- Source
- Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.
- Translation
- AI-generated (gemini-3.5-flash) — machine translation; may contain errors
- Languages
- 日本語 · English · 简体中文 · 한국어
- CTS URN
- urn:cts:greekLit:tlg0525.tlg001.humanitext-grc2:7.27.1-7.27.5
- Generated
- Humanitext Reader · reader.humanitext.ai · 2026-10-30
This section describes the topographical features of Pellene and details various sanctuaries and statues, including those of Athena, Artemis, Dionysus, and Apollo, followed by an account of the ancient gymnasium and the statue of the pankratiast Promachus.
Πελληνεῦσι δὲ ἡ πόλις ἐστὶν ἐπὶ λόφου κατὰ ἄκραν τὴν κορυφὴν ἐς ὀξὺ ἀνεστηκότος. τοῦτο μὲν δὴ ἀπότομον καὶ διʼ αὐτό ἐστιν ἀοίκητον· τῷ δὲ χθαμαλωτέρῳ πεπόλισταί σφισιν οὐ συνεχὴς ἡ πόλις, ἐς δὲ μοίρας νενεμημένη δύο ὑπὸ τῆς ἄκρας μεταξὺ ἀνεχούσης. ἰόντων δὲ ἐς Πελλήνην1 ἄγαλμά ἐστιν Ἑρμοῦ κατὰ τὴν ὁδόν, ἐπίκλησιν μὲν Δόλιος, εὐχὰς δὲ ἀνθρώπων ἕτοιμος τελέσαι· σχῆμα δὲ αὐτῷ τετράγωνον, γένειά τε ἔχει καὶ ἐπὶ τῇ κεφαλῇ πῖλον εἰργασμένον.
For the Pellenians, the city is upon a hill rising to a sharp point at its topmost summit. This part indeed is precipitous and because of this is uninhabited; but on the lower part their city is built, which is not continuous but is divided into two portions by the summit that rises up between them. For those who go to Pellene, there is along the road an image of Hermes, surnamed Dolios (the Crafty), ready to accomplish the prayers of humans; its shape is four-cornered, and it has a beard and is fashioned with a felt cap on its head.
κατὰ δὲ τὴν ὁδὸν ἐς αὐτὴν τὴν πόλιν ἐστὶν Ἀθηνᾶς λίθου μὲν ἐπιχωρίου ναός, ἐλέφαντος δὲ τὸ ἄγαλμα καὶ χρυσοῦ· Φειδίαν δὲ εἶναι τὸν εἰργασμένον φασὶ πρότερον ἔτι ἢ ἐν τῇ ἀκροπόλει τε αὐτὸν τῇ Ἀθηναίων καὶ ἐν Πλαταιαῖς ποιῆσαι2 τῆς Ἀθηνᾶς τὰ ἀγάλματα. λέγουσι δὲ οἱ Πελληνεῖς καὶ ἄδυτον τῆς Ἀθηνᾶς καθήκειν ἐς βάθος τῆς γῆς, εἶναι δὲ τὸ ἄδυτον τοῦτο ὑπὸ τοῦ ἀγάλματος τῷ βάθρῳ, καὶ τὸν ἀέρα ἐκ τοῦ ἀδύτου νότιόν τε εἶναι καὶ διʼ αὐτὸ τῷ ἐλέφαντι ἐπιτήδειον.
Along the road to the city itself is a temple of Athena built of local stone, but her image is of ivory and gold; they say that the craftsman who made it was Pheidias, even prior to his making the images of Athena on the Acropolis of the Athenians and at Plataea. And the Pellenians say also that a sanctuary-chamber (adyton) of Athena goes down into the depth of the earth, and that this chamber is under the pedestal of the image, and that the air from the chamber is damp, and for this reason suitable for the ivory.
ὑπὲρ δὲ τὸν ναὸν τῆς Ἀθηνᾶς ἐστιν ἄλσος περιῳκοδομημένον τείχει Σωτείρας ἐπίκλησιν Ἀρτέμιδος, καὶ ὀμνύουσιν ἐπὶ μεγίστοις αὐτήν· ἔσοδός τε πλὴν τοῖς ἱερεῦσιν ἄλλῳ γε οὐδενὶ ἔστιν ἀνθρώπων. ἱερεῖς δὲ ἄνδρες τῶν ἐπιχωρίων εἰσὶ κατὰ δόξαν γένους μάλιστα αἱρούμενοι. τοῦ δὲ ἄλσους τῆς Σωτείρας ἱερὸν ἀπαντικρὺ Διονύσου Λαμπτῆρός ἐστιν ἐπίκλησιν· τούτῳ καὶ Λαμπτήρια ἑορτὴν ἄγουσι, καὶ δᾷδάς τε ἐς τὸ ἱερὸν κομίζουσιν ἐν νυκτὶ καὶ οἴνου κρατῆρας ἱστᾶσιν ἀνὰ τὴν πόλιν πᾶσαν.
Above the temple of Athena is a grove enclosed by a wall of Artemis surnamed Soteira (the Savior), and they swear by her on the most important matters; and entrance is permitted to no other human being except the priests. The priests are men from among the locals, chosen chiefly according to the reputation of their family. Opposite the grove of Soteira is a sanctuary of Dionysus surnamed Lampter (the Torch-bearer); for him they also celebrate a festival called Lampteria, and they carry torches to the sanctuary at night and set up mixing-bowls of wine throughout the whole city.
ἔστι καὶ Ἀπόλλωνος Θεοξενίου Πελληνεῦσιν ἱερόν, τὸ δὲ ἄγαλμα χαλκοῦ πεποίηται· καὶ ἀγῶνα ἐπιτελοῦσι Θεοξένια τῷ Ἀπόλλωνι, τιθέντες ἀργύριον ἆθλα τῆς νίκης, καὶ ἄνδρες ἀγωνίζονται τῶν ἐπιχωρίων. πλησίον δὲ τοῦ Ἀπόλλωνος ναός ἐστιν Ἀρτέμιδος· τοξευούσης δὲ ἡ θεὸς παρέχεται σχῆμα. ᾠκοδόμηται δὲ καὶ ἔλυτρον κρήνης ἐν τῇ ἀγορᾷ, καὶ λουτρά ἐστιν αὐτοῖς τὸ ὕδωρ τὸ ἐκ τοῦ θεοῦ,3 ἐπεί τοι πίνειν πηγαί σφισιν ὑπὸ τὴν πόλιν εἰσὶν οὐ πολλαί· τὸ δὲ χωρίον, ἔνθα αἱ πηγαί, Γλυκείας ὀνομάζουσι.
There is also a sanctuary for the Pellenians of Apollo Theoxenios, and the image is made of bronze; and they celebrate games called Theoxenia for Apollo, setting silver as prizes of victory, and men from among the locals compete. Near the Apollo is a temple of Artemis; the goddess presents the posture of one shooting an arrow. There has also been built a reservoir for a spring in the marketplace, and the water from the god is used by them for baths, since indeed there are not many springs under the city for drinking; and the place where the springs are they name Glykeiai (the Sweet Springs).
γυμνάσιον δὲ ἀρχαῖον ἐς ἐφήβων μάλιστα ἀνεῖται μελέτην· οὐδὲ ἐς τὴν πολιτείαν ἐγγραφῆναι πρότερον καθέστηκεν οὐδενὶ πρὶν ἂν ἐφηβεύσωσιν.4 ἐνταῦθα ἀνὴρ Πελληνεὺς ἕστηκε Πρόμαχος ὁ Δρύωνος, ἀνελόμενος παγκρατίου νίκας, τὴν μὲν Ὀλυμπίασι, τρεῖς δʼ Ἰσθμίων καὶ Νεμέᾳ δύο· καὶ αὐτοῦ καὶ εἰκόνας ποιήσαντες οἱ Πελληνεῖς τὴν μὲν ἐς Ὀλυμπίαν ἀνέθεσαν, τὴν δὲ ἐν τῷ γυμνασίῳ, λίθου ταύτην καὶ οὐ χαλκοῦ.
There is also an ancient gymnasium, which is chiefly set apart for the practice of the youths (ephebes); nor is it established for anyone to be registered in the citizen list before they have served as youths. Here stands a Pellenian man, Promachus, son of Dryon, who won victories in the pankration, one at Olympia, three at the Isthmian games, and two at Nemea; and the Pellenians, having made images of him, dedicated one at Olympia, and the other in the gymnasium, this latter being of stone and not of bronze.
- 7.27.1ἰόντων δὲ ἐς Πελλήνην
A genitive absolute construction with the present participle in the plural. The logical subject, 'those who travel,' is left unexpressed, functioning as a general reference to any wayfarer journeying toward Pellene.
- 7.27.2Φειδίαν δὲ εἶναι τὸν εἰργασμένον φασὶ πρότερον ἔτι ἢ ... ποιῆσαι
An accusative and infinitive construction in indirect discourse. The comparative expression πρότερον ... ἤ introduces the infinitive ποιῆσαι in the comparative clause, indicating that Pheidias created this statue earlier than those at Athens and Plataea.
- 7.27.4τὸ ὕδωρ τὸ ἐκ τοῦ θεοῦ
Literally 'the water from the god.' This is an idiomatic Greek expression where 'the god' refers implicitly to Zeus as the deity of weather, meaning 'rainwater.'
- 7.27.5οὐδὲ ἐς τὴν πολιτείαν ἐγγραφῆναι πρότερον καθέστηκεν οὐδενὶ πρὶν ἂν ἐφηβεύσωσιν
The verb καθέστηκεν is used impersonally ('it is established') governing the dative οὐδενί and the infinitive ἐγγραφῆναι. Since the main clause is negative, the temporal conjunction πρὶν ἄν with the subjunctive (ἐφηβεύσωσιν) expresses a necessary prior condition ('not ... until').
