- Source
- Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.
- Translation
- AI-generated (gemini-3.5-flash) — machine translation; may contain errors
- Languages
- 日本語 · English · 简体中文 · 한국어
- CTS URN
- urn:cts:greekLit:tlg0525.tlg001.humanitext-grc2:1.33.1-1.33.8
- Generated
- Humanitext Reader · reader.humanitext.ai · 2026-10-23
The author describes the legends of Iphigenia in Brauron near Marathon, and discusses the origin, design, and pedestal reliefs of the statue of Nemesis at Rhamnus by Pheidias, alongside geographical reflections on the Ocean and Ethiopians.
Μαραθῶνος δὲ ἀπέχει τῇ μὲν1 Βραυρών, ἔνθα Ἰφιγένειαν τὴν Ἀγαμέμνονος ἐκ Ταύρων φεύγουσαν τὸ ἄγαλμα ἀγομένην τὸ Ἀρτέμιδος ἀποβῆναι λέγουσι, καταλιποῦσαν δὲ τὸ ἄγαλμα ταύτῃ καὶ ἐς Ἀθήνας καὶ ὕστερον ἐς Ἄργος ἀφικέσθαι· ξόανον μὲν δὴ καὶ αὐτόθι ἐστὶν Ἀρτέμιδος ἀρχαῖον, τὸ δὲ ἐκ τῶν βαρβάρων οἵτινες κατὰ γνώμην ἔχουσι τὴν ἐμήν, ἐν ἑτέρῳ λόγῳ δηλώσω·
On one side, Brauron is distant from Marathon, where they say that Iphigenia, the daughter of Agamemnon, when fleeing from the Tauri, landed while bringing the image of Artemis; and leaving the image there, she went to Athens and later to Argos. Indeed, there is an ancient wooden image of Artemis there too, but as for the one from the barbarians, which of them in my opinion is that one, I will make clear in another account.
Μαραθῶνος δὲ σταδίους μάλιστα ἑξήκοντα ἀπέχει Ῥαμνοῦς τὴν παρὰ θάλασσαν ἰοῦσιν2 ἐς Ὠρωπόν. καὶ αἱ μὲν οἰκήσεις ἐπὶ θαλάσσῃ τοῖς ἀνθρώποις εἰσί, μικρὸν δὲ ἀπὸ θαλάσσης ἄνω Νεμέσεώς ἐστιν ἱερόν, ἣ θεῶν μάλιστα ἀνθρώποις ὑβρισταῖς ἐστιν ἀπαραίτητος. δοκεῖ δὲ καὶ τοῖς ἀποβᾶσιν ἐς Μαραθῶνα τῶν βαρβάρων ἀπαντῆσαι μήνιμα ἐκ τῆς θεοῦ ταύτης· καταφρονήσαντες γὰρ μηδέν σφισιν ἐμποδὼν εἶναι τὰς Ἀθήνας ἑλεῖν, λίθον Πάριον ὡς ἐπʼ ἐξειργασμένοις ἦγον ἐς τροπαίου ποίησιν.
Rhamnus is about sixty stades distant from Marathon for those going along the sea to Oropus. And the dwellings for the people are on the sea, but a little way up from the sea is a sanctuary of Nemesis, who of the gods is most implacable to insolent men. It seems that a wrath from this goddess also met those of the barbarians who landed at Marathon; for, having despised Athens as though there were nothing in their way to prevent them from taking it, they brought Parian marble for the making of a trophy, as if for deeds already accomplished.
τοῦτον Φειδίας τὸν λίθον εἰργάσατο ἄγαλμα μὲν εἶναι Νεμέσεως, τῇ κεφαλῇ δὲ ἔπεστι τῆς θεοῦ στέφανος ἐλάφους ἔχων καὶ Νίκης ἀγάλματα οὐ μεγάλα· ταῖς δὲ χερσὶν ἔχει τῇ μὲν κλάδον μηλέας, τῆ δεξιᾷ δὲ φιάλην, Αἰθίοπες δὲ ἐπὶ τῇ φιάλῃ πεποίηνται. συμβαλέσθαι δὲ τὸ ἐς τοὺς Αἰθίοπας οὔτε αὐτὸς εἶχον3 οὔτε ἀπεδεχόμην τῶν συνιέναι πειθομένων, οἳ πεποιῆσθαι σφᾶς ἐπὶ τῇ φιάλῃ φασὶ διὰ ποταμὸν Ὠκεανόν· οἰκεῖν γὰρ Αἰθίοπας ἐπʼ αὐτῷ, Νεμέσει δὲ εἶναι πατέρα Ὠκεανόν.
Pheidias worked this stone into an image of Nemesis, and on the head of the goddess is a crown having stags and images of Victory which are not large; and in her hands she holds in one a branch of an apple tree, and in her right a phiale, and Ethiopians are fashioned upon the phiale. As for the matter concerning the Ethiopians, I myself was unable to conjecture it, nor did I accept the explanation of those who claim to understand, who say that they were fashioned on the phiale because of the river Oceanus; for they say that the Ethiopians dwell upon it, and that Oceanus is the father of Nemesis.
Ὠκεανῷ γὰρ οὐ ποταμῷ, θαλάσσῃ δὲ ἐσχάτῃ τῆς ὑπὸ ἀνθρώπων πλεομένης προσοικοῦσιν Ἴβηρες καὶ Κελτοί, καὶ νῆσον Ὠκεανὸς ἔχει τὴν Βρεττανῶν· Αἰθιόπων δὲ τῶν ὑπὲρ Συήνης ἐπὶ θάλασσαν ἔσχατοι τὴν Ἐρυθρὰν κατοικοῦσιν Ἰχθυοφάγοι, καὶ ὁ κόλπος ὃν περιοικοῦσιν Ἰχθυοφάγων ὀνομάζεται. οἱ δὲ δικαιότατοι Μερόην πόλιν καὶ πεδίον Αἰθιοπικὸν καλούμενον οἰκοῦσιν· οὗτοι καὶ τὴν ἡλίου τράπεζάν εἰσιν οἱ δεικνύντες, οὐδέ σφισιν ἔστιν οὔτε θάλασσα οὔτε ποταμὸς ἄλλος γε ἢ Νεῖλος.
For it is by Oceanus, which is not a river but the outermost sea sailed by men, that the Iberians and Celts dwell, and Oceanus holds the island of the Britons; but of the Ethiopians beyond Syene, those who dwell furthest along the Red Sea are the Ichthyophagi, and the gulf around which they dwell is called that of the Ichthyophagi. The most righteous of them dwell in the city of Meroe and what is called the Ethiopian plain; these are the ones who show the Table of the Sun, and they have neither sea nor any other river than the Nile.
εἰσὶ δὲ καὶ ἄλλοι πρόσοικοι Μαύροις Αἰθίοπες ἄχρι Νασαμώνων παρήκοντες. Νασαμῶνες γάρ, οὓς Ἄτλαντας Ἡρόδοτος, οἱ δὲ μέτρα φάμενοι γῆς εἰδέναι Λιξίτας καλοῦσι, Λιβύων οἱ ἔσχατοι πρὸς Ἄτλαντι οἰκοῦσι σπείροντες μὲν οὐδέν, ἀπὸ δὲ ἀμπέλων ζῶντες ἀγρίων. ποταμὸς δὲ οὐδὲ τούτοις τοῖς Αἰθίοψιν οὐδὲ τοῖς Νασαμῶσίν ἐστιν οὐδείς· τὸ γὰρ πρὸς τῷ Ἄτλαντι ὕδωρ, τρισί παρεχόμενον ἀρχὰς ῥεύμασιν, οὐδὲν τῶν ῥευμάτων ποιεῖ ποταμόν, ἀλλὰ πᾶν ὁμοίως αὐτίκα ἔχει συλλαβοῦσα ἡ ψάμμος. οὕτως Αἰθίοπες ποταμῷ γε οὐδενὶ προσοικοῦσιν Ὠκεανῷ.
And there are also other Ethiopians bordering on the Mauri and extending as far as the Nasamones. For the Nasamones, whom Herodotus calls Atlantes, and whom those who claim to know the measurements of the earth call Lixitae, are the outermost of the Libyans dwelling near Atlas, sowing nothing, but living off wild vines. And there is no river at all either for these Ethiopians or for the Nasamones; for the water near Atlas, though providing beginnings for three streams, makes none of the streams a river, but the sand immediately absorbs it all alike. Thus, the Ethiopians do not dwell near any river, let alone Oceanus.
τὸ δὲ ὕδωρ τὸ ἐκ τοῦ Ἄτλαντος θολερόν τέ ἐστι καὶ πρὸς τῇ πηγῇ κροκόδειλοι διπήχεων ἦσαν οὐκ ἐλάσσους, προσιόντων δὲ τῶν ἀνθρώπων κατεδύοντο ἐς τὴν πηγήν. παρίστατο δὲ οὐκ ὀλίγοις τὸ ὕδωρ τοῦτο ἀναφαινόμενον αὖθις ἐκ τῆς ψάμμου ποιεῖν τὸν Νεῖλον Αἰγυπτίοις. ὁ δὲ Ἄτλας ὄρος ὑψηλὸν μέν ἐστιν οὕτως ὥστε καὶ λέγεται ταῖς κορυφαῖς ψαύειν τοῦ οὐρανοῦ, ἄβατον δὲ ὑπὸ ὕδατος καὶ δένδρων ἃ διὰ παντὸς πέφυκε· τὰ μὲν δὴ πρὸς τοὺς Νασαμῶνας αὐτοῦ γινώσκεται, τὰ δὲ ἐς τὸ πέλαγος οὐδένα πω παραπλεύσαντα ἴσμεν.
The water coming from Atlas is muddy, and near the source there were crocodiles not less than two cubits long, which dived into the source when men approached. It occurred to not a few that this water, appearing again from the sand, makes the Nile for the Egyptians. Mt. Atlas is so high that it is even said to touch the heaven with its peaks, but it is inaccessible because of water and trees which grow everywhere; its parts towards the Nasamones are known, but as for the parts towards the sea, we know of no one who has yet sailed past them.
τάδε μὲν ἐς τοσοῦτον εἰρήσθω· πτερὰ δʼ ἔχον οὔτε τοῦτο τὸ ἄγαλμα Νεμέσεως οὔτε ἄλλο πεποίηται τῶν ἀρχαίων, ἐπεὶ μηδὲ Σμυρναίοις τὰ ἁγιώτατα ξόανα ἔχει πτερά· οἱ δὲ ὕστερον—ἐπιφαίνεσθαι γὰρ τὴν θεὸν μάλιστα ἐπὶ τῷ ἐρᾶν4 ἐθέλουσιν—ἐπὶ τούτῳ Νεμέσει πτερὰ ὥσπερ Ἔρωτι ποιοῦσι. νῦν δὲ ἤδη δίειμι ὁπόσα ἐπὶ τῷ βάθρῳ τοῦ ἀγάλματός ἐστιν εἰργασμένα, τοσόνδε ἐς τὸ σαφὲς προδηλώσας. Ἑλένῃ Νέμεσιν μητέρα εἶναι λέγουσιν Ἕλληνες, Λήδαν δὲ μαστὸν ἐπισχεῖν αὐτῇ καὶ θρέψαι· πατέρα δὲ καὶ οὗτοι καὶ πάντες κατὰ ταὐτὰ Ἑλένης Δία καὶ οὐ Τυνδάρεων εἶναι νομίζουσι.
Let these matters be said thus far. Neither this image of Nemesis nor any other of the ancient ones has been made having wings, since not even the most sacred wooden images for the Smyrnaeans have wings; but those of later times—for they wish the goddess to appear especially in connection with loving—because of this make wings for Nemesis just as for Eros. But now indeed I will go through all that is fashioned on the pedestal of the image, having beforehand made this much clear for the sake of clarity. The Greeks say that Nemesis is the mother of Helen, and that Leda gave her breast to her and nursed her; and both these and all others likewise believe that the father of Helen is Zeus and not Tyndareus.
ταῦτα ἀκηκοὼς Φειδίας πεποίηκεν Ἑλένην ὑπὸ Λήδας ἀγομένην παρὰ τὴν Νέμεσιν, πεποίηκε δὲ Τυνδάρεών τε καὶ τοὺς παῖδας καὶ ἄνδρα σὺν ἵππῳ παρεστηκότα Ἱππέα ὄνομα· ἔστι δὲ Ἀγαμέμνων καὶ Μενέλαος καὶ Πύρρος ὁ Ἀχιλλέως, πρῶτος οὗτος Ἑρμιόνην τὴν Ἑλένης γυναῖκα λαβών· Ὀρέστης δὲ διὰ τὸ ἐς τὴν μητέρα τόλμημα παρείθη, παραμεινάσης τε ἐς ἅπαν Ἑρμιόνης αὐτῷ καὶ τεκούσης παῖδα. ἑξῆς δὲ ἐπὶ τῷ βάθρῳ καὶ Ἔποχος καλούμενος καὶ νεανίας ἐστὶν ἕτερος· ἐς τούτους ἄλλο μὲν ἤκουσα οὐδέν, ἀδελφοὺς δὲ εἶναι σφᾶς Οἰνόης, ἀφʼ ἧς ἐστι τὸ ὄνομα τῷ δήμῳ.
Having heard these things, Pheidias has made Helen being led by Leda to Nemesis, and he has made Tyndareus and his children, and a man standing by with a horse whose name is Hippeus; and there are Agamemnon and Menelaus, and Pyrrhus the son of Achilles, who was the first to take Hermione, the daughter of Helen, as wife. But Orestes was omitted because of his daring deed against his mother, Hermione having remained with him to the end and having borne him a child. Next on the pedestal are also one called Epochus and another youth; as to these, I have heard nothing else than that they were brothers of Oenoe, from whom the deme has its name.
- 1.33.1τῇ μὲν
The phrase 'τῇ μὲν' is a feminine dative singular, commonly interpreted with the omission of the noun 'ὁδός' (way, direction) to mean 'in one direction.' It stands in an implicit contrast with the 'Μαραθῶνος δὲ...' (in the other direction from Marathon) at the beginning of 1.33.2.
- 1.33.2ἰοῦσιν
The participle 'ἰοῦσιν' is the dative plural masculine of the present active participle of 'εἶμι'. In geographical descriptions, it functions as a 'dative of reference' (or dative of the person judging), establishing the perspective of those traveling along the route ('for those going...').
- 1.33.3συμβαλέσθαι ... οὔτε αὐτὸς εἶχον
The verb 'ἔχω' followed by an infinitive is used helper-like to mean 'to be able to (do something).' Together with the aorist middle infinitive 'συμβαλέσθαι' (to conjecture, interpret), it expresses the author's inability to determine the reason: 'I myself was not able to conjecture.'
- 1.33.7ἐπὶ τῷ ἐρᾶν
The preposition 'ἐπί' with the articular infinitive in the dative case denotes the field or cause ('in the matter of loving'). It modifies the preceding infinitive 'ἐπιφαίνεσθαι' (to appear), explaining the sphere of the goddess's activity that motivated later artists to represent Nemesis with wings like Eros.
