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Description of Greece

§6.3.9-6.3.16

Statues of Victors and Offerings by Ionian Cities

The section records statues of athletic victors including Antiochus, Hysmon, Nicostratus, Dicon, Xenophon, and Pyrilampes, along with the history of Caulonia, Dicon's homeland. It also criticizes the political opportunism of the Samians and other Ionians, who dedicated statues to changing powerful leaders such as Lysander, Alcibiades, and Conon.

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§6.3.9

Ἀντιόχου δὲ ἀνδριάντα ἐποίησε μὲν Νικόδαμος, γένος δὲ ὁ Ἀντίοχος ἦν ἐκ Λεπρέου· παγκρατίῳ δὲ ἄνδρας ἐν Ὀλυμπίᾳ μὲν ἐκράτησεν ἅπαξ, ἐν Ἰσθμῷ δὲ καὶ Νεμέᾳ δὶς πεντάθλῳ ἐν ἑκατέρῳ τῷ ἀγῶνι. οὐ γάρ τι Ἰσθμίων Λεπρεάταις δεῖμα1 ὥσπερ γε αὐτοῖς ἐστιν Ἠλείοις, ἐπεὶ Ὕσμωνί γε τῷ Ἠλείῳ—πλησίον δὲ τοῦ Ἀντιόχου καὶ Ὕσμων οὗτος ἕστηκε—τούτῳ τῷ ἀνδρὶ ἀθλήσαντι πένταθλον ἥ τε Ὀλυμπικὴ νίκη καὶ Νεμείων γέγονεν ἡ ἑτέρα, Ἰσθμίων δὲ δῆλα ὡς καὶ οὗτος κατὰ ταὐτὰ Ἠλείοις τοῖς ἄλλοις εἴργετο.

​Nicodamus made the statue of Antiochus, who was by race from Lepreum. He won the men’s pancratium once at Olympia, and the pentathlon twice at the Isthmus and twice at Nemea in each contest. For the Lepreans had no fear of the Isthmian games, such as the Eleans themselves have, since in the case of Hysmon the Elean—and this Hysmon stands near Antiochus—although this man won an Olympic victory in the pentathlon and one of the Nemean victories, it is clear that he, like the other Eleans, was excluded from the Isthmian games.

§6.3.10

λέγεται δὲ παιδὶ ἔτι ὄντι τῷ Ὕσμωνι κατασκῆψαι ῥεῦμα ἐς τὰ νεῦρα, καὶ αὐτὸν ἐπὶ τούτῳ μελετῆσαι πένταθλον, ἵνα δὴ ἐκ τῶν πόνων ὑγιής τε καὶ ἄνοσος ἀνὴρ εἴη· τῷ δὲ ἄρα τὸ μάθημα καὶ νίκας ἔμελλεν ἐπιφανεῖς οὕτω παρασκευάσειν. ὁ δὲ ἀνδριὰς αὐτῷ Κλέωνος μέν ἐστιν ἔργον, ἔχει δὲ ἁλτῆρας ἀρχαίους.

​It is said that when Hysmon was still a boy, a rheum settled in his muscles, and on this account he practiced the pentathlon, so that through his labors he might become a healthy man free from disease; and so the training was destined to procure for him such illustrious victories. His statue is the work of Cleon, and he holds ancient jumping-weights.

§6.3.11

μετὰ δὲ Ὕσμωνα παλαιστὴς παῖς ἐξ Ἡραίας ἀνάκειται τῆς Ἀρκάδων, Νικόστρατος Ξενοκλείδου· Παντίας δὲ αὐτῷ τὴν εἰκόνα ἐποίησεν, ὃς ἀπὸ Ἀριστοκλέους τοῦ Σικυωνίου καταριθμουμένῳ τοὺς διδαχθέντας ἕβδομος ἀπὸ τούτου ἦν μαθητής.2 Δίκων δὲ ὁ Καλλιβρότου πέντε μὲν Πυθοῖ δρόμου νίκας, τρεῖς δὲ ἀνείλετο Ἰσθμίων, τέσσαρας δὲ ἐν Νεμέᾳ, καὶ Ὀλυμπικὰς μίαν μὲν ἐν παισί, δύο δὲ ἄλλας ἀνδρῶν· καί οἱ καὶ ἀνδριάντες ἴσοι ταῖς νίκαις εἰσὶν ἐν Ὀλυμπίᾳ. παιδὶ μὲν δὴ ὄντι αὐτῷ Καυλωνιάτῃ, καθάπερ γε καὶ ἦν, ὑπῆρξεν ἀναγορευθῆναι· τὸ δὲ ἀπὸ τούτου Συρακούσιον αὑτὸν ἀνηγόρευσεν ἐπὶ χρήμασι.

​After Hysmon is dedicated a boy wrestler from Heraea in Arcadia, Nicostratus, the son of Xenoclides. Pantias made his statue; Pantias was a pupil who, if one counts those taught starting from Aristocles of Sicyon, was the seventh from him. Dicon, the son of Callibrotus, won five victories in the foot-race at Pytho, three at the Isthmus, four at Nemea, and at Olympia one among the boys and two others among the men; and he has statues in Olympia equal in number to his victories. When he was a boy, he had the fortune to be proclaimed as a Caulonian, as indeed he was; but after this, he proclaimed himself a Syracusan for money.

§6.3.12

Καυλωνία δὲ ἀπῳκίσθη μὲν ἐς Ἰταλίαν ὑπὸ Ἀχαιῶν, οἰκιστὴς δὲ ἐγένετο αὐτῆς Τύφων Αἰγιεύς· Πύρρου δὲ τοῦ Αἰακίδου καὶ Ταραντίνων ἐς τὸν πρὸς Ῥωμαίους πόλεμον καταστάντων ἄλλαι τε τῶν ἐν Ἰταλίᾳ πόλεων ἐγένοντο αἱ μὲν ὑπὸ Ῥωμαίων, αἱ δὲ ὑπὸ τῶν Ἠπειρωτῶν ἀνάστατοι, κατέλαβε δὲ ἐς ἅπαν ἐρημωθῆναι καὶ τὴν Καυλωνίαν ἁλοῦσαν ὑπὸ Καμπανῶν, οἳ Ῥωμαίοις μεγίστη τοῦ συμμαχικοῦ μοῖρα ἦσαν.

​Caulonia was colonized in Italy by the Achaeans, and its founder was Typhon of Aegium. When Pyrrhus, the son of Aeacides, and the Tarentines engaged in the war against the Romans, some of the cities in Italy were laid waste by the Romans and others by the Epirotes, and it befell Caulonia also to be completely desolated, being captured by the Campanians, who were the largest portion of the Roman allied force.

§6.3.13

ἐπὶ δὲ τῷ Δίκωνι ἀνάκειται μὲν Ξενοφῶν Μενεφύλου παγκρατιαστὴς ἀνὴρ ἐξ Αἰγίου τῆς Ἀχαιῶν, ἀνάκειται δὲ Πυριλάμπης Ἐφέσιος λαβὼν δολίχου νίκην. τοῦ μὲν δὴ τὴν εἰκόνα ἐποίησεν Ὄλυμπος, Πυριλάμπει δὲ ὁμώνυμος καὶ ὁ πλάστης, γένος δὲ οὐ Σικυώνιος, ἀλλὰ ἐκ Μεσσήνης τῆς ὑπὸ τῇ Ἰθώμῃ.

​Next to Dicon is dedicated Xenophon, son of Menephylus, a man pancratiast from Aegium in Achaea, and also dedicated is Pyrilampes of Ephesus, who won a victory in the long race. Olympus made the statue of the former, while for Pyrilampes, the sculptor was of the same name, by race not a Sicyonian, but from Messene under Mount Ithome.

§6.3.14

Λύσανδρον δὲ τὸν Ἀριστοκρίτου Σπαρτιάτην ἀνέθεσαν ἐν Ὀλυμπίᾳ Σάμιοι, καὶ αὐτοῖς τὸ μὲν πρότερον τῶν ἐπιγραμμάτων ἐστὶν "ἐν πολυθαήτῳ τεμένει Διὸς ὑψιμέδοντος ἕστηκʼ ἀνθέντων δημοσίᾳ Σαμίων·" τοῦτο μὲν δὴ τοὺς τὸ ἀνάθημα ἀναθέντας μηνύει, τὸ δʼ ἐφεξῆς ἐς αὐτὸν ἔπαινός ἐστι Λύσανδρον· "ἀθάνατον πάτρᾳ καὶ Ἀριστοκρίτῳ κλέος ἔργων, Λύσανδρʼ, ἐκτελέσας δόξαν ἔχεις ἀρετᾶς." δῆλοι οὖν εἰσιν οἵ τε Σάμιοι καὶ οἱ ἄλλοι Ἴωνες, κατὰ τὸ λεγόμενον ὑπʼ αὐτῶν Ἰώνων, τοὺς τοίχους τοὺς δύο ἐπαλείφοντες.3 Ἀλκιβιάδου μέν γε τριήρεσιν Ἀθηναίων περὶ Ἰωνίαν ἰσχύοντος ἐθεράπευον αὐτὸν Ἰώνων οἱ πολλοί, καὶ εἰκὼν Ἀλκιβιάδου χαλκῆ παρὰ τῇ Ἥρᾳ Σαμίων ἐστὶν ἀνάθημα· ὡς δὲ ἐν Αἰγὸς ποταμοῖς ἑάλωσαν αἱ ναῦς αἱ Ἀττικαί, Σάμιοι μὲν ἐς Ὀλυμπίαν τὸν Λύσανδρον, Ἐφέσιοι δὲ ἐς τὸ ἱερὸν ἀνετίθεσαν τῆς Ἀρτέμιδος Λύσανδρόν τε αὐτὸν καὶ Ἐτεόνικον καὶ Φάρακα καὶ ἄλλους Σπαρτιατῶν ἥκιστα ἔς γε τὸ Ἑλληνικὸν γνωρίμους.

​Lysander, the son of Aristocritus, a Spartan, was dedicated at Olympia by the Samians, and their first inscription is: “In the much-admired precinct of high-ruling Zeus, I stand, dedicated publicly by the Samians.” This indeed indicates those who set up the dedication, but the next is a praise of Lysander himself: “Having accomplished immortal glory for your fatherland and Aristocritus, Lysander, by your deeds, you possess the fame of virtue.” It is clear, then, that both the Samians and the other Ionians, ​according to the saying of the Ionians themselves, were painting both walls. For when Alcibiades, with the triremes of the Athenians, was powerful around Ionia, most of the Ionians courted him, and a bronze statue of Alcibiades stands as a dedication of the Samians in the temple of Hera; but when the Attic ships were captured at Aegospotami, the Samians dedicated Lysander at Olympia, and the Ephesians set up in the temple of Artemis statues of Lysander himself, Eteonicus, Pharax, and other Spartans who were very little known to the Greek world.

§6.3.16

μεταπεσόντων δὲ αὖθις τῶν πραγμάτων καὶ Κόνωνος κεκρατηκότος τῇ ναυμαχίᾳ περὶ Κνίδον καὶ ὄρος τὸ Δώριον ὀνομαζόμενον, οὕτω μετεβάλλοντο οἱ Ἴωνες, καὶ Κόνωνα ἀνακείμενον χαλκοῦν καὶ Τιμόθεον ἐν Σάμῳ τε ἔστιν ἰδεῖν παρὰ τῇ Ἥρᾳ καὶ ὡσαύτως ἐν Ἐφέσῳ παρὰ τῇ Ἐφεσίᾳ θεῷ. ταῦτα μέν ἐστιν ἔχοντα οὕτω τὸν ἀεὶ χρόνον, καὶ Ἴωσιν ὡσαύτως οἱ πάντες ἄνθρωποι θεραπεύουσι τὰ ὑπερέχοντα τῇ ἰσχύι.

​When, however, affairs changed again and Conon won the sea-fight off Cnidus and the mountain called Dorium, the Ionians changed in like manner, and one can see a bronze statue of Conon and Timotheus dedicated both in Samos in the temple of Hera and likewise in Ephesus in the temple of the Ephesian goddess. These matters have always been so, and all men, like the Ionians, court those who are superior in power.

Syntax notes3 items
  1. 6.3.9οὐ γάρ τι Ἰσθμίων Λεπρεάταις δεῖμα

    The genitive Ἰσθμίων is an objective genitive dependent on δεῖμα, meaning fear of the Isthmian games. The dative Λεπρεάταις is a dative of possession. This highlights that, unlike the Eleans who were excluded from the Isthmian games due to political and religious disputes, the Lepreans (their allies) faced no such exclusion or fear.

  2. 6.3.11ὃς ἀπὸ Ἀριστοκλέους τοῦ Σικυωνίου καταριθμουμένῳ τοὺς διδαχθέντας ἕβδομος ἀπὸ τούτου ἦν μαθητής

    The dative present participle καταριθμουμένῳ functions as a dative of reference or judgement ('to one counting'). It is an idiomatic Greek construction used in expressing genealogical or school successions, indicating that to anyone who traces the line of pupils starting from Aristocles, Pantias is the seventh in descent.

  3. 6.3.15τοὺς τοίχους τοὺς δύο ἐπαλείφοντες

    The phrase 'painting both walls' is a Greek idiom meaning to play a double game or to side with both parties according to convenience, referring to political opportunism. Here, it vividly describes how the Ionians flattered and dedicated statues to whichever side (Athens or Sparta) held power at the time.

Translated by Gemini 3.5 Flash (published 2026-05-25)urn:cts:greekLit:tlg0525.tlg001.humanitext-grc2:6.3.9-6.3.16