- Source
- Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.
- Translation
- AI-generated (gemini-3.5-flash) — machine translation; may contain errors
- Languages
- 日本語 · English · 简体中文 · 한국어
- CTS URN
- urn:cts:greekLit:tlg0525.tlg001.humanitext-grc2:5.19.1-5.19.10
- Generated
- Humanitext Reader · reader.humanitext.ai · 2026-10-27
The text details the mythological scenes depicted on the fourth and fifth (uppermost) bands of the Chest of Cypselus (including Boreas, Heracles, Theseus, Achilles, Odysseus, and Nausicaa) and concludes with a conjecture on the authorship of the chest's inscriptions.
τέταρτα δὲ ἐπὶ τῇ λάρνακι ἐξ ἀριστερᾶς περιιόντι1 Βορέας ἐστὶν ἡρπακὼς Ὠρείθυιαν—οὐραὶ δὲ ὄφεων ἀντὶ ποδῶν εἰσὶν αὐτῷ—καὶ Ἡρακλέους ὁ πρὸς Γηρυόνην ἀγών· τρεῖς δὲ ἄνδρες Γηρυόνης εἰσὶν ἀλλήλοις προσεχόμενοι. Θησεὺς δὲ ἔχων λύραν καὶ παρʼ αὐτὸν Ἀριάδνη κατέχουσά ἐστι στέφανον. Ἀχιλλεῖ δὲ καὶ Μέμνονι μαχομένοις παρεστήκασιν αἱ μητέρες·
And on the fourth band of the chest, as one goes around from the left, there is Boreas who has snatched Oreithyia—he has serpents’ tails instead of feet—and the contest of Heracles against Geryon; Geryon is three men joined to one another. There is also Theseus holding a lyre, and beside him Ariadne holding a crown. Beside Achilles and Memnon as they fight stand their mothers.
ἔστι δὲ καὶ Μελανίων καὶ Ἀταλάντη παρʼ αὐτὸν ἔχουσα ἐλάφου νεβρόν. μονομαχοῦντος δὲ Αἴαντι Ἕκτορος2 κατὰ τὴν πρόκλησιν, μεταξὺ ἕστηκεν αὐτῶν Ἔρις αἰσχίστη τὸ εἶδος ἐοικυῖα· πρὸς δὲ ταύτῃ καὶ Καλλιφῶν Σάμιος ἐν Ἀρτέμιδος ἱερῷ τῆς Ἐφεσίας ἐποίησεν Ἔριν, τὴν μάχην γράψας τὴν ἐπὶ ταῖς ναυσὶν Ἑλλήνων. εἰσὶ δὲ ἐπὶ τῇ λάρνακι Διόσκουροι, ὁ ἕτερος οὐκ ἔχων πω γένεια, μέση δὲ αὐτῶν Ἑλένη·
There is also Melanion, and Atalanta beside him holding a fawn of a deer. And while Hector fights in single combat with Ajax according to the challenge, between them stands Eris, resembling a most ugly form; in addition to this, Calliphon of Samos also made an Eris in the temple of Artemis of Ephesus, when he painted the battle by the ships of the Greeks. And there are on the chest the Dioscuri, one of them not yet having a beard, and in the middle of them Helen.
Αἴθρα δὲ ἡ Πιτθέως ὑπὸ τῆς Ἑλένης τοῖς ποσὶν ἐς ἔδαφος καταβεβλημένη μέλαιναν ἔχουσά ἐστιν ἐσθῆτα, ἐπίγραμμα δὲ ἐπʼ αὐτοῖς ἔπος τε ἑξάμετρον καὶ ὀνόματός ἐστιν ἑνὸς ἐπὶ τῷ ἑξαμέτρῳ προσθήκη· "Τυνδαρίδα Ἑλέναν φέρετον, Αἴθραν δʼ ἕλκετον Ἀθάναθεν."
And Aethra, the daughter of Pittheus, thrown down to the ground under the feet of Helen, has a black garment, and the inscription over them is a hexameter verse and the addition of one name to the hexameter: “The sons of Tyndareus carry Helen off, and drag Aethra from Athens.”
τοῦτο μὲν δὴ τὸ ἔπος οὕτω πεποίηται· Ἰφιδάμαντος δὲ τοῦ Ἀντήνορος κειμένου μαχόμενος πρὸς Ἀγαμέμνονα ὑπὲρ αὐτοῦ Κόων ἐστί· Φόβος δὲ ἐπὶ τοῦ Ἀγαμέμνονος τῇ ἀσπίδι ἔπεστιν, ἔχων τὴν κεφαλὴν λέοντος. ἐπιγράμματα δὲ ὑπὲρ μὲν τοῦ Ἰφιδάμαντος νεκροῦ, "Ἰφιδάμας οὗτός τε Κόων περιμάρναται αὐτοῦ·" τοῦ Ἀγαμέμνονος δὲ ἐπὶ τῇ ἀσπίδι, " οὗτος μὲν Φόβος ἐστὶ βροτῶν, ὁ δʼ ἔχων Ἀγαμέμνων." ἄγει δὲ καὶ Ἑρμῆς παρʼ Ἀλέξανδρον τὸν Πριάμου τὰς θεὰς κριθησομένας ὑπὲρ τοῦ κάλλους, καὶ ἔστιν ἐπίγραμμα καὶ τούτοις· "Ἑρμείας ὅδʼ Ἀλεξάνδρῳ δείκνυσι διαιτῆν τοῦ εἴδους Ἥραν καὶ Ἀθάναν καὶ Ἀφροδίταν." Ἄρτεμις δὲ οὐκ οἶδα ἐφʼ ὅτῳ λόγῳ πτέρυγας ἔχουσά ἐστιν ἐπὶ τῶν ὤμων, καὶ τῇ μὲν δεξιᾷ κατέχει πάρδαλιν, τῇ δὲ ἑτέρᾳ τῶν χειρῶν λέοντα. πεποίηται δὲ καὶ Κασσάνδραν ἀπὸ τοῦ ἀγάλματος Αἴας τῆς Ἀθηνᾶς ἕλκων, ἐπʼ αὐτῷ δὲ καὶ ἐπίγραμμά ἐστιν· "Αἴας Κασσάνδραν ἀπʼ Ἀθαναίας Λοκρὸς ἕλκει."
This verse indeed is thus made. And while Iphidamas, the son of Antenor, lies dead, Coön is fighting against Agamemnon on his behalf; and Phobos is upon Agamemnon’s shield, having the head of a lion. There are inscriptions, over the corpse of Iphidamas: “This is Iphidamas, and Coön fights for him;” and on the shield of Agamemnon: ” This is the Fear of mortals, and he who holds it is Agamemnon.” And Hermes also leads the goddesses to Alexander, the son of Priam, to be judged for their beauty, and there is an inscription also for these: “This Hermes shows to Alexander, as judge of beauty, Hera and Athena and Aphrodite.” And Artemis, I know not for what reason, has wings on her shoulders, and with her right hand she holds a leopard, and with the other of her hands a lion. And Ajax is also depicted dragging Cassandra from the statue of Athena, and there is also an inscription over it: “Ajax the Locrian drags Cassandra from Athena.”
τῶν δὲ Οἰδίποδος παίδων Πολυνείκει πεπτωκότι ἐς γόνυ ἔπεισιν Ἐτεοκλῆς. τοῦ Πολυνείκους δὲ ὄπισθεν γυνὴ ἕστηκεν ὀδόντας τε ἔχουσα οὐδὲν ἡμερωτέρους θηρίου καί οἱ τῶν χειρῶν εἰσιν ἐπικαμπεῖς οἱ ὄνυχες· ἐπίγραμμα δὲ ἐπʼ αὐτῇ εἶναί φησι Κῆρα, ὡς τὸν μὲν ὑπὸ τοῦ πεπρωμένου τὸν Πολυνείκην ἀπαχθέντα, Ἐτεοκλεῖ δὲ γενομένης καὶ σὺν τῷ δικαίῳ τῆς τελευτῆς.3 Διόνυσος δὲ ἐν ἄντρῳ κατακείμενος, γένεια ἔχων καὶ ἔκπωμα χρυσοῦν, ἐνδεδυκώς ἐστι ποδήρη χιτῶνα· δένδρα δὲ ἄμπελοι περὶ αὐτὸν καὶ μηλέαι τέ εἰσι καὶ ῥόαι.
And of the sons of Oedipus, Eteocles is coming upon Polynices who has fallen on his knee. Behind Polynices stands a woman having teeth in no way gentler than those of a wild beast, and the nails of her hands are hooked; the inscription says that she is Ker, on the ground that Polynices has been carried off by destiny, while Eteocles’ end came with justice. And Dionysus is lying down in a cave, having a beard and a golden cup, and wearing a tunic reaching to his feet; and around him are trees: grapevines, apple trees, and pomegranates.
ἡ δὲ ἀνωτάτω χώρα—πέντε γὰρ ἀριθμόν εἰσι— παρέχεται μὲν ἐπίγραμμα οὐδέν, λείπεται δὲ εἰκάζειν ἐς τὰ ἐπειργασμένα. εἰσὶν οὖν ἐν σπηλαίῳ γυνὴ καθεύδουσα σὺν ἀνδρὶ ἐπὶ κλίνῃ, καὶ σφᾶς Ὀδυσσέα εἶναι καὶ Κίρκην ἐδοξάζομεν ἀριθμῷ τε τῶν θεραπαινῶν, αἵ εἰσι πρὸ τοῦ σπηλαίου, καὶ τοῖς ποιουμένοις ὑπʼ αὐτῶν· τέσσαρές τε γάρ εἰσιν αἱ γυναῖκες καὶ ἐργάζονται τὰ ἔργα, ἃ ἐν τοῖς ἔπεσιν Ὅμηρος εἴρηκε. Κένταυρος δὲ οὐ τοὺς πάντας ἵππου πόδας, τοὺς δὲ ἔμπροσθεν αὐτῶν ἔχων ἀνδρός ἐστιν.
The uppermost band—for they are five in number—presents no inscription, and it is left to conjecture as to the things wrought upon it. There are, then, in a cave a woman sleeping with a man on a couch, and we supposed them to be Odysseus and Circe, both by the number of the maidservants who are before the cave, and by what is being done by them; for the women are four, and they are working the works which Homer has mentioned in his verses. And there is a Centaur having not all his feet those of a horse, but his front feet those of a man.
ἑξῆς καὶ ἵππων συνωρίδες καὶ γυναῖκες ἐπὶ τῶν συνωρίδων εἰσὶν ἑστῶσαι· πτερὰ δὲ τοῖς ἵπποις χρυσᾶ ἐστι, καὶ ἀνὴρ δίδωσιν ὅπλα μιᾷ τῶν γυναικῶν. ταῦτα ἐς τὴν Πατρόκλου τελευτὴν ἔχειν τεκμαίρονται· Νηρηίδας τε γὰρ ἐπὶ τῶν συνωρίδων εἶναι καὶ Θέτιν τὰ ὅπλα λαμβάνειν παρὰ Ἡφαίστου. καὶ δὴ καὶ ἄλλως ὁ τὰ ὅπλα διδοὺς οὔτε τοὺς πόδας ἐστὶν ἐρρωμένος καὶ ὄπισθεν οἰκέτης ἕπεταί οἱ πυράγραν ἔχων·
Next are pairs of horses, and women standing on the pairs of horses; and the horses have golden wings, and a man is giving armor to one of the women. These things they conjecture to refer to the death of Patroclus; for they say that the Nereids are on the pairs of horses, and that Thetis is receiving the armor from Hephaestus. And indeed, in other respects, he who gives the armor is not strong in his feet, and behind him follows a servant holding a pair of fire-tongs;
λέγεται δὲ καὶ ἐς τὸν Κένταυρον ὡς Χίρων, ἀπηλλαγμένος ἤδη παρὰ ἀνθρώπων καὶ ἠξιωμένος εἶναι σύνοικος θεοῖς, ῥᾳστώνην τινὰ ἥκοι τοῦ πένθους Ἀχιλλεῖ παρασκευάσων. παρθένους δὲ ἐπὶ ἡμιόνων τὴν μὲν ἔχουσαν τὰς ἡνίας, τὴν δὲ ἐπικειμένην κάλυμμα ἐπὶ τῇ κεφαλῇ, Ναυσικᾶν τε νομίζουσιν εἶναι τὴν Ἀλκίνου καὶ τὴν θεράπαιναν, ἐλαυνούσας4 ἐπὶ τοὺς πλυνούς. τοξεύοντα δὲ ἄνδρα Κενταύρους, τοὺς δὲ καὶ ἀπεκτονότα ἐξ αὐτῶν, δῆλα Ἡρακλέα τε τὸν τοξεύοντα καὶ Ἡρακλέους εἶναι τὸ ἔργον.
and it is also said concerning the Centaur that he is Chiron, who having already departed from men and been deemed worthy to dwell with the gods, had come to provide some relief from grief to Achilles. And as for the maidens on mules, one holding the reins and the other having a veil placed over her head, they believe them to be Nausicaa, the daughter of Alcinous, and her maidservant, driving to the washing-places. As for the man shooting arrows at Centaurs, and having already killed some of them, it is clear both that the archer is Heracles and that the deed is Heracles’.
τὸν μὲν δὴ τὴν λάρνακα εἰργασμένον ὅστις ἦν, οὐδαμῶς ἡμῖν δυνατὰ ἦν συμβαλέσθαι· τὰ ἐπιγράμματα δὲ τὰ ἐπʼ αὐτῆς τάχα μέν που καὶ ἄλλος τις ἂν εἴη πεποιηκώς, τῆς δὲ ὑπονοίας τὸ πολὺ ἐς Εὔμηλον τὸν Κορίνθιον εἶχεν ἡμῖν, ἄλλων τε ἕνεκα καὶ τοῦ προσοδίου μάλιστα ὃ ἐποίησεν ἐς Δῆλον.
As to who it was who wrought the chest, indeed, it was in no way possible for us to guess; but as for the inscriptions upon it, perhaps indeed some other person might have composed them, but our suspicion for the most part directed itself toward Eumelus of Corinth, both for other reasons and especially because of the processional song which he composed for Delos.
- 5.19.1περιιόντι
Dative present participle acting as a dative of reference or judgment (dativus iudicantis), meaning "for one going around."
- 5.19.2μονομαχοῦντος δὲ Αἴαντι Ἕκτορος
Genitive absolute construction with Ἕκτορος as the subject of μονομαχοῦντος. The dative Αἴαντι is the complement of the verb μονομαχέω ("to fight in single combat with").
- 5.19.6ὡς τὸν μὲν ὑπὸ τοῦ πεπρωμένου τὸν Πολυνείκην ἀπαχθέντα, Ἐτεοκλεῖ δὲ γενομένης καὶ σὺν τῷ δικαίῳ τῆς τελευτῆς
An asymmetrical absolute construction introduced by ὡς (with the sense of "on the ground that"). The first part τὸν μὲν... Πολυνείκην ἀπαχθέντα is an accusative absolute (with the participle ἀπαχθέντα), whereas the second part Ἐτεοκλεῖ δὲ γενομένης... τῆς τελευτῆς is a genitive absolute.
- 5.19.9ἐλαυνούσας
Accusative present participle feminine plural. It agrees in gender, number, and case with Ναυσικᾶν... καὶ τὴν θεράπαιναν, which is the subject of an omitted infinitive (such as εἶναι) depending on the main verb νομίζουσιν ("they believe").
