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Description of Greece

§8.37.1-8.37.5

Sanctuary of Despoina and Damophon's Colossal Statues

Pausanias describes the sanctuary of Despoina near Acacesium, detailing its portico reliefs, the inscription of Polybius, and the colossal cult statues made from a single block of stone by Damophon.

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§8.37.1

ἀπὸ δὲ Ἀκακησίου τέσσαρας σταδίους ἀπέχει τὸ ἱερὸν τῆς Δεσποίνης. πρῶτα μὲν δὴ αὐτόθι Ἡγεμόνης ναός ἐστιν Ἀρτέμιδος καὶ χαλκοῦν ἄγαλμα ἔχον δᾷδας —ποδῶν ἓξ εἶναι μάλιστα αὐτὸ εἰκάζομεν—, ἐντεῦθεν δὲ ἐς τὸν ἱερὸν περίβολον τῆς Δεσποίνης ἐστὶν ἔσοδος. ἰόντων δὲ1 ἐπὶ τὸν ναὸν στοά τέ ἐστιν ἐν δεξιᾷ καὶ ἐν τῷ τοίχῳ λίθου λευκοῦ τύποι πεποιημένοι, καὶ τῷ μέν εἰσιν ἐπειργασμέναι Μοῖραι καὶ Ζεὺς ἐπίκλησιν Μοιραγέτης, δευτέρῳ δὲ Ἡρακλῆς τρίποδα Ἀπόλλωνα ἀφαιρούμενος· ὁποῖα δὲ ἐς αὐτοὺς ἐπυνθανόμην γενέσθαι, δηλώσω καὶ τοῦτο, ἢν ἐς τοῦ Φωκικοῦ λόγου τὰ ἔχοντα ἐς Δελφοὺς ἀφικώμεθα.

​Four stades distant from Acacesium is the sanctuary of Despoina. First, there is at this place a temple of Artemis Hegemone, and a bronze image holding torches—we estimate it to be about six feet high—and from here there is an entrance into the sacred enclosure of Despoina. As people go toward the temple, there is a portico on the right, and on the wall are reliefs made of white marble; on the first are carved the Fates and Zeus surnamed Leader of the Fates, and on the second Heracles depriving Apollo of the tripod. What things I have heard to have happened concerning them, I will declare this also when in the Phocian narrative we reach the parts relating to Delphi.

§8.37.2

ἐν δὲ τῇ στοᾷ τῇ παρὰ τῇ Δεσποίνῃ μεταξὺ τῶν τύπων τῶν κατειλεγμένων πινάκιόν ἐστι γεγραμμένον, ἔχον τὰ ἐς τὴν τελετήν· Νύμφαι δέ εἰσι καὶ Πᾶνες ἐπὶ τῷ τρίτῳ, ἐπὶ δὲ τῷ τετάρτῳ Πολύβιος ὁ Λυκόρτα· καί οἱ ἐπίγραμμά ἐστιν ἐξ ἀρχῆς τε μὴ ἂν σφαλῆναι τὴν Ἑλλάδα, εἰ Πολυβίῳ τὰ πάντα ἐπείθετο,2 καὶ ἁμαρτούσῃ διʼ ἐκείνου βοήθειαν αὐτῇ γενέσθαι μόνου. πρὸ δὲ τοῦ ναοῦ Δήμητρί τέ ἐστι βωμὸς καὶ ἕτερος Δεσποίνῃ, μετʼ αὐτὸν δὲ μεγάλης Μητρός.

​In the portico by the temple of Despoina, between the reliefs already mentioned, there is a painted tablet containing details concerning the mysteries; on the third there are Nymphs and Pans, and on the fourth Polybius, the son of Lycortas. He has an inscription to the effect that, in the beginning, Greece would not have fallen at all if it had obeyed Polybius in everything, and that when she erred, help came to her through him alone. In front of the temple is an altar to Demeter and another to Despoina, and after it one to the Great Mother.

§8.37.3

θεῶν δὲ αὐτὰ τὰ ἀγάλματα, Δέσποινα καὶ ἡ Δημήτηρ τε καὶ ὁ θρόνος ἐν ᾧ καθέζονται, καὶ τὸ ὑπόθημα τὸ ὑπὸ τοῖς ποσίν ἐστιν ἑνὸς ὁμοίως λίθου· καὶ οὔτε τῶν ἐπὶ τῇ ἐσθῆτι οὔτε ὁπόσα εἴργασται περὶ τὸν θρόνον οὐδέν ἐστιν ἑτέρου λίθου προσεχὲς σιδήρῳ καὶ κόλλῃ, ἀλλὰ τὰ πάντα ἐστὶν εἷς λίθος. οὗτος οὐκ ἐσεκομίσθη σφίσιν ὁ λίθος, ἀλλὰ κατὰ ὄψιν ὀνείρατος λέγουσιν αὐτὸν ἐξευρεῖν ἐντὸς τοῦ περιβόλου τὴν γῆν ὀρύξαντες. τῶν δὲ ἀγαλμάτων ἐστὶν ἑκατέρου μέγεθος κατὰ τὸ Ἀθήνῃσιν ἄγαλμα μάλιστα τῆς Μητρός·

​The images of the goddesses themselves, Despoina and Demeter, as well as the throne on which they sit, and the footstool under their feet, are likewise of a single stone; and nothing, either of the ornaments on the clothing or of all that is worked around the throne, is of any other stone joined with iron and glue, but all is a single stone. This stone was not brought in by them, but they say that in consequence of a vision in a dream they found it within the enclosure by digging up the ground. The size of each of the images is about equal to that of the image of the Mother at Athens.

§8.37.4

Δαμοφῶντος δὲ καὶ ταῦτα ἔργα. ἡ μὲν οὖν Δημήτηρ δᾷδα ἐν δεξιᾷ φέρει, τὴν δὲ ἑτέραν χεῖρα ἐπιβέβληκεν ἐπὶ τὴν Δέσποιναν· ἡ δὲ Δέσποινα σκῆπτρόν τε καὶ τὴν καλουμένην κίστην ἐπὶ τοῖς γόνασιν ἔχει, τῆς δὲ ἔχεται τῇ δεξιᾷ τῆς κίστης.3 τοῦ θρόνου δὲ ἑκατέρωθεν Ἄρτεμις μὲν παρὰ τὴν Δήμητρα ἕστηκεν ἀμπεχομένη δέρμα ἐλάφου καὶ ἐπὶ τῶν ὤμων φαρέτραν ἔχουσα, ἐν δὲ ταῖς χερσὶ τῇ μὲν λαμπάδα ἔχει, τῇ δὲ δράκοντας δύο. παρὰ δὲ τὴν Ἄρτεμιν κατάκειται κύων, οἷαι θηρεύειν εἰσὶν ἐπιτήδειοι.

​These also are the works of Damophon. Now Demeter carries a torch in her right hand, and has laid her other hand upon Despoina; Despoina has a sceptre and the so-called chest on her knees, and she holds the chest with her right hand. On either side of the throne, Artemis stands by Demeter, clad in a deer skin and having a quiver on her shoulders, and in her hands she holds a torch in one, and two serpents in the other; by Artemis lies a dog, of such a kind as are fit for hunting.

§8.37.5

πρὸς δὲ τῆς Δεσποίνης τῷ ἀγάλματι ἕστηκεν Ἄνυτος σχῆμα ὡπλισμένου παρεχόμενος· φασὶ δὲ οἱ περὶ τὸ ἱερὸν τραφῆναι τὴν Δέσποιναν ὑπὸ τοῦ Ἀνύτου, καὶ εἶναι τῶν Τιτάνων καλουμένων καὶ τὸν Ἄνυτον. Τιτᾶνας δὲ πρῶτος ἐς ποίησιν ἐσήγαγεν Ὅμηρος, θεοὺς εἶναι σφᾶς ὑπὸ τῷ καλουμένῳ Ταρτάρῳ, καὶ ἔστιν ἐν Ἥρας ὅρκῳ τὰ ἔπη· παρὰ δὲ Ὁμήρου Ὀνομάκριτος παραλαβὼν τῶν Τιτάνων τὸ ὄνομα Διονύσῳ τε συνέθηκεν ὄργια καὶ εἶναι τοὺς Τιτᾶνας τῷ Διονύσῳ τῶν παθημάτων ἐποίησεν αὐτουργούς.

​By the image of Despoina stands Anytus, presenting the appearance of an armed man; and those around the sanctuary say that Despoina was brought up by Anytus, and that Anytus also was one of the so-called Titans. Homer was the first to introduce the Titans into poetry, saying that they are gods under what is called Tartarus, and the verses are in the Oath of Hera; and Onomacritus, receiving the name of the Titans from Homer, both composed orgies for Dionysus and made the Titans to be the actual perpetrators of the sufferings of Dionysus.

Syntax notes3 items
  1. 8.37.1ἰόντων δὲ

    A genitive absolute construction with the present participle plural masculine, with an implied subject (such as 'people'). It functions temporally/circumstantially: 'as people go toward the temple'.

  2. 8.37.2μὴ ἂν σφαλῆναι ... εἰ ... ἐπείθετο

    An accusative and infinitive construction representing the inscription. It forms an indirect statement of an unreal (contrary-to-fact) conditional sentence, where the protasis is εἰ + imperfect indicative (ἐπείθετο) and the apodosis is ἂν + infinitive (σφαλῆναι).

  3. 8.37.4τῆς δὲ ἔχεται τῇ δεξιᾷ τῆς κίστης

    The middle voice verb ἔχομαι ('to hold onto, grasp') takes the genitive case. Here, the genitive object is τῆς κίστης, which is anticipated or reinforced by the demonstrative pronoun τῆς δὲ at the beginning of the clause.

Translated by Gemini 3.5 Flash (published 2026-05-25)urn:cts:greekLit:tlg0525.tlg001.humanitext-grc2:8.37.1-8.37.5