- Source
- Vergil. The Bucolics, Aeneid, and Georgics Of Virgil. Greenough, J.B., editor. Boston: Ginn and Company, 1881.
- Translation
- AI-generated (gemini-3.5-flash) — machine translation; may contain errors
- Languages
- 日本語 · English · 简体中文 · 한국어
- CTS URN
- urn:cts:latinLit:phi0690.phi003.humanitext-lat2:12.876-12.952
- Generated
- Humanitext Reader · reader.humanitext.ai · 2026-10-31
Juturna laments her immortality, which prevents her from dying with her brother, and vanishes into the river, leaving Turnus to face Aeneas. Turnus fails to hurl a boundary stone at Aeneas due to his freezing strength, is struck by Aeneas's spear, and begs for mercy, but Aeneas, spotting Pallas's belt on Turnus, is consumed by rage and kills him.
obscenae volucres: alarum verbera nosco
Foul birds, I recognize the beating of your wings
letalemque sonum, nec fallunt iussa superba
and your deathly sound, nor do the proud commands of great-hearted
magnanimi Iovis. Haec pro virginitate reponit?
Jupiter deceive me. Does he repay this for my virginity?
Quo vitam dedit aeternam? Cur mortis ademptast
Why did he give me eternal life? Why was the condition of death
condicio? Possem1 tantos finire dolores
taken away? Otherwise I could certainly end such great sorrows
nunc certe et misero fratri comes ire per umbras!
now, and go through the shadows as a companion to my wretched brother!
Immortalis ego? Aut quicquam mihi dulce meorum
Am I immortal? Or will anything of mine be sweet to me
te sine, frater, erit? O quae satis ima dehiscet
without you, brother? Oh, what deep enough earth will gape open for me
terra mihi Manisque deam demittet ad imos?
and send a goddess down to the deepest Shades?”
Tantum effata caput glauco contexit amictu
Having spoken thus much, the goddess covered her head with a gray mantle,
multa gemens et se fluvio dea condidit alto.
groaning deeply, and hid herself in the deep river.
Aeneas instat contra telumque coruscat
Aeneas presses on against him and brandishes his huge
ingens arboreum et saevo sic pectore fatur:
tree-like spear, and speaks thus from his fierce breast:
Quae nunc deinde mora est? Aut quid iam, Turne, retractas?
”What delay is there now next? Or why now, Turnus, do you draw back?
Non cursu, saevis certandum est comminus armis.
We must contend not by running, but close at hand with cruel weapons.
Verte omnis tete in facies et contrahe quidquid
Turn yourself into all shapes, and collect whatever
sive animis sive arte vales; opta ardua pennis
you can, whether in courage or in skill; wish to follow the high stars
astra sequi clausumve cava te condere terra.
on wings, or to hide yourself enclosed in the hollow earth.”
Ille caput quassans Non me tua fervida terrent
Shaking his head, he replied: “Your fiery words do not terrify me,
dicta, ferox: di me terrent et Iuppiter hostis.
fierce one; the gods terrify me, and Jupiter as my enemy.”
Nec plura effatus saxum circumspicit ingens,
Saying no more, he looks around and sees a huge stone,
saxum antiquum ingens, campo quod forte iacebat,
an ancient, huge stone, which by chance was lying on the plain,
limes agro positus, litem ut discerneret arvis.
placed as a boundary for the field, to settle dispute in the lands.
Vix illud lecti bis sex cervice subirent,2
Scarcely twice six chosen men could support it on their shoulders,
qualia nunc hominum producit corpora tellus:
such bodies of men as the earth now produces;
ille manu raptum trepida torquebat in hostem
having snatched it with trembling hand, he tried to hurl it at the enemy,
altior insurgens et cursu concitus heros.
rising higher and quickened by his running, hero that he was.
Sed neque currentem se nec cognoscit euntem
But he does not recognize himself running, nor going,
tollentemve manus saxumve immane moventem;
nor raising his hands, nor moving the immense stone;
genua labant, gelidus concrevit frigore sanguis.
his knees give way, his icy blood froze with chill.
Tum lapis ipse viri, vacuum per inane volutus,
Then the stone itself of the hero, whirled through the empty void,
nec spatium evasit totum neque pertulit ictum.
neither cleared the whole space, nor carried through the blow.
Ac velut in somnis,3 oculos ubi languida pressit
And just as in dreams, when languid sleep has pressed upon our eyes
nocte quies, nequiquam avidos extendere cursus
at night, we seem to wish in vain to extend
velle videmur et in mediis conatibus aegri
our eager courses, and in the midst of our efforts we sink down
succidimus, non lingua valet, non corpore notae
helpless, our tongue has no power, the familiar strength in our body
sufficiunt vires, nec vox aut verba sequuntur:
is not sufficient, nor do voice or words follow:
sic Turno, quacumque viam virtute petivit,
so to Turnus, with whatever valor he sought a way,
successum dea dira negat. Tum pectore sensus
the dread goddess denies success. Then various feelings turn
vertuntur varii. Rutulos aspectat et urbem
within his breast. He gazes at the Rutulians and the city,
cunctaturque metu letumque instare tremescit;
and hesitates with fear, and trembles that death is pressing on;
nec quo se eripiat, nec qua vi tendat in hostem,
he sees neither where he may escape, nor by what force he may advance against the enemy,
nec currus usquam videt aurigamve sororem.
nor his chariot anywhere, nor his sister as the charioteer.
Cunctanti telum Aeneas fatale coruscat,
As he hesitates, Aeneas brandishes the fatal weapon,
sortitus fortunam oculis, et corpore toto
having chosen the lucky spot with his eyes, and with his whole body
eminus intorquet. Murali concita numquam
hurls it from afar. Never do stones hurled from a siege engine
tormento sic saxa fremunt, nec fulmine tanti
roar so, nor do such crashes burst from a thunderbolt.
dissultant crepitus. Volat atri turbinis instar
Like a black whirlwind flies the spear,
exitium dirum hasta ferens orasque recludit
bearing dread destruction, and tears open the borders of the breastplate
loricae et clipei extremos septemplicis orbes.
and the outermost circles of the sevenfold shield.
Per medium stridens transit femur. Incidit ictus
Whirring, it passes through the middle of his thigh. Under the blow,
ingens ad terram duplicato poplite Turnus.
the great Turnus fell to the earth on doubled knee.
Consurgunt gemitu Rutuli, totusque remugit
The Rutulians rise up with a groan, and all the mountain
mons circum, et vocem late nemora alta remittunt.
re-echoes around, and the high woods return the sound far and wide.
Ille humilis supplexque oculos, dextramque precantem
He, humble and suppliant, raising his eyes and stretching out
protendens, Equidem merui nec deprecor, inquit:
his entreating right hand, says: “I have indeed deserved it, and I do not beg off;
utere sorte tua. Miseri te siqua parentis
use your fortune. If any care for a wretched parent
tangere cura potest, oro (fuit et tibi talis
can touch you, I pray (you too had such a father
Anchises genitor), Dauni miserere senectae
in Anchises), pity the old age of Daunus,
et me seu corpus spoliatum lumine mavis
and restore me—or if you prefer, my body despoiled of light—
redde meis. Vicisti, et victum tendere palmas
to my people. You have won, and the Ausonians have seen me, conquered,
Ausonii videre; tua est Lavinia coniunx:
stretch out my hands; Lavinia is your wife:
ulterius ne tende odiis. Stetit acer in armis
do not stretch your hatred further.” Aeneas stood fierce in arms,
Aeneas, volvens oculos, dextramque repressit;
rolling his eyes, and held back his right hand;
et iam iamque magis cunctantem flectere sermo
and now more and more the speech had begun to sway him as he hesitated,
coeperat, infelix umero cum apparuit alto
when the unlucky belt appeared high on the shoulder
balteus et notis fulserunt cingula bullis
and the strap shone with the familiar studs
Pallantis pueri, victum quem volnere Turnus
of young Pallas, whom Turnus had laid low, conquered by a wound,
straverat atque umeris inimicum insigne gerebat.
and was wearing on his shoulders the hostile emblem.
Ille, oculis postquam saevi monimenta doloris
He, after he drank in with his eyes the memorials of cruel grief
exuviasque hausit, furiis accensus et ira
and the spoils, inflamed with fury and terrible
terribilis, Tune hinc spoliis indute meorum
in his wrath, cried: “Are you, clad in the spoils of my own, to be snatched
eripiare4 mihi? Pallas te hoc volnere, Pallas
from me? Pallas immolates you with this wound, Pallas,
immolat et poenam scelerato ex sanguine sumit,
and takes vengeance from your criminal blood!”
hoc dicens ferrum adverso sub pectore condit
Saying this, he buries the steel deep under his opposing breast,
fervidus. Ast illi solvuntur frigore membra
boiling with rage. But his limbs are loosed with cold,
vitaque cum gemitu fugit indignata sub umbras.
and with a groan his life flees, indignant, down to the Shades.
- 12.880Possem
Imperfect subjunctive. It expresses an unattainable wish in the present ('would that I could...'), or functions as the apodosis of a contrary-to-fact condition with an implied protasis ('[if I were not immortal,] I would be able to...'). Both interpretations emphasize her utter despair.
- 12.899subirent
Imperfect subjunctive (third-person plural), expressing potentiality ('would support' or 'could support'). While the relative clause qualia... tellus (line 900) interrupts to modify the quality of the men, the core structure is vix illud [saxum] bis sex lecti subirent ('scarcely twelve chosen men could support that stone on their shoulders').
- 12.908Ac velut in somnis
The conjunction introducing a famous simile of a dream. The main verb of the extensive subordinate clause describing the simile (lines 908-912) is videmur, which governs the infinitive velle, which in turn governs extendere. This entire comparison is resolved by the main clause starting at line 913, sic Turno... ('so to Turnus...').
- 12.948eripiare
Second-person singular present passive subjunctive of eripio (the ending -re is an alternative for -ris). Used as a deliberative subjunctive in an indignant question, expressing disbelief and fierce rejection ('Are you to be snatched [from me]?', implying 'No, you shall not escape').
Translated by Gemini 3.5 Flash (published 2026-05-22) · Revision history (1, latest 2026-09-21)
- 2026-09-21 AI review — translation 1
