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Description of Greece

§6.20.15-6.20.19

Taraxippos at the Hippodrome and Theories on Its Identity

This chunk describes "Taraxippos" (the horse-scarer), a mysterious altar at the Olympic racecourse that panics horses. It lists various theories about its identity—including Olenios, Dameon, Myrtilus, Oenomaus, Alcathous, Amphion's magic, and Poseidon Hippios—and compares it to similar phenomena at the Isthmus and Nemea.

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§6.20.15

παρεχομένου δὲ τοῦ ἱπποδρόμου1 παρήκουσαν2 ἐς πλέον τὴν ἑτέραν τῶν πλευρῶν, ἔστιν ἐπὶ τῆς μείζονος πλευρᾶς, οὔσης χώματος, κατὰ τὴν διέξοδον τὴν διὰ τοῦ χώματος τὸ τῶν ἵππων δεῖμα ὁ Ταράξιππος. σχῆμα μὲν βωμοῦ περιφεροῦς ἐστι, παραθέοντας δὲ κατὰ τοῦτο τοὺς ἵππους φόβος τε αὐτίκα ἰσχυρὸς ἀπʼ οὐδεμιᾶς προφάσεως φανερᾶς καὶ ἀπὸ τοῦ φόβου λαμβάνει ταραχή, τά τε δὴ ἅρματα καταγνύουσιν ὡς ἐπίπαν καὶ οἱ ἡνίοχοι τιτρώσκονται· καὶ τοῦδε ἡνίοχοι ἕνεκα θυσίας θύουσι καὶ γενέσθαι σφίσιν ἵλεων εὔχονται τὸν Ταράξιππον.

​As the racecourse extends, one of the sides stretches out further than the other; on this longer side, which is a mound, by the passage through the mound, is Taraxippos, the terror of the horses. It has the shape of a round altar, and as the horses run past it, a sudden and violent fear seizes them from no apparent cause, and from this fear arises confusion; the chariots are generally shattered and the charioteers injured. For this reason the charioteers offer sacrifices and pray that Taraxippos will be propitious to them.

§6.20.16

Ἕλληνες δὲ οὐ κατὰ τὰ αὐτὰ νομίζουσιν ἐς τὸν Ταράξιππον, ἀλλʼ οἱ μὲν εἶναι τάφον ἀνδρὸς αὐτόχθονος καὶ ἀγαθοῦ τὰ ἐς ἱππικήν— καὶ ὄνομα Ὠλένιον αὐτῷ τίθενται, ἀπὸ τούτου δὲ καὶ τὴν Ὠλενίαν ἐν τῇ Ἠλείᾳ πέτραν φασὶν ὀνομασθῆναι—, οἱ δὲ τὸν Φλιοῦντος Δαμέωνα μετασχόντα Ἡρακλεῖ τῆς ἐπὶ Αὐγέαν καὶ Ἠλείους στρατείας αὐτόν τε ἀποθανεῖν καὶ τὸν ἵππον ἐφʼ ᾧ ἐπωχεῖτο ὑπὸ Κτεάτου λέγουσι τοῦ Ἄκτορος, καὶ τὸ μνῆμα κοινὸν Δαμέωνι καὶ τῷ ἵππῳ γενέσθαι.

​The Greeks do not hold the same opinions about Taraxippos, but some say that it is the tomb of a native man who was skilled in horsemanship—and they give him the name Olenios, after whom they say the Olenian rock in Eleia was also named—while others say that Dameon of Phlius, who shared with Heracles in the expedition against Augeas and the Eleans, was killed along with the horse on which he rode by Cteatus the son of Actor, and that the monument became a common tomb for Dameon and his horse.

§6.20.17

λέγουσι δὲ καὶ ὡς Μυρτίλῳ κενὸν ἐνταῦθα ἠρίον ποιήσειε Πέλοψ καὶ θύσειέ τε αὐτῷ τὸ ἐπὶ τῷ φόνῳ μήνιμα ἰώμενος καὶ ἐπονομάσαι Ταράξιππον,3 ὅτι τῷ Οἰνομάῳ διὰ τοῦ Μυρτίλου τῆς τέχνης ἐταράχθησαν αἱ ἵπποι· τοῖς δέ ἐστιν εἰρημένον ὡς αὐτὸς Οἰνόμαος ὁ τοὺς ἱππεύοντάς ἐστιν ἐν τῷ δρόμῳ βλάπτων. ἤκουσα δὲ καὶ ἐς τὸν Πορθάονος Ἀλκάθουν ἀγόντων τὴν αἰτίαν, ὡς ἐνταῦθα μέρη λάβοι γῆς ὁ Ἀλκάθους ἀποθανὼν ὑπὸ Οἰνομάου τῶν Ἱπποδαμείας γάμων ἕνεκα· ἅτε δὲ ἀτυχήσαντα ἐν ἱπποδρόμῳ, βάσκανόν τε εἶναι τοῖς ἱππεύουσι καὶ οὐκ εὐμενῆ δαίμονα.

​And they also say that Pelops made a cenotaph here for Myrtilus, and offered sacrifices to him to heal his anger at the murder, and named it Taraxippos, because the horses of Oenomaus were thrown into confusion by the cunning of Myrtilus. But by some it is said that it is Oenomaus himself who harms those who drive horses on the course. I have also heard some who attribute the blame to Alcathous the son of Porthaon, saying that Alcathous, having been killed by Oenomaus for the sake of the marriage with Hippodameia, received his share of earth here; and because he was unfortunate on the racecourse, he became a malevolent influence to those who drive horses and an unfriendly deity.

§6.20.18

ἀνὴρ δὲ Αἰγύπτιος Πέλοπα ἔφη παρὰ τοῦ Θηβαίου λαβόντα Ἀμφίονος κατορύξαι τι ἐνταῦθα, ἔνθα καλοῦσι τὸν Ταράξιππον, καὶ ὑπὸ τοῦ κατορωρυγμένου ταραχθῆναι μὲν τῷ Οἰνομάῳ τότε, ταράσσεσθαι δὲ καὶ ὕστερον τοῖς πᾶσι τὰς ἵππους· ἠξίου δὲ οὗτος ὁ Αἰγύπτιος εἶναι μὲν Ἀμφίονα, εἶναι δὲ καὶ τὸν Θρᾷκα Ὀρφέα μαγεῦσαι δεινόν, καὶ αὐτοῖς ἐπᾴδουσι θηρία τε ἀφικνεῖσθαι τῷ Ὀρφεῖ καὶ Ἀμφίονι ἐς τὰς τοῦ τείχους οἰκοδομίας τὰς πέτρας. ὁ δὲ πιθανώτατος ἐμοὶ δοκεῖν4 τῶν λόγων Ποσειδῶνος ἐπίκλησιν εἶναι τοῦ Ἱππίου φησίν.

​An Egyptian man said that Pelops, having received something from Amphion of Thebes, buried it here where they call Taraxippos, and that by the influence of the buried thing Oenomaus’ horses were thrown into confusion then, and the horses of everyone else are still thrown into confusion afterward. This Egyptian claimed that Amphion, and also Orpheus the Thracian, were clever at magic, and that by their incantations wild beasts came to Orpheus, and to Amphion the rocks came for the building of the wall. But the most persuasive of the accounts, in my opinion, says that it is a surname of Poseidon Hippios.

§6.20.19

ἔστι δὲ καὶ ἐν Ἰσθμῷ Ταράξιππος Γλαῦκος ὁ Σισύφου· γενέσθαι δὲ αὐτῷ τὴν τελευτὴν λέγουσιν ὑπὸ τῶν ἵππων, ὅτε Ἄκαστος τὰ ἆθλα ἔθηκεν ἐπὶ τῷ πατρί. ἐν Νεμέᾳ δὲ τῇ Ἀργείων ἥρως μὲν ἦν οὐδεὶς ὅστις ἔβλαπτε τοὺς ἵππους· πέτρας δὲ ὑπὲρ τῶν ἵππων τὴν καμπὴν ἀνεστηκυίας5 χρόαν πυρρᾶς, ἡ ἀπʼ αὐτῆς αὐγὴ κατὰ ταὐτὰ καὶ εἰ πῦρ ἐνεποίει φόβον τοῖς ἵπποις. ἀλλὰ γὰρ ὁ ἐν Ὀλυμπίᾳ Ταράξιππος πολὺ δή τι ὑπερηρκώς ἐστιν ἐς ἵππων φόβον. ἐπὶ δὲ νύσσης μιᾶς Ἱπποδαμείας ἐστὶν εἰκὼν χαλκῆ, ταινίαν τε ἔχουσα καὶ ἀναδεῖν τὸν Πέλοπα μέλλουσα ἐπὶ τῇ νίκῃ.

​There is also a Taraxippos at the Isthmus, Glaucus the son of Sisyphus; and they say that his end came by his horses, when Acastus held the games in honor of his father. But in Nemea of the Argives there was no hero who harmed the horses; but above the turning-point of the horses there rose a rock of a red color, and the light reflecting from it, just as if it were fire, caused fear in the horses. However, the Taraxippos in Olympia is by far the most outstanding in causing fear to horses. And upon one turning-post is a bronze image of Hippodameia, holding a ribbon and about to bind the head of Pelops for his victory.

Syntax notes5 items
  1. 6.20.15παρεχομένου δὲ τοῦ ἱπποδρόμου

    Genitive absolute. The present middle participle παρεχομένου of παρέχω is used intransitively here to denote spatial extension or continuation ("as the racecourse extends").

  2. 6.20.15παρήκουσαν

    The accusative feminine singular participle παρήκουσαν (from παρήκω, "to extend alongside") functions adjectivally to modify τὴν ἑτέραν τῶν πλευρῶν ("one of the sides which extends further").

  3. 6.20.17ὡς Μυρτίλῳ κενὸν ἐνταῦθα ἠρίον ποιήσειε Πέλοψ καὶ θύσειέ τε αὐτῷ τὸ ἐπὶ τῷ φόνῳ μήνιμα ἰώμενος καὶ ἐπονομάσαι Ταράξιππον

    A shift in syntax (anacoluthon) within the indirect discourse introduced by ὡς. After the aorist optatives ποιήσειε and θύσειε (representing hearsay relative to λέγουσι), the infinitive ἐπονομάσαι is unexpectedly coordinated.

  4. 6.20.18ἐμοὶ δοκεῖν

    Infinitive absolute. It is used parenthetically to mean "in my opinion" or "as it seems to me", introducing a subjective judgment.

  5. 6.20.19πέτρας δὲ ὑπὲρ τῶν ἵππων τὴν καμπὴν ἀνεστηκυίας

    Genitive absolute. The perfect active participle ἀνεστηκυίας (from the intransitive use of ἀνίστημι) describes the standing state of the red rock rising above the turning-point.

Translated by Gemini 3.5 Flash (published 2026-05-25)urn:cts:greekLit:tlg0525.tlg001.humanitext-grc2:6.20.15-6.20.19