which Homer has made his poetry? ION: What you say is true, Socrates. SOC: What about the other poets? Is it not about these same things? ION: Yes, but Socrates, they have not composed their poetry in the same way as Homer. SOC: What then? Worse? ION: Much worse. SOC: And Homer better? ION: Better indeed, by Zeus! SOC: Is it not true then, my dear Ion, that when many are speaking about number and one speaks best, someone will recognize the one who speaks well? ION: I say so. SOC: Will it be the same person who recognizes those who speak badly, or another? ION: The same, surely. SOC: And is this the one who possesses the art of arithmetic? ION: Yes. SOC: What then? When many are speaking about healthy foods, what they are, and one speaks best, will one person recognize that the one who speaks best does so, and another that the worse speaker does so, or the same person? ION: Clearly the same, surely. SOC: Who is this? What is his name? ION: A doctor.

Syntax notes5 items
  1. 530aτὸν Ἴωνα χαίρειν

    An idiomatic greeting expression where a main verb like κελεύει ('bids') is omitted. The accusative τὸν Ἴωνα serves as the subject of the infinitive χαίρειν.

  2. 530aἡμῖν

    An ethic dative (dativus ethicus) used to express interest, familiarity, or to draw the interlocutor's attention in a conversational context.

  3. 530bὅπως καὶ τὰ Παναθήναια νικήσομεν

    The combination of ὅπως with the future indicative (νικήσομεν) expresses a strong exhortation or command ('see to it that...'). A main verb of effort like σκόπει ('see to it') is omitted.

  4. 530bτὸ γὰρ ἅμα μὲν τὸ σῶμα κεκοσμῆσθαι

    A structure where the articular infinitives (τὸ... κεκοσμῆσθαι and τὸ... εἶναι) form a complex, lengthy subject. The article τὸ substantivizes the two infinitival clauses coordinated by ἅμα μὲν ... ἅμα δὲ ..., serving as the subject of ζηλωτόν ἐστιν ('is enviable').

  5. 531bεἰ δὲ σὺ ἦσθα μάντις, οὐκ... ἠπίστω ἂν ἐξηγεῖσθαι;

    A contrary-to-fact conditional sentence using the past indicative (ἦσθα and ἠπίστω ἂν), which here refers to a present state of affairs or a continuous state contrary to reality.

Translated by Gemini 3.5 Flash (published 2026-05-22)urn:cts:greekLit:tlg0059.tlg027.humanitext-grc2:530-531