- Source
- Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.
- Translation
- AI-generated (gemini-3.5-flash) — machine translation; may contain errors
- Languages
- 日本語 · English · 简体中文 · 한국어
- CTS URN
- urn:cts:greekLit:tlg0525.tlg001.humanitext-grc2:10.38.8-10.38.13
- Generated
- Humanitext Reader · reader.humanitext.ai · 2026-11-04
Pausanias describes the geography, temples, history, and etymologies of other Locrian cities, namely Myonia, Oeantheia, and Naupactus, concluding with the miraculous healing of Phalysius' eyes in Naupactus via a tablet delivered by Anyte from Asclepius.
τούτων δὲ τῶν Λοκρῶν τοσαίδε ἄλλαι πόλεις εἰσίν· ἄνω μὲν ὑπὲρ Ἀμφίσσης πρὸς ἤπειρον Μυονία σταδίοις ἀπωτέρω τριάκοντα Ἀμφίσσης· οὗτοι καὶ τῷ Διὶ ἐν Ὀλυμπίᾳ εἰσὶν οἱ ἀναθέντες Μυᾶνες τὴν ἀσπίδα. κεῖται δὲ τὸ πόλισμα ἐπὶ ὑψηλοῦ, καί σφισιν ἄλσος καὶ βωμὸς θεῶν Μειλιχίων ἐστί· νυκτεριναὶ δὲ αἱ θυσίαι θεοῖς τοῖς Μειλιχίοις εἰσὶ καὶ ἀναλῶσαι τὰ κρέα αὐτόθι πρὶν ἢ ἥλιον ἐπισχεῖν1 νομίζουσι. καὶ Ποσειδῶνός ἐστιν ὑπὲρ τὴν πόλιν τέμενος καλούμενον Ποσειδώνιον, ἐν δὲ αὐτῷ ναὸς Ποσειδῶνος· τὸ δὲ ἄγαλμα ἐς ἐμὲ οὐκ ἦν.
Of these Locrians there are the following other cities: inland above Amphissa is Myonia, at a distance of thirty stades from Amphissa. These Myanians are the ones who dedicated the shield to Zeus at Olympia. The town lies on a height, and they have a grove and an altar of the Mild Gods. The sacrifices to the Mild Gods are by night, and their custom is to consume the meat on the spot before the sun rises. Above the city is a sanctuary of Poseidon called Poseidonion, and in it a temple of Poseidon; but the image was no longer there in my time.
οὗτοι μὲν δὴ ὑπεροικοῦσιν Ἀμφίσσης· ἐπὶ θαλάσσης δὲ Οἰάνθεια καὶ ταύτῃ ὁμοροῦσά ἐστι Ναύπακτος. πλὴν δὲ Ἀμφίσσης ὑπʼ Ἀχαιῶν οἱ ἄλλοι Πατρέων ἄρχονται, βασιλέως σφίσι δόντος Αὐγούστου. ἐν Οἰανθείᾳ δὲ Ἀφροδίτης τε ἱερὸν καὶ ὀλίγον ὑπὲρ τὴν πόλιν κυπαρίσσου τε ἀναμὶξ καὶ τῆς πίτυός ἐστιν ἄλσος καὶ ναός τε Ἀρτέμιδος καὶ ἄγαλμα ἐν τῷ ἄλσει· γραφαὶ δὲ ἐπὶ τῶν τοίχων ἐξίτηλοί τε ἦσαν ὑπὸ τοῦ χρόνου καὶ οὐδὲν ἔτι ἐλείπετο ἐς θέαν αὐτῶν.
These, then, dwell above Amphissa; on the coast is Oeantheia, and neighboring it is Naupactus. Except for Amphissa, the others are ruled by the Achaeans of Patrae, the Emperor Augustus having given them this. In Oeantheia there is a sanctuary of Aphrodite, and a little above the city is a grove of cypress mixed with pine, and in the grove is a temple and image of Artemis; but the paintings on the walls were faded by time, and nothing was left of them to be seen.
κληθῆναι δὲ ἀπὸ γυναικὸς ἢ νύμφης τεκμαίρομαι τὴν πόλιν, ἐπεὶ ἐπὶ Ναυπάκτῳ γε οἶδα εἰρημένον ὡς Δωριεῖς οἱ ὁμοῦ τοῖς Ἀριστομάχου παισὶ τὰ πλοῖα αὐτόθι ἐποιήσαντο, οἷς ἐς Πελοπόννησον ἐπεραιώθησαν· καὶ ἀντὶ τούτου γενέσθαι τὸ ὄνομα τῷ χωρίῳ φασί. τὰ δέ μοι2 Ναυπακτίων, ὡς τοῖς ἐς Ἰθώμην ἀποστᾶσιν ὁμοῦ τῷ σεισμῷ τῷ ἐν Λακεδαίμονι Ἀθηναῖοι Ναύπακτον ἐνοικῆσαί σφισιν ἔδοσαν ἀφελόμενοι τοὺς Λοκροὺς καὶ ὡς τοῦ Ἀθηναίων ὕστερον πταίσματος τοῦ ἐν Αἰγὸς ποταμοῖς Λακεδαιμόνιοι τοὺς Μεσσηνίους ἐδίωξαν καὶ ἐκ τῆς Ναυπάκτου, τάδε μὲν ἐπεξῆλθέ μοι καὶ ἐς πλέον ἡ Μεσσηνία συγγραφή· ἐκλιπόντων δὲ ὑπὸ ἀνάγκης τῶν Μεσσηνίων, οὕτως οἱ Λοκροὶ συνελέγχθησαν αὖθις ἐς τὴν Ναύπακτον.
I conjecture that the city got its name from a woman or a nymph, since as for Naupactus, I know it is said that the Dorians with the sons of Aristomachus built there the ships in which they crossed over to the Peloponnese; and they say that because of this the name was given to the place. As for the history of Naupactus, how the Athenians, after taking it from the Locrians, gave it to the Messenians who had revolted to Ithome at the time of the earthquake in Lacedaemon, and how, after the subsequent defeat of the Athenians at Aegospotami, the Lacedaemonians expelled the Messenians from Naupactus also—all this has been detailed by me at greater length in my Messenian history. When the Messenians abandoned it under compulsion, the Locrians thus assembled once more into Naupactus.
τὰ δὲ ἔπη τὰ Ναυπάκτια ὀνομαζόμενα ὑπὸ Ἑλλήνων ἀνδρὶ ἐσποιοῦσιν οἱ πολλοὶ Μιλησίῳ· Χάρων δὲ ὁ Πύθεώ φησιν αὐτὰ ποιῆσαι Ναυπάκτιον Καρκίνον. ἑπόμεθα δὲ καὶ ἡμεῖς τῇ τοῦ Λαμψακηνοῦ δόξῃ· τίνα γὰρ καὶ λόγον ἔχοι ἂν ἔπεσιν ἀνδρὸς Μιλησίου πεποιημένοις ἐς γυναῖκας τεθῆναί σφισιν ὄνομα Ναυπάκτια;
The epic poem called the “Naupactia” by the Greeks is attributed by most to a man of Miletus; but Charon, the son of Pythes, says that Carcinus, a Naupactian, wrote it. I too follow the opinion of the Lampsacene; for what reason would there be for an epic poem about women, written by a man of Miletus, to be given the name “Naupactia”?
ἐνταῦθα ἔστι μὲν ἐπὶ θαλάσσῃ ναὸς Ποσειδῶνος καὶ ἄγαλμα ὀρθὸν χαλκοῦ πεποιημένον, ἔστι δὲ καὶ ἱερὸν Ἀρτέμιδος καὶ ἄγαλμα λευκοῦ λίθου· σχῆμα δὲ ἀκοντιζούσης παρέχεται καὶ ἐπίκλησιν εἴληφεν Αἰτωλή. Ἀφροδίτη δὲ ἔχει μὲν ἐν σπηλαίῳ τιμάς· εὔχονται δὲ καὶ ἄλλων εἵνεκα καὶ αἱ γυναῖκες μάλιστα αἱ χῆραι γάμον αἰτοῦσι παρὰ τῆς θεοῦ.
Here there is by the sea a temple of Poseidon and a standing image made of bronze, and there is also a sanctuary of Artemis and an image of white stone; it presents the attitude of a maiden throwing a javelin, and has received the surname Aetolian. Aphrodite has honors in a cave; and they pray to her for various reasons, and women, especially widows, ask the goddess for marriage.
τοῦ δὲ Ἀσκληπιοῦ τὸ ἱερὸν ἐρείπια ἦν, ἐξ ἀρχῆς δὲ ᾠκοδόμησεν αὐτὸ ἀνὴρ ἰδιώτης Φαλύσιος. νοσήσαντι γάρ οἱ τοὺς ὀφθαλμοὺς καὶ οὐ πολὺ ἀποδέον τυφλῷ3 ὁ ἐν Ἐπιδαύρῳ πέμπει θεὸς Ἀνύτην τὴν ποιήσασαν τὰ ἔπη φέρουσαν σεσημασμένην δέλτον. τοῦτο ἐφάνη τῇ γυναικὶ ὄψις ὀνείρατος, ὕπαρ μέντοι ἦν αὐτίκα· καὶ εὗρέ τε ἐν ταῖς χερσὶ ταῖς αὑτῆς σεσημασμένην δέλτον καὶ πλεύσασα ἐς τὴν Ναύπακτον ἐκέλευσεν ἀφελόντα τὴν σφραγῖδα Φαλύσιον ἐπιλέγεσθαι τὰ γεγραμμένα. τῷ δὲ ἄλλως μὲν οὐ δυνατὰ ἐφαίνετο ἰδεῖν τὰ γράμματα ἔχοντι οὕτω τῶν ὀφθαλμῶν· ἐλπίζων δέ τι ἐκ τοῦ Ἀσκληπιοῦ χρηστὸν ἀφαιρεῖ τὴν σφραγῖδα, καὶ ἰδὼν ἐς τὸν κηρὸν ὑγιής τε ἦν καὶ δίδωσι τῇ Ἀνύτῃ τὸ ἐν τῇ δέλτῳ γεγραμμένον, στατῆρας δισχιλίους χρυσοῦ.
The sanctuary of Asclepius was in ruins, but originally it was built by a private individual named Phalysius. For when he suffered in his eyes and was almost blind, the god in Epidauros sent to him Anyte, the poetess who wrote the verses, bearing a sealed tablet. This appeared to the woman as a dream-vision, but indeed it became reality immediately; and she found in her own hands a sealed tablet, and having sailed to Naupactus she ordered Phalysius to remove the seal and read what was written. To him indeed it seemed otherwise impossible to see the letters, his eyes being in such a state; but hoping for some good from Asclepius, he removed the seal, and looking into the wax, he was healed, and gave to Anyte what was written in the tablet, two thousand staters of gold.
- 10.38.8πρὶν ἢ ἥλιον ἐπισχεῖν
An accusative with infinitive construction follows the conjunction πρὶν ἤ. Here, ἥλιον is the subject of the infinitive ἐπισχεῖν (from ἐπέχω, meaning "to shed light upon" or "to rise/shine" here).
- 10.38.10τὰ δέ μοι Ναυπακτίων ... ἐπεξῆλθέ μοι
A long hyperbaton structure where the phrase at the beginning, τὰ δέ μοι Ναυπακτίων ("as for the affairs of the Naupactians"), serves as the introductory topic, which is then expanded by two subsequent ὡς clauses and finally resolved by the verb ἐπεξῆλθε ("has been detailed").
- 10.38.13οὐ πολὺ ἀποδέον τυφλῷ
οὐ πολὺ ἀποδέον is an accusative absolute expression using the neuter singular accusative participle of the impersonal verb ἀποδεῖ ("to fall short"), meaning "almost" or "lacking little," here modifying τυφλῷ to mean "almost blind."
