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Epistles

§2.1.68-2.1.134

Flaws of Early Poets and the True Poet's Civic Value

The poet criticizes the excessive veneration of archaic Roman poets and laments the contemporary writing fad, while ultimately defending the valuable moral and civic role that a true poet plays in society.

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68

​et sapit et mecum facit et Iove iudicat aequo,1

​is both wise and sides with me, and judges with a favorable Jupiter.

​non equidem insector delendave carmina Livi

​I do not indeed attack the poems of Livius or think they should be destroyed,

70

​esse reor, memini quae plagosum mihi parvo

​which I remember the whipping Orbilius dictated to me when I was small;

​Orbilium dictare;2 sed emendata videri

​but that they should seem polished and beautiful, and very little different from finished works, I am amazed.

​pulchraque et exactis minimum distantia miror,

​Among which, if by chance a graceful word has shone forth, and

​inter quae verbum emicuit si forte decorum, et

​if one or two verses are a little more elegant,

​si versus paulo concinnior unus et alter,

​it unjustly carries and sells the whole poem.

75

​iniuste totum ducit venditque poema.

​I am indignant that anything is blamed, not because it is thought to be composed

​Indignor quicquam reprehendi, non quia crasse

​crudely or without grace, but because it is recent;

​compositum illepideve putetur, sed quia nuper,

​and that for the ancients not indulgence, but honor and rewards are demanded.

​nec veniam antiquis, sed honorem et praemia posci,

​Whether or not Atta’s play walks rightly over the saffron and flowers,

​recte necne crocum floresque perambulet Attae

​if I should doubt, almost all the elders would cry out that shame has perished,

80

​fabula3 si dubitem, clament periisse pudorem

​when I endeavor to blame those things which

​cuncti paene patres, ea cum reprehendere coner,

​the grave Aesopus, which the learned Roscius acted;

​quae gravis Aesopus, quae doctus Roscius egit;

​either because they reckon nothing right except what has pleased themselves,

​vel quia nil rectum, nisi quod placuit sibi, ducunt,

​or because they think it shameful to submit to their juniors, and to confess that what

​vel quia turpe putant parere minoribus, et quae

​they learned when beardless must be destroyed now they are old.

85

​imberbes didicere senes perdenda fateri.

​Now, he who praises the Salian song of Numa and wants

​iam Saliare Numae carmen qui laudat et illud,

​to seem to be the only one to know that which he is ignorant of along with me,

​quod mecum ignorat, solus volt scire videri,

​he does not favor and applaud buried geniuses,

​ingeniis non ille favet plauditque sepultis,

​but attacks ours; envious, he hates us and our things.

​nostra sed impugnat, nos nostraque lividus odit.

​But if novelty had been as hateful to the Greeks

90

​Quod si tam Graecis novitas invisa fuisset

​as it is to us, what would now be ancient? Or what would

​quam nobis, quid nunc esset vetus? aut quid haberet

​the public use have to read and wear out man by man?

​quod legeret tereretque viritim publicus usus?

​As soon as Greece, having laid aside her wars, began to trifle

​Ut primum positis nugari Graecia bellis

​and to slide into vice with favorable fortune,

​coepit et in vitium fortuna labier aequa,

​now she burned with enthusiasm for athletes, now for horses,

95

​nunc athletarum studiis, nunc arsit equorum,

​she loved craftsmen of marble or ivory or bronze,

​marmoris aut eboris fabros aut aeris amavit,

​suspended her gaze and mind on painted tablets,

​suspendit picta voltum mentemque tabella,

​now she rejoiced in flute-players, now in tragic actors;

​nunc tibicinibus, nunc est gavisa tragoedis;

​just as if an infant girl were playing under a nurse,

​sub nutrice puella velut si luderet infans,

​what she eagerly sought, she quickly left when full.

100

​quod cupide petiit, mature plena reliquit.

​What pleases or is hated, which you would not believe mutable?

​quid placet aut odio est, quod non mutabile credas?

​This is what good peace and favorable winds brought.

​hoc paces habuere bonae ventique secundi.

​At Rome it was long pleasant and customary, with open house

​Romae dulce diu fuit et sollemne reclusa

​early in the morning, to be awake, to lay down the law for the client,

​mane domo vigilare, clienti promere iura,

​to pay out money secured by good names,

105

​cautos nominibus rectis expendere nummos,

​to hear elders, to tell the junior by what means

​maiores audire, minori dicere, per quae

​wealth could grow, and ruinous lust be diminished.

​crescere res posset, minui damnosa libido.

​The fickle people has changed its mind and burns with a single

​mutavit mentem populus levis et calet uno

​passion for writing; boys and grave fathers alike,

​scribendi studio; pueri patresque4 severi

​their hair bound with leaves, dine and dictate poems.

110

​fronde comas vincti cenant et carmina dictant.

​I myself, who affirm that I write no verses,

​ipse ego, qui nullos me adfirmo scribere versus,

​am found more lying than the Parthians, and awake before the rising

​invenior Parthis mendacior, et prius orto

​sun, I call for pen and paper and writing cases.

​sole vigil calamum et chartas et scrinia posco,

​He who is ignorant of a ship fears to steer a ship; to a sick man

​navem agere ignarus navis timet; habrotonum aegro

​none dares to give southernwood except he who has learned; what belongs to doctors,

115

​non audet nisi qui didicit dare; quod medicorum est

​doctors undertake; craftsmen handle craftsmen’s tools.

​promittunt medici; tractant fabrilia fabri:

​We write poems everywhere, unlearned and learned alike.

​scribimus indocti doctique poemata passim.

​Yet how great virtues this error and this light madness

​Hic error tamen et levis haec insania quantas

​has, gather thus: the mind of a poet is rarely

​virtutes habeat, sic collige, vatis avarus

​greedy; he loves verses, this alone he studies;

120

​non temere est animus; versus amat, hoc studet unum;

​losses, flight of slaves, fires he laughs at;

​detrimenta, fugas servorum, incendia ridet;

​he plans no fraud against a partner or a boy

​non fraudem socio puerove incogitat ullam

​ward; he lives on pods and second-rate bread;

​pupillo; vivit siliquis et pane secundo;

​though slow and bad for military service, he is useful to the city,

​militiae quamquam piger et malus, utilis urbi,

​if you grant this, that great things are helped by small things too.

125

​si das hoc, parvis quoque rebus magna iuvari.

​The poet fashions the tender and stammering mouth of the boy,

​os tenerum pueri balbumque poeta figurat,

​turns away his ear even now from obscene words,

​torquet ab obscenis iam nunc sermonibus aurem,

​presently also forms his heart with friendly precepts,

​mox etiam pectus praeceptis format amicis,

​corrector of roughness and envy and anger,

​asperitatis et invidiae corrector et irae,

​he relates right deeds, instructs the rising times with famous

130

​recte facta refert, orientia tempora notis

​examples, consoles the poor and the sick.

​instruit exemplis, inopem solatur et aegrum,

​With chaste boys, how would the girl ignorant of a husband

​castis cum pueris ignara puella mariti

​learn prayers, unless the Muse had given a poet?

​disceret unde preces, vatem ni Musa dedisset?5​poscit opem chorus et praesentia numina sentit,

​The chorus demands help and feels the present divinities,

Syntax notes5 items
  1. 2.1.68Iove iudicat aequo

    Iove aequo is an ablative absolute. aequus here means 'favorable' or 'impartial,' indicating the divine favor under which the public makes a correct judgment.

  2. 2.1.70memini quae plagosum mihi parvo Orbilium dictare

    An accusative with infinitive construction (Orbilium dictare) dependent on memini ('I remember'). The relative pronoun quae refers back to carmina in the preceding line.

  3. 2.1.79recte necne crocum floresque perambulet Attae fabula

    This indirect question clause depends on dubitem (line 80). crocum floresque perambulet is a figurative expression referring to the performance of a play on a stage sprinkled with saffron water and flowers.

  4. 2.1.108populus levis et calet uno scribendi studio; pueri patresque

    Although the singular collective noun populus is the subject of the singular verbs mutavit and calet, the participle vincti and verbs cenant and dictant in line 110 are in the plural, agreeing with the appositive plural subjects pueri patresque.

  5. 2.1.133disceret unde preces, vatem ni Musa dedisset?

    A mixed conditional sentence consisting of the apodosis disceret (imperfect subjunctive) and the protasis dedisset (pluperfect subjunctive), expressing what would have been the ongoing result in the past or present of a past contrary-to-fact condition.

Translated by Gemini 3.5 Flash (published 2026-05-22) · Revision history (1, latest 2026-09-22)
  • 2026-09-22 AI review — source 1
urn:cts:latinLit:phi0893.phi005.humanitext-lat2:2.1.68-2.1.134