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Description of Greece

§5.10.1-5.10.5

The Altis and Architecture of the Temple of Zeus

The author explains the origins of the temple of Zeus and its sacred grove, Altis, describing the temple's dimensions, its architect, the invention of stone tiles, and the historical dedications and statues decorating it.

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§5.10.1

πολλὰ μὲν δὴ καὶ ἄλλα ἴδοι τις ἂν ἐν Ἕλλησι, τὰ δὲ καὶ ἀκούσαι1 θαύματος ἄξια· μάλιστα δὲ τοῖς Ἐλευσῖνι δρωμένοις καὶ ἀγῶνι τῷ ἐν Ὀλυμπίᾳ μέτεστιν ἐκ θεοῦ φροντίδος. τὸ δὲ ἄλσος τὸ ἱερὸν τοῦ Διὸς παραποιήσαντες τὸ ὄνομα Ἄλτιν ἐκ παλαιοῦ καλοῦσι· καὶ δὴ καὶ Πινδάρῳ ποιήσαντι ἐς ἄνδρα Ὀλυμπιονίκην ᾆσμα Ἄλτις ἐπωνόμασται τὸ χωρίον.

​There are indeed many other things that one might see among the Greeks, and some that one might hear of, which are worthy of wonder; but it is especially the rites performed at Eleusis and the games in Olympia that have a share of divine care. As for the sacred grove of Zeus, people have from of old called it Altis, altering the name slightly; and indeed, also for Pindar, who composed a song for a man who was an Olympic victor, the place is named Altis.

§5.10.2

ἐποιήθη δὲ ὁ ναὸς καὶ τὸ ἄγαλμα τῷ Διὶ ἀπὸ λαφύρων, ἡνίκα Πίσαν οἱ Ἠλεῖοι καὶ ὅσον τῶν περιοίκων ἄλλο συναπέστη Πισαίοις πολέμῳ καθεῖλον. Φειδίαν δὲ τὸν ἐργασάμενον τὸ ἄγαλμα εἶναι2 καὶ ἐπίγραμμά ἐστιν ἐς μαρτυρίαν ὑπὸ τοῦ Διὸς3 γεγραμμένον τοῖς ποσί· "Φειδίας Χαρμίδου υἱὸς Ἀθηναῖός μʼ ἐποίησε." τοῦ ναοῦ δὲ Δώριος μέν ἐστιν ἡ ἐργασία, τὰ δὲ ἐκτὸς περίστυλός ἐστι·

​The temple and the statue for Zeus were made from spoils, when the Eleans destroyed Pisa and all the other neighboring peoples who had joined Pisa in revolting in war. That Phidias was the one who made the statue is attested also by an inscription written under the feet of Zeus: “Phidias, son of Charmides, an Athenian, made me.” The workmanship of the temple is Doric, and its exterior is peristyle;

§5.10.3

πεποίηται δὲ ἐπιχωρίου πώρου. ὕψος μὲν δὴ αὐτοῦ τὸ ἐς τὸν ἀετὸν ἀνῆκον, εἰσίν οἱ ὀκτὼ πόδες καὶ ἑξήκοντα, εὖρος δὲ πέντε καὶ ἐνενήκοντα, τὰ δὲ ἐς μῆκος τριάκοντά τε καὶ διακόσιοι· τέκτων δὲ ἐγένετο αὐτοῦ Λίβων ἐπιχώριος. κέραμος δὲ οὐ γῆς ὀπτῆς ἐστιν, ἀλλὰ κεράμου τρόπον λίθος ὁ Πεντελῆσιν εἰργασμένος· τὸ δὲ εὕρημα ἀνδρὸς Ναξίου λέγουσιν εἶναι Βύζου, οὗ φασιν ἐν Νάξῳ τὰ ἀγάλματα ἐφʼ ὧν ἐπίγραμμα εἶναι "Νάξιος Εὔεργός με γένει Λητοῦς πόρε, Βύζεω παῖς, ὃς πρώτιστος τεῦξε λίθου κέραμον." ἡλικίαν δὲ ὁ Βύζης οὗτος κατὰ Ἀλυάττην ἦν τὸν Λυδὸν καὶ Ἀστυάγην τὸν Κυαξάρου βασιλεύοντα ἐν Μήδοις.

​it is made of local limestone. Its height indeed, reaching up to the pediment, is sixty-eight feet, its width is ninety-five, and its length is two hundred and thirty; its architect was Libon, a local man. The tiles are not of baked clay, but Pentelic stone worked in the fashion of tiles. They say that this invention belongs to a Naxian man, Byzes, who they say made the statues in Naxos upon which there is the inscription: “Euergos of Naxos, son of Byzes, dedicated me to the offspring of Leto, he who first made tiles of stone.” In age, this Byzes lived in the time of Alyattes the Lydian and Astyages, the son of Cyaxares, who was king among the Medes.

§5.10.4

ἐν δὲ Ὀλυμπίᾳ λέβης ἐπίχρυσος ἐπὶ ἑκάστῳ τοῦ ὀρόφου τῷ πέρατι ἐπίκειται καὶ Νίκη κατὰ μέσον μάλιστα ἕστηκε τὸν ἀετόν, ἐπίχρυσος καὶ αὕτη. ὑπὸ δὲ τῆς Νίκης τὸ ἄγαλμα ἀσπὶς ἀνάκειται χρυσῆ, Μέδουσαν τὴν Γοργόνα ἔχουσα ἐπειργασμένην. τὸ ἐπίγραμμα δὲ τὸ ἐπὶ τῇ ἀσπίδι τούς τε ἀναθέντας δηλοῖ καὶ καθʼ ἥντινα αἰτίαν ἀνέθεσαν· λέγει γὰρ δὴ οὕτω· "ναὸς μὲν φιάλαν χρυσέαν ἔχει, ἐκ δὲ Τανάγρας τοὶ Λακεδαιμόνιοι συμμαχία τʼ ἀνέθεν δῶρον ἀπʼ Ἀργείων καὶ Ἀθαναίων καὶ Ἰώνων, τὰν δεκάταν νίκας εἵνεκα τῶ πολέμω." ταύτης τῆς μάχης μνήμην καὶ ἐν τῇ Ἀτθίδι ἐποιησάμην συγγραφῇ, τὰ Ἀθήνῃσιν ἐπεξιὼν μνήματα.

​In Olympia, a gilded cauldron is placed on each extremity of the roof, and a Victory stands almost in the middle of the pediment, she too being gilded. Under the statue of Victory, a golden shield is dedicated, having the Gorgon Medusa wrought upon it. The inscription on the shield shows both those who dedicated it and for what reason they did so; for indeed, it says thus: “The temple has a golden bowl, and from Tanagra the Lacedaemonians and their alliance dedicated it as a gift from the Argives, Athenians, and Ionians, as a tithe because of victory in the war.” Of this battle, I made mention also in my Attica history, when going through the monuments at Athens.

§5.10.5

τοῦ δὲ ἐν Ὀλυμπίᾳ ναοῦ τῆς ὑπὲρ τῶν κιόνων περιθεούσης ζώνης κατὰ τὸ ἐκτὸς ἀσπίδες εἰσὶν ἐπίχρυσοι μία καὶ εἴκοσιν ἀριθμόν, ἀνάθημα στρατηγοῦ Ῥωμαίων Μομμίου κρατήσαντος Ἀχαιῶν πολέμῳ καὶ Κόρινθόν τε ἑλόντος καὶ Κορινθίους τοὺς Δωριέας ποιήσαντος ἀναστάτους.

​On the outside of the band that runs around above the columns of the temple in Olympia, there are gilded shields, twenty-one in number, a dedication by the Roman general Mummius, who conquered the Achaeans in war, took Corinth, and drove the Dorian Corinthians from their homes.

Syntax notes3 items
  1. 5.10.1ἴδοι τις ἂν ... τὰ δὲ καὶ ἀκούσαι

    The potential optative ἴδοι ἂν is coordinated with ἀκούσαι (which either shares the particle ἄν or functions as a potential optative on its own). τὰ δὲ retains an archaic relative/demonstrative force, modifying a part of the preceding πολλὰ ... ἄλλα in contrast, meaning "and some which one might hear of."

  2. 5.10.2Φειδίαν δὲ τὸν ἐργασάμενον τὸ ἄγαλμα εἶναι

    An accusative-with-infinitive clause with εἶναι. It functions as a noun clause explaining the content of the inscription (ἐπίγραμμά ἐστιν) or depending on ἐς μαρτυρίαν ("as a testimony that Phidias was...").

  3. 5.10.2ὑπὸ τοῦ Διὸς

    Although ὑπό + genitive usually denotes the agent ("by..."), here it functions in a spatial sense meaning "under" (referring to the statue of Zeus). This interpretation is necessary to align with the subsequent γεγραμμένον τοῖς ποσί ("written at the feet").

Translated by Gemini 3.5 Flash (published 2026-05-25)urn:cts:greekLit:tlg0525.tlg001.humanitext-grc2:5.10.1-5.10.5