- Source
- Diogenes Laertius. Hicks, R. D., editor. Cambridge, MA.: Harvard University Press; London: William Heinemann Ltd., 1925.
- Translation
- AI-generated (gemini-3.8-flash) — machine translation; may contain errors
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- CTS URN
- urn:cts:greekLit:tlg0004.tlg001.humanitext-grc2:10.1.47-10.1.52
- Generated
- Humanitext Reader · reader.humanitext.ai · 2026-09-30
Epicurus explains that physical bodies cannot be in multiple places during rational time-units and details the unsurpassable speed and formation of images (eidola) entering the senses. He argues that perceptual impressions are inherently direct reflections of reality, while error arises exclusively from added opinions failing confirmation, concluding with an account of hearing.
“Οὐ μὴν οὐδʼ ἅμα κατὰ τοὺς διὰ λόγου θεωρητοὺς χρόνους1 αὐτὸ τὸ φερόμενον σῶμα ἐπὶ τοὺς πλείους τόπους ἀφικνεῖται — ἀδιανόητον γάρ,— καὶ τοῦτο συναφικνούμενον ἐν αἰσθητῷ χρόνῳ ὅθεν δήποθεν τοῦ ἀπείρου οὐκ ἐξ οὗ ἂν περιλάβωμεν τὴν φορὰν τόπου ἔσται ἀφιστάμενον· ἀντικοπῇ γὰρ ὅμοιον ἔσται, κἂν μέχρι τοσούτου τὸ τάχος τῆς φορᾶς μὴ ἀντικόπτον καταλίπωμεν. χρήσιμον δὴ καὶ τοῦτο κατασχεῖν τὸ στοιχεῖον. εἶθʼ ὅτι τὰ εἴδωλα ταῖς λεπτότησιν ἀνυπερβλήτοις κέχρηται, οὐθὲν ἀντιμαρτυρεῖ τῶν φαινομένων· ὅθεν καὶ τάχη ἀνυπέρβλητα ἔχει, πάντα πόρον σύμμετρον ἔχοντα πρὸς τῷ 〈τῷ〉 ἀπείρῳ αὐτῶν μηθὲν ἀντικόπτειν ἢ ὀλίγα ἀντικόπτειν, πολλαῖς δὲ καὶ ἀπείροις εὐθὺς ἀντικόπτειν τι.
"Indeed, nor does the moving body itself arrive at several places at the same time in periods discernible by reason—for that is inconceivable;—and if this body arrives together in perceptible time from wherever in the infinite, it will not be departing from the place from which we comprehend its motion; for it will be like a case of resistance, even if we grant the speed of its motion to be unresisted up to that point. It is useful indeed to grasp this principle as well. Next, that the images possess unsurpassable thinness is not contradicted by any of the phenomena; whence they also have unsurpassable speeds, having every passage commensurate with the fact that, in contrast with the infinity of atoms, nothing or few things resist them, whereas many and infinite atoms immediately meet with some resistance.
“Πρός τε τούτοις, ὅτι ἡ γένεσις τῶν εἰδώλων ἅμα νοήματι2 συμβαίνει. καὶ γὰρ ῥεῦσις ἀπὸ τῶν σωμάτων τοῦ ἐπιπολῆς συνεχής, οὐκ ἐπίδηλος τῇ μειώσει διὰ τὴν ἀνταναπλήρωσιν, σῴζουσα τὴν ἐπὶ τοῦ στερεμνίου θέσιν καὶ τάξιν τῶν ἀτόμων ἐπὶ πολὺν χρόνον, εἰ καὶ ἐνίοτε συγχεομένη ὑπάρχει, καὶ συστάσεις ἐν τῷ περιέχοντι ὀξεῖαι διὰ τὸ μὴ δεῖν κατὰ βάθος τὸ συμπλήρωμα γίνεσθαι, καὶ ἄλλοι δὲ τρόποι τινὲς γεννητικοὶ τῶν τοιούτων φύσεων εἰσίν. οὐθὲν γὰρ τούτων ἀντιμαρτυρεῖται ταῖς αἰσθήσεσιν, ἂν βλέπῃ τίς τινα τρόπον τὰς ἐναργείας ἵνα καὶ τὰς συμπαθείας ἀπὸ τῶν ἔξωθεν πρὸς ἡμᾶς ἀνοίσει.
"In addition to these points, the generation of the images happens as quick as thought. For there is a continuous flow from the surface of bodies, not noticeable by decrease because of the mutual replenishment, preserving for a long time the position and arrangement of the atoms upon the solid body, even if it is sometimes confused; and rapid compoundings occur in the surrounding space because the filling up need not occur in depth; and there are certain other ways capable of generating natures of this kind. For none of these things is contradicted by the senses, if one observes in what manner to relate clear evidential perceptions so as to trace back the sympatheias from external things to ourselves.
“Δεῖ δὲ καὶ νομίζειν ἐπεισιόντος τινὸς ἀπὸ τῶν ἔξωθεν ὁρᾶν ἡμᾶς καὶ διανοεῖσθαι· οὐ γὰρ ἂν ἐναποσφραγίσαιτο τὰ ἔξω τὴν ἑαυτῶν φύσιν τοῦ τε χρώματος καὶ τῆς μορφῆς διὰ τοῦ ἀέρος τοῦ μεταξὺ ἡμῶν τε κἀκείνων, οὐδὲ διὰ τῶν ἀκτίνων ἢ ὡνδήποτε ῥευμάτων ἀφʼ ἡμῶν πρὸς ἐκεῖνα παραγινομένων, οὕτως ὡς τύπων τινῶν ἐπεισιόντων ἡμῖν ἀπὸ τῶν πραγμάτων ὁμοχρόων τε καὶ ὁμοιομόρφων κατὰ τὸ ἐναρμόττον μέγεθος εἰς τὴν ὄψιν ἢ τὴν διάνοιαν, ὠκέως ταῖς φοραῖς χρωμένων,
"One must also believe that we see and think when something enters from the outside; for external things could not imprint their own nature of both color and form through the air between us and them, nor through rays or whatever effluences proceed from us to them, so well as when certain outlines enter us from the objects, having the same color and the same shape in a size suitable for sight or thought, employing swift motions,
εἶτα διὰ ταύτην τὴν αἰτίαν τοῦ ἐνὸς καὶ συνεχοῦς τὴν φαντασίαν ἀποδιδόντων καὶ τὴν συμπάθειαν ἀπὸ τοῦ ὑποκειμένου σῳζόντων κατὰ τὸν ἐκεῖθεν σύμμετρον ἐπερεισμὸν ἐκ τῆς κατὰ βάθος ἐν τῷ στερεμνίῳ τῶν ἀτόμων πάλσεως. καὶ ἣν ἂν λάβωμεν φαντασίαν ἐπιβλητικῶς τῇ διανοίᾳ ἢ τοῖς αἰσθητηρίοις εἴτε μορφῆς εἴτε συμβεβηκότων, μορφή ἐστιν αὕτη τοῦ στερεμνίου, γινομένη κατὰ τὸ ἑξῆς πύκνωμα ἢ ἐγκατάλειμμα τοῦ εἰδώλου· τὸ δὲ ψεῦδος καὶ τὸ διημαρτημένον ἐν τῷ προσδοξαζομένῳ3 ἀεί ἐστιν 〈ἐπὶ τοῦ προσμένοντοσ〉 ἐπιμαρτυρηθήσεσθαι ἢ μὴ ἀντιμαρτυρηθήσεσθαι, εἶτʼ οὐκ ἐπιμαρτυρουμένου 〈ἢ ἀντιμαρτυρουμένου〉 [κατά τινα κίνησιν ἐν ἡμῖν αὐτοῖς συνημμένην τῇ φανταστικῇ ἐπιβολῇ, διάληψιν δὲ ἔχουσαν, καθʼ ἣν τὸ ψεῦδος γίνεται.]
and then for this reason presenting the impression of a single and continuous thing, and preserving the sympatheia from the underlying object in accordance with the proportionate impact from there resulting from the vibration of the atoms in depth within the solid body. And whatever impression we receive apprehendingly by the intellect or by the sense organs, whether of shape or of accidental properties, this is the shape of the solid body, coming to be in accordance with the sequential condensation or residue of the image; but falsehood and error always consist in the added opinion 〈regarding that which awaits〉 confirmation or non-refutation, when it is then not confirmed 〈or is refuted〉 [in accordance with a certain movement in ourselves joined with the imaginative apprehension, but having a distinct judgment, according to which falsehood comes to be].
“Ἥ τε γὰρ ὁμοιότης τῶν φαντασμῶν οἱονεὶ ἐν εἰκόνι λαμβανομένων ἢ καθʼ ὕπνους γινομένων ἢ κατʼ ἄλλας τινὰς ἐπιβολὰς τῆς διανοίας ἢ τῶν λοιπῶν κριτηρίων οὐκ ἄν ποτε ὑπῆρχε τοῖς οὖσί τε καὶ ἀληθέσι προσαγορευομένοις, εἰ μὴ ἦν τινα καὶ τοιαῦτα πρὸς ἃ παραβάλλομεν· τὸ δὲ διημαρτημένον οὐκ ἂν ὑπῆρχεν, εἰ μὴ ἐλαμβάνομεν καὶ ἄλλην τινὰ κίνησιν ἐν ἡμῖν αὐτοῖς συνημμένην μὲν τῇ φανταστικῇ ἐπιβολῇ, διάληψιν δὲ ἔχουσαν· κατὰ δὲ ταύτην, ἐὰν μὲν μὴ ἐπιμαρτυρηθῇ ἢ ἀντιμαρτυρηθῇ, τὸ ψεῦδος γίνεται· ἐὰν δὲ ἐπιμαρτυρηθῇ ἢ μὴ ἀντιμαρτυρηθῇ, τὸ ἀληθές.
"For the likeness of impressions, whether taken as it were in a portrait, or occurring in sleep, or in other apprehensions of the intellect or of the other criteria, would never have belonged to things that exist and are called true, if there were not certain things of such a kind to which we compare them; but error would not have existed, if we did not also receive a certain other motion in ourselves, joined to the imaginative apprehension, but admitting a distinct judgment; and in accordance with this motion, if it is not confirmed or is refuted, falsehood arises; but if it is confirmed or not refuted, truth arises.
“Καὶ ταύτην οὖν σφόδρα γε δεῖ τὴν δόξαν κατέχειν, ἵνα μήτε τὰ κριτήρια ἀναιρῆται τὰ κατὰ τὰς ἐναργείας μήτε τὸ διημαρτημένον ὁμοίως βεβαιούμενον πάντα συνταράττῃ. “Ἀλλὰ μὴν καὶ τὸ ἀκούειν γίνεται ῥεύματος φερομένου ἀπὸ τοῦ φωνοῦντος ἢ ἠχοῦντος ἢ ψοφοῦντος ἢ ὁπωσδήποτε ἀκουστικὸν πάθος παρασκευάζοντος. τὸ δὲ ῥεῦμα τοῦτο εἰς ὁμοιομερεῖς ὄγκους διασπείρεται, ἅμα τινὰ διασῴζοντας συμπάθειαν πρὸς ἀλλήλους καὶ ἑνότητα ἰδιότροπον, διατείνουσαν πρὸς τὸ ἀποστεῖλαν καὶ τὴν ἐπαίσθησιν τὴν ἐπʼ ἐκείνου ὡς τὰ πολλὰ ποιοῦσαν, εἰ δὲ μή γε, τὸ ἔξωθεν μόνον ἔνδηλον παρασκευάζουσαν·
"One must therefore firmly maintain this opinion, so that the criteria based on clear evidential perceptions may not be destroyed, nor error, being similarly affirmed, throw all things into confusion. Furthermore, hearing also occurs by means of a stream carried from that which utters voice or makes a sound or noise or in any way whatsoever produces an auditory affection. And this stream is dispersed into particles of like parts, at the same time preserving a certain mutual sympatheia and a peculiar unity extending back to the sending body, and for the most part producing the perceptual awareness of that object, or if not, at least rendering clear that it comes from outside."
- 10.1.47κατὰ τοὺς διὰ λόγου θεωρητοὺς χρόνους
Refers to the theoretically minimal units of time discerned only by reason, directly contrasted with 'perceptible time' (ἐν αἰσθητῷ χρόνῳ). The preposition κατά denotes the temporal measure or duration under consideration.
- 10.1.48ἅμα νοήματι
Dative of accompaniment/time meaning 'as quick as thought' or 'simultaneously with thought'. An idiomatic expression designating instantaneous rapidity in the continuous emission and generation of images.
- 10.1.50ἐν τῷ προσδοξαζομένῳ
Substantivized neuter present passive participle meaning 'in that which is additionally opined/judged'. It marks the fundamental Epicurean epistemological doctrine that sensation itself (epibole) is infallible, and error resides exclusively in the added opinion of the mind.
