- Source
- Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.
- Translation
- AI-generated (gemini-3.5-flash) — machine translation; may contain errors
- Languages
- 日本語 · English · 简体中文 · 한국어
- CTS URN
- urn:cts:greekLit:tlg0525.tlg001.humanitext-grc2:2.10.1-2.10.7
- Generated
- Humanitext Reader · reader.humanitext.ai · 2026-10-22
The text describes the sanctuary of Heracles near the marketplace, the sanctuary of Asclepius with its various statues and relics, the temple of Aphrodite with its specific rituals, and the gymnasia adorned with statues.
ἐν δὲ τῷ γυμνασίῳ τῆς ἀγορᾶς ὄντι οὐ μακρὰν Ἡρακλῆς ἀνάκειται λίθου, Σκόπα ποίημα. ἔστι δὲ καὶ ἑτέρωθι ἱερὸν Ἡρακλέους· τὸν μὲν πάντα ἐνταῦθα περίβολον Παιδιζὴν ὀνομάζουσιν, ἐν μέσῳ δέ ἐστι τῷ περιβόλῳ τὸ ἱερόν, ἐν δὲ αὐτῷ ξόανον ἀρχαῖον, τέχνη Φλιασίου Λαφάους. ἐπὶ δὲ τῇ θυσίᾳ τοιάδε δρᾶν νομίζουσι. Φαῖστον ἐν Σικυωνίᾳ λέγουσιν ἐλθόντα καταλαβεῖν Ἡρακλεῖ σφᾶς ὡς ἥρωι ἐναγίζοντας·1 οὔκουν ἠξίου δρᾶν οὐδὲν ὁ Φαῖστος τῶν αὐτῶν, ἀλλʼ ὡς θεῷ θύειν. καὶ νῦν ἔτι ἄρνα οἱ Σικυώνιοι σφάξαντες καὶ τοὺς μηροὺς ἐπὶ τοῦ βωμοῦ καύσαντες τὰ μὲν ἐσθίουσιν ὡς ἀπὸ ἱερείου, τὰ δὲ ὡς ἥρωι τῶν κρεῶν ἐναγίζουσι. τῆς ἑορτῆς δέ, ἣν ἄγουσι τῷ Ἡρακλεῖ, τὴν προτέραν τῶν ἡμερῶν †ὀνόματα ὀνομάζοντες Ἡράκλεια δὴ καλοῦσι τὴν ὑστέραν.
In the gymnasium which is in the market-place, not far off, is dedicated a Heracles of stone, the work of Scopas. There is also in another place a sanctuary of Heracles; the whole enclosure here they call Paidize, and in the middle of the enclosure is the sanctuary, and in it an ancient wooden image, the work of Laphaes the Phliasian. Concerning the sacrifice, they are accustomed to act as follows. They say that Phaestus, having come to the Sicyonian land, found them making offerings to Heracles as to a hero; Phaestus therefore did not think fit to do any of the same things, but to sacrifice to him as to a god. And even now still, the Sicyonians, having slaughtered a lamb and burned the thighs upon the altar, eat some of the meat as from a sacrificial victim, and make offerings of some of the meat as to a hero. Of the festival which they hold for Heracles, they call the former of the days †[name corrupt]†, and the latter they call Heracleia.
ἐντεῦθέν ἐστιν ὁδὸς ἐς ἱερὸν Ἀσκληπιοῦ. παρελθοῦσι2 δὲ ἐς τὸν περίβολον ἐν ἀριστερᾷ διπλοῦν ἐστιν οἴκημα· κεῖται δὲ Ὕπνος ἐν τῷ προτέρῳ, καί οἱ πλὴν τῆς κεφαλῆς ἄλλο οὐδὲν ἔτι λείπεται. τὸ ἐνδοτέρω δὲ Ἀπόλλωνι ἀνεῖται Καρνείῳ, καὶ ἐς αὐτὸ οὐκ ἔστι πλὴν τοῖς ἱερεῦσιν ἔσοδος. κεῖται δὲ ἐν τῇ στοᾷ κήτους ὀστοῦν θαλασσίου μεγέθει μέγα καὶ μετʼ αὐτὸ ἄγαλμα Ὀνείρου καὶ Ὕπνος κατακοιμίζων λέοντα, Ἐπιδώτης δὲ ἐπίκλησιν. ἐς δὲ τὸ Ἀσκληπιεῖον ἐσιοῦσι καθʼ ἕτερον τῆς ἐσόδου τῇ μὲν Πανὸς καθήμενον ἄγαλμά ἐστι, τῇ δὲ Ἄρτεμις ἕστηκεν.
From here there is a road to a sanctuary of Asclepius. To those entering the enclosure, on the left is a double building; Hypnos lies in the former room, and of him nothing else but the head is still left. The inner room is consecrated to Carnean Apollo, and into it there is no entrance except for the priests. In the portico lies a bone of a sea-monster, of great size, and after it an image of Oneirus and Hypnos putting a lion to sleep, with the surname Epidotes. To those entering the Asclepieum by the other entrance, on one side is a sitting image of Pan, and on the other stands Artemis.
ἐσελθοῦσι δὲ ὁ θεός ἐστιν οὐκ ἔχων γένεια, χρυσοῦ καὶ ἐλέφαντος, Καλάμιδος δὲ ἔργον· ἔχει δὲ καὶ σκῆπτρον καὶ ἐπὶ τῆς ἑτέρας χειρὸς πίτυος καρπὸν τῆς ἡμέρου. φασὶ δέ σφισιν ἐξ Ἐπιδαύρου κομισθῆναι τὸν θεὸν ἐπὶ ζεύγους ἡμιόνων δράκοντι εἰκασμένον, τὴν δὲ ἀγαγοῦσαν Νικαγόραν εἶναι Σικυωνίαν Ἀγασικλέους μητέρα, γυναῖκα δὲ Ἐχετίμου. ἐνταῦθα ἀγάλματά ἐστιν οὐ μεγάλα ἀπηρτημένα τοῦ ὀρόφου· τὴν δὲ ἐπὶ τῷ δράκοντι Ἀριστοδάμαν Ἀράτου μητέρα εἶναι λέγουσι καὶ Ἄρατον Ἀσκληπιοῦ παῖδα εἶναι νομίζουσιν.
To those who have entered, the god is beardless, of gold and ivory, the work of Calamis; he holds a sceptre in one hand, and in the other a fruit of the cultivated pine. And they say that the god was brought to them from Epidaurus on a yoke of mules, fashioned like a serpent, and that the woman who brought him was Nicagora, a Sicyonian, the mother of Agasicles and wife of Echetimus. Here are images of no great size suspended from the roof; and they say that the woman on the serpent is Aristodama, the mother of Aratus, and they believe Aratus to be a son of Asclepius.
οὗτος μὲν δὴ παρείχετο ὁ περίβολος τοσάδε ἐς μνήμην, πέραν δὲ αὐτοῦ ἄλλος ἐστὶν Ἀφροδίτης ἱερός· ἐν δὲ αὐτῷ πρῶτον ἄγαλμά ἐστιν Ἀντιόπης· εἶναι γάρ οἱ τοὺς παῖδας3 Σικυωνίους καὶ διʼ ἐκείνους ἐθέλουσι καὶ αὐτὴν Ἀντιόπην προσήκειν σφίσι. μετὰ τοῦτο ἤδη τὸ τῆς Ἀφροδίτης ἐστὶν ἱερόν. ἐσίασι μὲν δὴ ἐς αὐτὸ γυνή τε νεωκόρος, ᾗ μηκέτι θέμις παρʼ ἄνδρα φοιτῆσαι, καὶ παρθένος ἱερωσύνην ἐπέτειον ἔχουσα· λουτροφόρον τὴν παρθένον ὀνομάζουσι· τοῖς δὲ ἄλλοις κατὰ ταὐτὰ καὶ ὁρᾶν ἀπὸ τῆς ἐσόδου τὴν θεὸν καὶ αὐτόθεν προσεύχεσθαι.
Now this enclosure provided so many things for memory, but beyond it is another, sacred to Aphrodite; in it is first an image of Antiope; for they wish that her children were Sicyonians and because of them they want Antiope herself also to belong to them. After this is already the temple of Aphrodite. Into it enter a female temple-keeper, for whom it is no longer lawful to go to a husband, and a virgin holding an annual priesthood; they call the virgin the lutrophoros; but for the others it is appointed in the same way both to see the goddess from the entrance and to pray from there.
τὸ μὲν δὴ ἄγαλμα καθήμενον Κάναχος Σικυώνιος ἐποίησεν, ὃς καὶ τὸν ἐν Διδύμοις τοῖς Μιλησίων καὶ Θηβαίοις τὸν Ἰσμήνιον εἰργάσατο Ἀπόλλωνα· πεποίηται δὲ ἔκ τε χρυσοῦ καὶ ἐλέφαντος, φέρουσα ἐπὶ τῇ κεφαλῇ πόλον, τῶν χειρῶν δὲ ἔχει τῇ μὲν μήκωνα τῇ δὲ ἑτέρᾳ μῆλον. τῶν δὲ ἱερείων τοὺς μηροὺς θύουσι πλὴν ὑῶν, τἄλλα δὲ ἀρκεύθου ξύλοις καθαγίζουσι, καιομένοις δὲ ὁμοῦ τοῖς μηροῖς φύλλον τοῦ παιδέρωτος συγκαθαγίζουσιν.
The sitting image Canachus the Sicyonian made, who also wrought the Apollo at Didyma of the Milesians and the Ismenian Apollo for the Thebans; it is made of gold and ivory, bearing a polos on her head, and of her hands she holds a poppy in one and an apple in the other. Of the victims they sacrifice the thighs except for pigs, and the other parts they consecrate with juniper wood, and while the thighs are burning, they consecrate together with them a leaf of the paederos.
ἔνεστι δὲ ὁ παιδέρως ἐν ὑπαίθρῳ τοῦ περιβόλου πόα, φύεται δὲ ἀλλαχόθι οὐδαμοῦ γῆς, οὔτε ἄλλης οὔτε τῆς Σικυωνίας. τὰ δέ οἱ φύλλα ἐλάσσονα ἢ φηγοῦ, μείζονα δέ ἐστιν ἢ πρίνου, σχῆμα δέ σφισιν οἷον τοῖς τῆς δρυός· καὶ τὸ μὲν ὑπομελαίνει, τὸ δὲ ἕτερον λευκόν ἐστι· φύλλοις δʼ ἂν λεύκης μάλιστα εἰκάζοις τὴν χροιάν.
And the paederos is a herb in the open air of the enclosure, and it grows nowhere else on earth, neither in any other land nor in Sicyonian territory. Its leaves are smaller than those of the beech, but larger than those of the holm-oak, and their shape is like those of the oak; and one side is somewhat blackish, and the other is white; you would most of all liken its color to the leaves of the white poplar.
ἀπὸ τούτων δὲ ἀνιοῦσιν ἐς τὸ γυμνάσιον, ἔστιν ἐν δεξιᾷ Φεραίας ἱερὸν Ἀρτέμιδος· κομισθῆναι δὲ τὸ ξόανον λέγουσιν ἐκ Φερῶν. τὸ δέ σφισι γυμνάσιον τοῦτο Κλεινίας ᾠκοδόμησε, καὶ παιδεύουσιν ἐνταῦθα ἔτι τοὺς ἐφήβους. κεῖται δὲ λίθου λευκοῦ καὶ Ἄρτεμις τὰ ἐς ἰξὺν μόνον εἰργασμένη καὶ Ἡρακλῆς τὰ κάτω τοῖς Ἑρμαῖς τοῖς τετραγώνοις εἰκασμένος.
And ascending from these things to the gymnasium, there is on the right a temple of Pheraean Artemis; and they say the wooden image was brought from Pherae. This gymnasium Cleinias built for them, and they still train the ephebi here. There lies also an Artemis of white stone wrought only to the waist, and a Heracles whose lower parts are fashioned like the square Hermae.
- 2.10.1ἐναγίζοντας
Functions as a participle agreeing with σφᾶς (the Sicyonians), serving as the complement of καταλαβεῖν (which takes an accusative). The verb ἐναγίζω specifically refers to making offerings to heroes or the dead, in contrast to θύω which means sacrificing to celestial gods.
- 2.10.2παρελθοῦσι
Dative plural participle. This is a dative of reference or judgment (dativus iudicantis), meaning "to those entering the enclosure", used to introduce the spectator's or reader's perspective although the subject of the sentence is οἴκημα.
- 2.10.4εἶναι γάρ οἱ τοὺς παῖδας
The infinitive εἶναι is in indirect discourse, depending on an implied verb of saying. The pronoun οἱ is the dative of possession referring to Antiope, meaning "she has children" (lit. "there are children to her").
