- Source
- Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.
- Translation
- AI-generated (gemini-3.5-flash) — machine translation; may contain errors
- Languages
- 日本語 · English · 简体中文 · 한국어
- CTS URN
- urn:cts:greekLit:tlg0525.tlg001.humanitext-grc2:3.19.1-3.19.6
- Generated
- Humanitext Reader · reader.humanitext.ai · 2026-10-24
The author describes the colossal statue of Apollo at Amyclae, its altar-shaped pedestal with various divine reliefs, and the local monuments of Amyclae, including the sanctuary of Alexandra.
τοῦ θρόνου δὲ ᾗ καθίζοιτο ἂν1 ὁ θεός, οὐ διὰ παντὸς κατὰ τοῦτο συνεχοῦς ὄντος2 ἀλλὰ καθέδρας παρεχομένου πλείονας, παρὰ δὲ καθέδραν ἑκάστην ὑπολειπομένης καὶ εὐρυχωρίας, τὸ μέσον ἐστὶν εὐρυχωρὲς μάλιστα καὶ τὸ ἄγαλμα ἐνταῦθα ἐνέστηκε.
At the place where the god would sit, as the throne is not continuous throughout but rather provides several seats, with an open space left beside each seat, the middle part is the widest, and the statue stands there.
μέγεθος δὲ αὐτοῦ μέτρῳ μὲν οὐδένα ἀνευρόντα οἶδα, εἰκάζοντι δὲ3 καὶ τριάκοντα εἶναι φαίνοιντο ἂν πήχεις. ἔργον δὲ οὐ Βαθυκλέους ἐστίν, ἀλλὰ ἀρχαῖον καὶ οὐ σὺν τέχνῃ πεποιημένον· ὅτι γὰρ μὴ4 πρόσωπον αὐτῷ καὶ πόδες εἰσὶν ἄκροι καὶ χεῖρες, τὸ λοιπὸν χαλκῷ κίονί ἐστιν εἰκασμένον. ἔχει δὲ ἐπὶ τῇ κεφαλῇ κράνος, λόγχην δὲ ἐν ταῖς χερσὶ καὶ τόξον.
As for its size, I know of no one who has found it out by measurement, but to one making a guess it would appear to be as much as thirty cubits. It is not the work of Bathycles, but is ancient and made without much art; for except that it has a face and the tips of its feet and hands, the rest of it is made like a bronze pillar. It has a helmet on its head, and in its hands a spear and a bow.
τοῦ δὲ ἀγάλματος τὸ βάθρον παρέχεται μὲν βωμοῦ σχῆμα, τεθάφθαι δὲ τὸν Ὑάκινθον λέγουσιν ἐν αὐτῷ, καὶ Ὑακινθίοις5 πρὸ τῆς τοῦ Ἀπόλλωνος θυσίας ἐς τοῦτον Ὑακίνθῳ τὸν βωμὸν διὰ θύρας χαλκῆς ἐναγίζουσιν· ἐν ἀριστερᾷ δέ ἐστιν ἡ θύρα τοῦ βωμοῦ. ἐπείργασται δὲ τῷ βωμῷ τοῦτο μὲν ἄγαλμα Βίριδος, τοῦτο δὲ Ἀμφιτρίτης καὶ Ποσειδῶνος· Διὸς δὲ καὶ Ἑρμοῦ διαλεγομένων ἀλλήλοις πλησίον Διόνυσος ἑστήκασι καὶ Σεμέλη, παρὰ δὲ αὐτὴν Ἰνώ.
The pedestal of the statue presents the shape of an altar, and they say that Hyacinthus is buried in it; and at the Hyacinthia, before the sacrifice to Apollo, they offer sacrifices to the dead to Hyacinthus into this altar through a bronze door; the door of the altar is on the left. On the altar are carved, on one side, an image of Biris, and on the other, Amphitrite and Poseidon; and near Zeus and Hermes conversing with each other stand Dionysus and Semele, and beside her Ino.
πεποίηται δὲ ἐπὶ τοῦ βωμοῦ καὶ ἡ Δημήτηρ καὶ Κόρη καὶ Πλούτων, ἐπὶ δὲ αὐτοῖς6 Μοῖραί τε καὶ Ὧραι, σὺν δέ σφισιν Ἀφροδίτη καὶ Ἀθηνᾶ τε καὶ Ἄρτεμις· κομίζουσι δʼ ἐς οὐρανὸν Ὑάκινθον καὶ Πολύβοιαν, Ὑακίνθου καθὰ λέγουσιν ἀδελφὴν ἀποθανοῦσαν ἔτι παρθένον. τοῦτο μὲν οὖν τοῦ Ὑακίνθου τὸ ἄγαλμα ἔχον ἐστὶν ἤδη γένεια, Νικίας δὲ ὁ Νικομήδους περισσῶς δή τι ἔγραψεν αὐτὸν ὡραῖον, τὸν ἐπὶ Ὑακίνθῳ λεγόμενον Ἀπόλλωνος ἔρωτα ὑποσημαίνων.
On the altar are represented also Demeter, Core, and Pluto, and above them the Fates and the Horae, and with them Aphrodite, Athena, and Artemis; and they are carrying to heaven Hyacinthus and Polyboea, who, they say, was Hyacinthus’ sister who died while still a maiden. Now this image of Hyacinthus already has a beard, but Nicias, the son of Nicomedes, painted him as exceptionally beautiful, hinting at the rumored love of Apollo for Hyacinthus.
πεποίηται δὲ ἐπὶ τοῦ βωμοῦ καὶ Ἡρακλῆς ὑπὸ Ἀθηνᾶς καὶ θεῶν τῶν ἄλλων καὶ οὗτος ἀγόμενος ἐς οὐρανόν. εἰσὶ δὲ καὶ αἱ Θεστίου θυγατέρες ἐπὶ τῷ βωμῷ, καὶ Μοῦσαί τε καὶ Ὧραι. περὶ δὲ ἀνέμου Ζεφύρου, καὶ ὡς ὑπὸ τοῦ Ἀπόλλωνος Ὑάκινθος ἀπέθανεν ἄκοντος, καὶ τὰ ἐς τὸ ἄνθος εἰρημένα τάχα μὲν ἂν ἔχοι καὶ ἄλλως, δοκείτω δὲ ᾗ λέγεται.
On the altar is represented also Heracles, he too being led to heaven by Athena and the other gods. There are also the daughters of Thestius on the altar, and the Muses and the Horae. Touching the wind Zephyrus, and how Hyacinthus was killed by Apollo against his will, and the story of the flower, things may perhaps be otherwise, but let the story as told be accepted.
Ἀμύκλαι δὲ ἀνάστατος ὑπὸ Δωριέων γενομένη καὶ ἀπʼ ἐκείνου κώμη διαμένουσα θέας παρείχετο ἄξιον ἱερὸν Ἀλεξάνδρας καὶ ἄγαλμα· τὴν δὲ Ἀλεξάνδραν οἱ Ἀμυκλαιεῖς Κασσάνδραν τὴν Πριάμου φασὶν εἶναι. καὶ Κλυταιμνήστρας ἐστὶν ἐνταῦθα εἰκὼν καὶ Ἀγαμέμνονος νομιζόμενον μνῆμα. θεῶν δὲ σέβουσιν οἱ ταύτῃ τόν τε Ἀμυκλαῖον καὶ Διόνυσον, ὀρθότατα ἐμοὶ δοκεῖν7 Ψίλακα ἐπονομάζοντες· ψίλα γὰρ καλοῦσιν οἱ Δωριεῖς τὰ πτερά, ἀνθρώπους δὲ οἶνος ἐπαίρει τε καὶ ἀνακουφίζει γνώμην οὐδέν τι ἧσσον ἢ ὄρνιθας πτερά. καὶ Ἀμύκλαι μὲν παρείχοντο τοσαῦτα ἐς μνήμην, ἑτέρα δὲ ἐκ τῆς πόλεως ὁδὸς ἐς Θεράπνην ἄγει·
Amyclae, which was laid waste by the Dorians and has remained a village ever since, presented a temple and image of Alexandra well worth seeing; and the people of Amyclae say that Alexandra is Cassandra, the daughter of Priam. There is also a statue of Clytemnestra there, and a monument believed to be that of Agamemnon. The people of this place worship the Amyclaean god and Dionysus, most correctly, in my opinion, calling the latter Psilax; for the Dorians call wings ‘psila,’ and wine raises up and lightens the mind of men no less than wings do birds. Amyclae, then, presented so much for remembrance, but another road from the city leads to Therapne.
- 3.19.1ᾗ καθίζοιτο ἂν
The relative adverb ᾗ is accompanied by the optative with ἄν, expressing potentiality ('where the god might sit').
- 3.19.1τοῦ θρόνου δὲ ... οὐ διὰ παντὸς κατὰ τοῦτο συνεχοῦς ὄντος
A genitive absolute construction. Multiple participles (ὄντος, παρεχομένου, ὑπολειπομένης) agree with τοῦ θρόνου, providing contextual information about the structural features of the throne to the main clause.
- 3.19.2εἰκάζοντι δὲ
Dative of reference indicating the standard of judgment ('to one making a guess').
- 3.19.2ὅτι γὰρ μὴ
The phrase ὅτι μή is an idiomatic expression meaning 'except that' or 'save for'.
- 3.19.3Ὑακινθίοις
Dative of time, meaning 'during the Hyacinthia' (the festival of Hyacinthus).
- 3.19.4ἐπὶ δὲ αὐτοῖς
The preposition ἐπί with the dative case, expressing spatial position ('above them'), indicating the vertical layout of the relief.
- 3.19.6ὀρθότατα ἐμοὶ δοκεῖν
An absolute infinitive construction used parenthetically, meaning 'most correctly in my opinion'.
