- Source
- Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.
- Translation
- AI-generated (gemini-3.5-flash) — machine translation; may contain errors
- Languages
- 日本語 · English · 简体中文 · 한국어
- CTS URN
- urn:cts:greekLit:tlg0525.tlg001.humanitext-grc2:9.23.1-9.23.7
- Generated
- Humanitext Reader · reader.humanitext.ai · 2026-11-01
The author describes the facilities associated with Iolaus and the legends of the poet Pindar (the honey-bees anecdote, Persephone's dream, and his death) in Thebes, and continues to account for the history and sanctuaries of Acraephnium, Ptous Apollo, and Larymna.
Θηβαίοις δὲ πρὸ τῶν πυλῶν ἐστι τῶν Προιτίδων καὶ τὸ Ἰολάου καλούμενον γυμνάσιον καὶ στάδιον κατὰ ταὐτὰ τῷ τε ἐν Ὀλυμπίᾳ καὶ τῷ Ἐπιδαυρίων γῆς χῶμα·1 ἐνταῦθα δείκνυται καὶ ἡρῷον Ἰολάου. τελευτῆσαι δὲ ἐν Σαρδοῖ τόν τε Ἰόλαον αὐτὸν καὶ Ἀθηναίων καὶ Θεσπιέων τοὺς συνδιαβάντας ὁμολογοῦσι καὶ οἱ Θηβαῖοι.
In front of the Proitides gates of the Thebans is the gymnasium called that of Iolaus, and a stadium built in the same manner as the one in Olympia and the earthwork in the land of the Epidaurians; there the hero-shrine of Iolaus is also shown. That Iolaus himself and the Athenians and Thespians who crossed over with him died in Sardinia is agreed also by the Thebans.
ὑπερβάντι δὲ τοῦ σταδίου τὰ ἐν δεξιᾷ δρόμος ἵππων καὶ ἐν αὐτῷ Πινδάρου μνῆμά ἐστι. Πίνδαρον δὲ ἡλικίαν ὄντα νεανίσκον καὶ ἰόντα ἐς Θεσπιὰς ὥρᾳ καύματος περὶ μεσοῦσαν μάλιστα ἡμέραν κόπος καὶ ὕπνος ἀπʼ αὐτοῦ κατελάμβανεν· ὁ μὲν δὴ ὡς εἷχε κατακλίνεται βραχὺ ὑπὲρ τῆς ὁδοῦ, μέλισσαι δὲ αὐτῷ καθεύδοντι προσεπέτοντό τε καὶ ἔπλασσον πρὸς τὰ χείλη τοῦ κηροῦ.
Crossing over the stadium, on the right is a horse-course, and in it is the tomb of Pindar. When Pindar was a young man and was going to Thespiae in the hot season around mid-day, weariness and sleep from it overtook him; he lay down just as he was a little above the road, and while he was sleeping, bees flew to him and plastered honeycomb on his lips.
ἀρχὴ μὲν Πινδάρῳ ποιεῖν ᾄσματα ἐγένετο τοιαύτη· εὐδοκιμοῦντα δὲ αὐτὸν ἤδη ἀνὰ πᾶσαν τὴν Ἑλλάδα ἐς πλέον δόξης ἦρεν ἡ Πυθία ἀνειποῦσα Δελφοῖς, ὁπόσων ἀπήρχοντο2 τῷ Ἀπόλλωνι, μοῖραν καὶ Πινδάρῳ τὴν ἴσην ἁπάντων νέμειν. λέγεται δὲ καὶ ὀνείρατος ὄψιν αὐτῷ γενέσθαι προήκοντι ἐς γῆρας· ἐπιστᾶσα ἡ Περσεφόνη οἱ καθεύδοντι οὐκ ἔφασκεν ὑμνηθῆναι μόνη θεῶν ὑπὸ Πινδάρου, ποιήσειν μέντοι καὶ ἐς αὐτὴν ᾆσμα Πίνδαρον ἐλθόντα ὡς αὐτήν.
Such was the beginning of Pindar’s composing songs; and when he was already famous throughout the whole of Greece, the Pythia raised him to a greater height of glory by proclaiming to the Delphians to distribute to Pindar also an equal share of all those first-fruits which they offered to Apollo. It is also said that a vision of a dream came to him when he was advanced in old age; Persephone stood over him as he slept and said that she alone of the gods had not been hymned by Pindar, but that Pindar would indeed make a song for her too when he came to her.
τὸν μὲν αὐτίκα τὸ χρεὼν ἐπιλαμβάνει πρὶν ἐξήκειν ἡμέραν δεκάτην ἀπὸ τοῦ ὀνείρατος, ἦν δὲ ἐν Θήβαις γυνὴ πρεσβῦτις γένους ἕνεκα προσήκουσα Πινδάρῳ καὶ τὰ πολλὰ μεμελετηκυῖα ᾄδειν τῶν ᾀσμάτων· ταύτῃ Πίνδαρος ἐνύπνιον τῇ πρεσβύτιδι ἐπιστὰς ὕμνον ᾖσεν ἐς Περσεφόνην, ἡ δὲ αὐτίκα ὡς ἀπέλιπεν αὐτὴν ὁ ὕπνος, ἔγραψε ταῦτα ὁπόσα τοῦ ὀνείρατος ἤκουσεν ᾄδοντος. ἐν τούτῳ τῷ ᾄσματι ἄλλαι τε ἐς τὸν Ἅιδην εἰσὶν ἐπικλήσεις καὶ ὁ χρυσήνιος, δῆλα ὡς ἐπὶ τῆς Κόρης τῇ ἁρπαγῇ.
Fate overtook him immediately before a tenth day had passed since the dream; and there was in Thebes an old woman who by birth was related to Pindar and had practiced singing many of his songs; Pindar stood over this old woman in a dream and sang a hymn to Persephone, and she, as soon as sleep left her, wrote down all that she had heard him singing in the dream. In this song, among other titles for Hades, there is “of the golden reins,” clearly referring to the rape of Kore.
ἐντεῦθεν ἐς Ἀκραίφνιόν ἐστιν ὁδὸς τὰ πλείω πεδιάς. εἶναι δὲ ἐξ ἀρχῆς τε μοῖραν τῆς Θηβαΐδος τὴν πόλιν φασὶ καὶ ὕστερον διαπεσόντας Θηβαίων ἐς αὐτὴν ἄνδρας εὕρισκον, ἡνίκα Ἀλέξανδρος ἐποίει τὰς Θήβας ἀναστάτους· ὑπὸ δὲ ἀσθενείας καὶ γήρως οὐδὲ ἐς τὴν Ἀττικὴν ἀποσωθῆναι δυνηθέντες ἐνταῦθα ᾤκησαν. κεῖται μὲν τὸ πόλισμα ἐν ὄρει τῷ Πτώῳ, θέας δὲ ἄξια ἐνταῦθα Διονύσου ναός ἐστι καὶ ἄγαλμα.
From here to Acraephnium the road is for the most part level. They say that the city was from the beginning a part of the Theban territory, and later people found there men of the Thebans who had fled to it when Alexander was laying Thebes waste; being unable to escape safe even to Attica because of weakness and old age, they settled there. The town lies on Mount Ptoum, and worth seeing there are a temple of Dionysus and a statue.
προελθόντι δὲ ἀπὸ τῆς πόλεως ἐν δεξιᾷ πέντε που καὶ δέκα σταδίους τοῦ Ἀπόλλωνός ἐστι τοῦ Πτώου τὸ ἱερόν. εἶναι δὲ Ἀθάμαντος καὶ Θεμιστοῦς παῖδα τὸν Πτῶον, ἀφʼ οὗ τῷ τε Ἀπόλλωνι ἐπίκλησις καὶ τῷ ὄρει τὸ ὄνομα ἐγένετο, Ἄσιος ἐν τοῖς ἔπεσιν εἴρηκε. πρὸ δὲ τῆς Ἀλεξάνδρου καὶ Μακεδόνων ἐπιστρατείας καὶ ὀλέθρου τοῦ Θηβαίων μαντεῖον ἦν αὐτόθι ἀψευδές· καί ποτε ἄνδρα Εὐρωπέα—ὄνομα δέ οἱ εἶναι Μῦν—, τοῦτον ἀποσταλέντα ὑπὸ Μαρδονίου τὸν Μῦν ἐπερέσθαι τε φωνῇ τῇ σφετέρᾳ καί οἱ χρῆσαι τὸν θεόν,3 οὐχ ἑλληνίσαντα οὐδὲ αὐτόν, διαλέκτῳ τῇ Καρικῇ.
Going forward from the city, on the right about fifteen stades is the sanctuary of Ptous Apollo. That Ptous was the son of Athamas and Themisto, after whom came the surname of Apollo and the name of the mountain, Asius has said in his epic verses. Before the campaign of Alexander and the Macedonians and the destruction of the Thebans, there was an unerring oracle there; and once a man of Europus—his name was Mys—this Mys, having been sent by Mardonius, asked the oracle in his own language, and the god answered him, not speaking Greek himself either, but in the Carian dialect.
ὑπερβαλόντων δὲ τὸ ὄρος τὸ Πτῶον ἔστιν ἐπὶ θαλάσσης Βοιωτῶν πόλις Λάρυμνα, γενέσθαι δὲ αὐτῇ τὸ ὄνομά φασιν ἀπὸ Λαρύμνης τῆς Κύνου· τοὺς δὲ ἀνωτέρω προγόνους δηλώσει μοι τὰ ἔχοντα ἐς Λοκροὺς τοῦ λόγου. καὶ συνετέλει δὲ ἐς Ὀποῦντα ἡ Λάρυμνα τὸ ἀρχαῖον· Θηβαίων δὲ ἐπὶ μέγα ἰσχύος προελθόντων, τηνικαῦτα ἑκουσίως μετετάξαντο ἐς Βοιωτούς. Διονύσου δὲ ἐνταῦθα ναὸς καὶ ἄγαλμα ὀρθὸν πεποίηται. λιμὴν δέ σφισίν ἐστιν ἀγχιβαθής, καὶ τὰ ὄρη τὰ ὑπὲρ τὴν πόλιν ὑῶν παρέχεται θήραν ἀγρίων.
Crossing over Mount Ptoum, there is on the sea a city of the Boeotians, Larymna, and they say its name came from Larymna, the daughter of Cynus; but her more ancient ancestors will be shown by my account concerning the Locrians. Larymna also contributed to Opus in ancient times; but when the Thebans had advanced to great power, they then voluntarily transferred themselves to the Boeotians. A temple of Dionysus and an upright statue are made there. Their harbor is deep right by the shore, and the mountains above the city afford a hunt for wild boars.
- 9.23.1κατὰ ταὐτὰ τῷ τε ἐν Ὀλυμπίᾳ καὶ τῷ Ἐπιδαυρίων γῆς χῶμα
The construction is κατὰ ταὐτὰ τῷ... ('in the same manner as...'). It coordinates τῷ ἐν Ὀλυμπίᾳ (the stadium in Olympia) and τῷ Ἐπιδαυρίων γῆς χῶμα (the earthwork of the Epidaurian land), indicating that the stadium at Epidaurus was constructed with embankments of earth (χῶμα).
- 9.23.3ὁπόσων ἀπήρχοντο
The verb ἀπάρχομαι ('to offer first-fruits') governs the genitive of the things offered. Here, the relative pronoun ὁπόσων is in the genitive, attracted to or agreeing with the antecedent ἁπάντων ('from all the first-fruits which they offered to Apollo').
- 9.23.6ἐπερέσθαι τε ... καί οἱ χρῆσαι τὸν θεόν
An accusative with infinitive (AcI) construction introducing reported speech (dependent on the general report of the oracle). The subject of the first infinitive ἐπερέσθαι is the accusative ἄνδρα... τοῦτον... τὸν Μῦν, and the subject of the second, χρῆσαι, is τὸν θεόν. The participle οὐχ ἑλληνίσαντα οὐδὲ αὐτόν agrees with the accusative τὸν θεόν, meaning 'the god himself not speaking Greek either'.
