- Source
- Platonis Opera, Tomus III: Tetralogia V-VII. Burnet, John, editor. Oxford: Clarendon Press, 1903.
- Translation
- AI-generated (gemini-3.5-flash) — machine translation; may contain errors
- Languages
- 日本語 · English · 简体中文 · 한국어
- CTS URN
- urn:cts:greekLit:tlg0059.tlg021.humanitext-grc2:292
- Generated
- Humanitext Reader · reader.humanitext.ai · 2026-10-27
Socrates and Crito examine the specific product of the kingly art, only to find that even if it is a knowledge that makes others good, they fall into an infinite regress and fail to identify the ultimate knowledge that produces happiness.
ΣΩ. τί δὲ ἡ ὑμετέρα τέχνη ἡ γεωργία; πάντων ἄρχουσα ὧν ἄρχει, τί ἀπεργάζεται; οὐ τὴν τροφὴν ἂν φαίης τὴν ἐκ τῆς γῆς παρέχειν ἡμῖν; ΚΡ. ἔγωγε. ΣΩ. τί δὲ ἡ βασιλικὴ πάντων ἄρχουσα ὧν ἄρχει; τί ἀπεργάζεται; ἴσως οὐ πάνυ γʼ εὐπορεῖς. ΚΡ. μὰ τὸν Δία, ὦ Σώκρατες. ΣΩ. οὐδὲ γὰρ ἡμεῖς, ὦ Κρίτων· ἀλλὰ τοσόνδε γε οἶσθα, ὅτι εἴπερ ἐστὶν αὕτη ἣν ἡμεῖς ζητοῦμεν, ὠφέλιμον αὐτὴν δεῖ εἶναι. ΚΡ. πάνυ γε. ΣΩ. οὐκοῦν ἀγαθόν γέ τι δεῖ ἡμῖν αὐτὴν παραδιδόναι; ΚΡ. ἀνάγκη, ὦ Σώκρατες. ΣΩ. ἀγαθὸν δέ γέ που ὡμολογήσαμεν ἀλλήλοις ἐγώ τε καὶ Κλεινίας οὐδὲν εἶναι ἄλλο ἢ ἐπιστήμην τινά. ΚΡ. ναί, οὕτως ἔλεγες. ΣΩ. οὐκοῦν τὰ μὲν ἄλλα ἔργα,1 ἃ φαίη ἄν τις πολιτικῆς εἶναι—πολλὰ δέ που ταῦτʼ ἂν εἴη, οἷον πλουσίους τοὺς πολίτας παρέχειν καὶ ἐλευθέρους καὶ ἀστασιάστους—πάντα ταῦτα οὔτε κακὰ οὔτε ἀγαθὰ ἐφάνη, ἔδει δὲ σοφοὺς ποιεῖν καὶ ἐπιστήμης μεταδιδόναι, εἴπερ ἔμελλεν αὕτη εἶναι ἡ ὠφελοῦσά τε καὶ εὐδαίμονας ποιοῦσα. ΚΡ. ἔστι ταῦτα· τότε γοῦν οὕτως ὑμῖν ὡμολογήθη, ὡς σὺ τοὺς λόγους ἀπήγγειλας. ΣΩ. ἆρʼ οὖν ἡ βασιλικὴ σοφοὺς ποιεῖ τοὺς ἀνθρώπους καὶ ἀγαθούς; ΚΡ. τί γὰρ κωλύει, ὦ Σώκρατες; ΣΩ. ἀλλʼ ἆρα πάντας καὶ πάντα ἀγαθούς; καὶ πᾶσαν ἐπιστήμην, σκυτοτομικήν τε καὶ τεκτονικὴν καὶ τὰς ἄλλας ἁπάσας, αὕτη ἡ παραδιδοῦσά ἐστιν; ΚΡ. οὐκ οἶμαι ἔγωγε, ὦ Σώκρατες. ΣΩ. ἀλλὰ τίνα δὴ ἐπιστήμην; ᾗ τί χρησόμεθα;2 τῶν μὲν γὰρ ἔργων οὐδενὸς δεῖ αὐτὴν δημιουργὸν εἶναι τῶν μήτε κακῶν μήτε ἀγαθῶν, ἐπιστήμην δὲ παραδιδόναι μηδεμίαν ἄλλην ἢ αὐτὴν ἑαυτήν. λέγωμεν δὴ οὖν τίς ποτέ ἐστιν αὕτη, ᾗ τί χρησόμεθα; βούλει φῶμεν, ὦ Κρίτων, ᾗ ἄλλους ἀγαθοὺς ποιήσομεν; ΚΡ. πάνυ γε. ΣΩ. οἳ τί ἔσονται ἡμῖν ἀγαθοὶ καὶ τί χρήσιμοι; ἢ ἔτι λέγωμεν ὅτι ἄλλους ποιήσουσιν, οἱ δὲ ἄλλοι ἐκεῖνοι ἄλλους; ὅτι δέ ποτε ἀγαθοί εἰσιν, οὐδαμοῦ ἡμῖν φαίνονται, ἐπειδήπερ τὰ ἔργα τὰ λεγόμενα εἶναι τῆς πολιτικῆς ἠτιμάσαμεν, ἀλλʼ ἀτεχνῶς τὸ λεγόμενον ὁ Διὸς Κόρινθος γίγνεται,3 καὶ ὅπερ ἔλεγον, τοῦ ἴσου ἡμῖν ἐνδεῖ ἢ ἔτι πλέονος πρὸς τὸ εἰδέναι τίς ποτέ ἐστιν ἡ ἐπιστήμη ἐκείνη ἣ ἡμᾶς εὐδαίμονας ποιήσει; ΚΡ. νὴ τὸν Δία, ὦ Σώκρατες, εἰς πολλήν γε ἀπορίαν, ὡς ἔοικεν, ἀφίκεσθε.
SOCRATES: “And what about your art, farming? Ruling all that it rules, what does it produce? Would you not say it provides us with food from the earth?” CRITO: “I would.” SOCRATES: “And what about the kingly art, ruling all that it rules? What does it produce? Perhaps you are not at all well-provided with an answer.” CRITO: “By Zeus, indeed I am not, Socrates.” SOCRATES: “For neither are we, Crito. But at least you know this much, that if indeed this is the one we are seeking, it must be useful.” CRITO: “Quite so.” SOCRATES: “Then must it not hand over some good to us?” CRITO: “Necessarily, Socrates.” SOCRATES: “And yet, I suppose Cleinias and I agreed with each other that good is nothing other than some knowledge.” CRITO: “Yes, so you were saying.” SOCRATES: “Therefore, as for the other works, which someone might say belong to the political art—and these would probably be many, such as making the citizens wealthy and free and free from faction—all these appeared to be neither bad nor good, but it had to make them wise and impart knowledge, if indeed this was going to be the one that benefits and makes them happy.” CRITO: “That is so; at any rate, it was so agreed by you then, as you reported the conversation.” SOCRATES: “Does the kingly art, then, make human beings wise and good?” CRITO: “For what prevents it, Socrates?” SOCRATES: “But does it make all of them good, and in all things? And is it the one that hands over every knowledge, shoemaking and carpentry and all the others?” CRITO: “I for one do not think so, Socrates.” SOCRATES: “But then what knowledge? And for what shall we use it? For it must not be the producer of any of the works that are neither bad nor good, and it must hand over no other knowledge than itself. Let us say then, what on earth is this, and for what shall we use it? Do you wish us to say, Crito, that it is the one by which we shall make others good?” CRITO: “Quite so.” SOCRATES: “And in what respect will they be good for us and for what useful? Or shall we still say that they will make others good, and those others still others? But in what respect on earth they are good nowhere appears to us, since indeed we discredited the works said to belong to the political art, but absolutely, as the saying goes, ‘Corinthus son of Zeus’ happens, and just as I was saying, we are in need of the same or even more to know what on earth is that knowledge which will make us happy?” CRITO: “By Zeus, Socrates, you have indeed arrived at a great difficulty, as it seems.”
- 292bοὐκοῦν τὰ μὲν ἄλλα ἔργα
The suspension of the subject (anacoluthon). The phrase 'τὰ μὲν ἄλλα ἔργα' at the beginning of the sentence is picked up again as the subject by 'πάντα ταῦτα' after a long relative clause and an insertion, before finally connecting to the main verb 'ἐφάνη'.
- 292dᾗ τί χρησόμεθα;
A combined structure of the dative relative pronoun (ᾗ) and the accusative interrogative pronoun (τί). Within the relative clause, it functions as a double query: 'by which (ᾗ) what (τί) shall we practice/use (χρησόμεθα)?'
- 292eὁ Διὸς Κόρινθος γίγνεται
An idiomatic expression meaning 'Corinthus son of Zeus occurs'. It refers to a state of endless repetition and circular reasoning without any progress, named after a proverbial boast. The proper noun phrase functions as the subject of 'γίγνεται'.
