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Description of Greece

§1.24.1-1.24.8

Statues on the Acropolis and Athena Parthenos

The author describes the statues on the Acropolis, focusing on the unique sacrificial ritual of Zeus Polieus, the gold and ivory statue of Athena Parthenos, and the bronze Apollo Parnopius.

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§1.24.1

ἐνταῦθα Ἀθηνᾶ πεποίηται τὸν Σιληνὸν Μαρσύαν παίουσα, ὅτι δὴ τοὺς αὐλοὺς ἀνέλοιτο, ἐρρῖφθαι σφᾶς τῆς θεοῦ βουλομένης.1 —τούτων πέραν, ὧν εἴρηκα, ἐστὶν ἡ λεγομένη Θησέως μάχη πρὸς τὸν ταῦρον τὸν Μίνω καλούμενον, εἴτε ἀνὴρ εἴτε θηρίον ἦν ὁποῖον κεκράτηκεν ὁ λόγος· τέρατα γὰρ πολλῷ καὶ τοῦδε θαυμασιώτερα καὶ καθʼ ἡμᾶς ἔτικτον γυναῖκες.

​Here Athena is represented striking the Silenus Marsyas, because indeed he picked up the flutes, when the goddess wished them to have been cast away. —Beyond these things which I have mentioned, there is the so-called fight of Theseus against the bull called the bull of Minos, whether it was a man or a beast of such a kind as the story has prevailed; for even in our time women have given birth to monsters far more wonderful than this.

§1.24.2

κεῖται δὲ καὶ Φρίξος ὁ Ἀθάμαντος ἐξενηνεγμένος ἐς Κόλχους ὑπὸ τοῦ κριοῦ· θύσας δὲ αὐτὸν ὅτῳ δὴ θεῷ, ὡς δὲ εἰκάσαι2 τῷ Λαφυστίῳ καλουμένῳ παρὰ Ὀρχομενίοις, τοὺς μηροὺς κατὰ νόμον ἐκτεμὼν τὸν Ἑλλήνων ἐς αὐτοὺς καιομένους ὁρᾷ. κεῖνται δὲ ἑξῆς ἄλλαι τε εἰκόνες καὶ Ἡρακλέους· ἄγχει δέ, ὡς λόγος ἔχει, τοὺς δράκοντας. Ἀθηνᾶ τέ ἐστιν ἀνιοῦσα ἐκ τῆς κεφαλῆς τοῦ Διός. ἔστι δὲ καὶ ταῦρος ἀνάθημα τῆς βουλῆς τῆς ἐν Ἀρείῳ πάγῳ, ἐφʼ ὅτῳ δὴ ἀνέθηκεν ἡ βουλή·

​There is also placed Phrixus, the son of Athamas, carried out to Colchis by the ram; having sacrificed it to some god—as one may conjecture, to the one called Laphystius among the Orchomenians—and having cut out the thigh-pieces according to the custom of the Greeks, he is looking at them as they burn. And next are placed other statues, including one of Heracles; and he is strangling the serpents, as the story goes. There is also Athena rising out of the head of Zeus. And there is also a bull, a dedication of the Council of the Areopagus, for whatever reason the Council dedicated it;

§1.24.3

πολλὰ δʼ ἄν τις ἐθέλων εἰκάζοι. λέλεκται δέ μοι καὶ πρότερον ὡς Ἀθηναίοις περισσότερόν τι ἢ τοῖς ἄλλοις ἐς τὰ θεῖά ἐστι σπουδῆς· πρῶτοι μὲν γὰρ Ἀθηνᾶν ἐπωνόμασαν Ἐργάνην, πρῶτοι δʼ ἀκώλους Ἑρμᾶς ἀνέθεσαν, ὁμοῦ δέ σφισιν ἐν τῷ ναῷ †σπουδαίων δαίμων ἐστίν. ὅστις δὲ τὰ σὺν τέχνῃ πεποιημένα ἐπίπροσθε τίθεται τῶν ἐς ἀρχαιότητα ἡκόντων, καὶ τάδε ἔστιν οἱ θεάσασθαι. κράνος ἐστὶν ἐπικείμενος ἀνὴρ3 Κλεοίτου, καί οἱ τοὺς ὄνυχας ἀργυροῦς ἐνεποίησεν ὁ Κλεοίτας· ἔστι δὲ καὶ Γῆς ἄγαλμα ἱκετευούσης ὗσαί οἱ τὸν Δία, εἴτε αὐτοῖς ὄμβρου δεῆσαν Ἀθηναίοις εἴτε καὶ τοῖς πᾶσιν Ἕλλησι συμβὰς αὐχμός. ἐνταῦθα καὶ Τιμόθεος ὁ Κόνωνος καὶ αὐτὸς κεῖται Κόνων· Πρόκνην δὲ τὰ ἐς τὸν παῖδα βεβουλευμένην αὐτήν τε καὶ τὸν Ἴτυν ἀνέθηκεν Ἀλκαμένης. πεποίηται δὲ καὶ τὸ φυτὸν τῆς ἐλαίας Ἀθηνᾶ καὶ κῦμα ἀναφαίνων Ποσειδῶν·

​many are the conjectures one might make if one wished. It has also been said by me before that the Athenians have a greater zeal for divine things than others; for they were the first to surname Athena Ergane, and the first to dedicate handless and feetless Herms, and in their temple along with them is the daemon of †earnest men. And whoever prefers works made with art to those which have reached antiquity, may also behold the following. There is a man putting on a helmet by Cleoetas, and Cleoetas made his fingernails of silver; and there is also a statue of Ge entreating Zeus to rain upon her, whether the Athenians themselves stood in need of rain, or a drought had occurred to all the Greeks. There too stand both Timotheus the son of Conon and Conon himself; and Procne, having planned her design against her child, and Itys himself, were dedicated by Alcamenes. There are also represented Athena producing the plant of the olive tree and Poseidon showing a wave;

§1.24.4

καὶ Διός ἐστιν ἄγαλμα τό τε Λεωχάρους καὶ ὁ ὀνομαζόμενος Πολιεύς, ᾧ τὰ καθεστηκότα ἐς τὴν θυσίαν γράφων τὴν ἐπʼ αὐτοῖς λεγομένην αἰτίαν οὐ γράφω.4 τοῦ Διὸς τοῦ Πολιέως κριθὰς καταθέντες ἐπὶ τὸν βωμὸν μεμιγμένας πυροῖς οὐδεμίαν ἔχουσι φυλακήν· ὁ βοῦς δέ, ὃν ἐς τὴν θυσίαν ἑτοιμάσαντες φυλάσσουσιν, ἅπτεται τῶν σπερμάτων φοιτῶν ἐπὶ τὸν βωμόν. καλοῦσι δέ τινα τῶν ἱερέων βουφόνον, ὃς κτείνας τὸν βοῦν καὶ ταύτῃ τὸν πέλεκυν ῥίψας—οὕτω γάρ ἐστίν οἱ νόμος— οἴχεται φεύγων· οἱ δὲ ἅτε τὸν ἄνδρα ὃς ἔδρασε τὸ ἔργον οὐκ εἰδότες, ἐς δίκην ὑπάγουσι τὸν πέλεκυν. ταῦτα μὲν τρόπον τὸν εἰρημένον δρῶσιν· ἐς δὲ τὸν ναὸν ὃν Παρθενῶνα ὀνομάζουσιν, ἐς τοῦτον ἐσιοῦσιν ὁπόσα ἐν τοῖς καλουμένοις ἀετοῖς κεῖται, πάντα ἐς τὴν Ἀθηνᾶς ἔχει γένεσιν, τὰ δὲ ὄπισθεν ἡ Ποσειδῶνος πρὸς Ἀθηνᾶν ἐστιν ἔρις ὑπὲρ τῆς γῆς· αὐτὸ δὲ ἔκ τε ἐλέφαντος τὸ ἄγαλμα καὶ χρυσοῦ πεποίηται. μέσῳ μὲν οὖν ἐπίκειταί οἱ τῷ κράνει Σφιγγὸς εἰκών—ἃ δὲ ἐς τὴν Σφίγγα λέγεται, γράψω προελθόντος ἐς τὰ Βοιώτιά μοι τοῦ λόγου—, καθʼ ἑκάτερον δὲ τοῦ κράνους γρῦπές εἰσιν ἐπειργασμένοι.

​and there is a statue of Zeus, both that of Leochares and the one called Polieus, for whom, though I write of the established customs regarding the sacrifice, I do not write the reason said to be for them. Having placed barley mixed with wheat on the altar of Zeus Polieus, they have no guard over them; and the ox, which they keep in readiness and guard for the sacrifice, goes to the altar and touches the grain. They call one of the priests the ox-slayer, who, having killed the ox and thrown down the axe there—for such is his custom—goes fleeing away; and the others, as if not knowing the man who did the deed, bring the axe to trial. These things they do in the manner described; and as one enters into the temple which they call the Parthenon, ​all things that lie in the so-called pediments relate to the birth of Athena, and those at the back are the strife of Poseidon with Athena for the land; and the statue itself is made of ivory and gold. On the middle of her helmet is placed an image of a Sphinx—and what is said concerning the Sphinx I will write when my account progresses to Boeotian affairs—and on either side of the helmet griffins are wrought.

§1.24.6

τούτους τοὺς γρῦπας ἐν τοῖς ἔπεσιν Ἀριστέας ὁ Προκοννήσιος μάχεσθαι περὶ τοῦ χρυσοῦ φησιν Ἀριμασποῖς τοῖς ὑπὲρ Ἰσσηδόνων· τὸν δὲ χρυσόν, ὃν φυλάσσουσιν οἱ γρῦπες, ἀνιέναι τὴν γῆν· εἶναι δὲ Ἀριμασποὺς μὲν ἄνδρας μονοφθάλμους πάντας ἐκ γενετῆς, γρῦπας δὲ θηρία λέουσιν εἰκασμένα, πτερὰ δὲ ἔχειν καὶ στόμα ἀετοῦ. καὶ γρυπῶν μὲν πέρι τοσαῦτα εἰρήσθω·

​These griffins, Aristeas of Proconnesus says in his epic poems, fight for the gold with the Arimaspians who are beyond the Issedones; and that the gold, which the griffins guard, is produced by the earth; and that the Arimaspians are all one-eyed men from birth, and the griffins are beasts like lions, but having wings and the beak of an eagle. And concerning the griffins, let so much have been said.

§1.24.7

τὸ δὲ ἄγαλμα τῆς Ἀθηνᾶς ὀρθόν ἐστιν ἐν χιτῶνι ποδήρει καί οἱ κατὰ τὸ στέρνον ἡ κεφαλὴ Μεδούσης ἐλέφαντός ἐστιν ἐμπεποιημένη· καὶ Νίκην τε ὅσον τεσσάρων πηχῶν, ἐν δὲ τῇ χειρί δόρυ ἔχει, καί οἱ πρὸς τοῖς ποσὶν ἀσπίς τε κεῖται καὶ πλησίον τοῦ δόρατος δράκων ἐστίν· εἴη δʼ ἂν Ἐριχθόνιος οὗτος ὁ δράκων. ἔστι δὲ τῷ βάθρῳ τοῦ ἀγάλματος ἐπειργασμένη Πανδώρας γένεσις. πεποίηται δὲ Ἡσιόδῳ τε καὶ ἄλλοις ὡς ἡ Πανδώρα γένοιτο αὕτη γυνὴ πρώτη· πρὶν δὲ ἢ γενέσθαι Πανδώραν οὐκ ἦν πω γυναικῶν γένος. ἐνταῦθα εἰκόνα ἰδὼν οἶδα Ἀδριανοῦ βασιλέως μόνου, καὶ κατὰ τὴν ἔσοδον Ἰφικράτους ἀποδειξαμένου πολλά τε καὶ θαυμαστὰ ἔργα.

​The statue of Athena is standing upright in a tunic reaching to the feet, and on her breast the head of Medusa is wrought in ivory; and she holds a Nike of about four cubits, and in her hand a spear, and at her feet lies a shield, and near the spear is a serpent; this serpent would be Erichthonius. And on the pedestal of the statue is wrought the birth of Pandora. It has been represented by Hesiod and others that this Pandora was the first woman; and before Pandora came to be, there was as yet no race of women. There I know of having seen a statue of the Emperor Hadrian alone, and near the entrance one of Iphicrates, who achieved many wonderful deeds.

§1.24.8

τοῦ ναοῦ δέ ἐστι πέραν Ἀπόλλων χαλκοῦς, καὶ τὸ ἄγαλμα λέγουσι Φειδίαν ποιῆσαι· Παρνόπιον δὲ καλοῦσιν, ὅτι σφίσι παρνόπων βλαπτόντων τὴν γῆν ἀποτρέψειν ὁ θεὸς εἶπεν ἐκ τῆς χώρας. καὶ ὅτι μὲν ἀπέτρεψεν ἴσασι, τρόπῳ δὲ οὐ λέγουσι ποίῳ. τρὶς δὲ αὐτὸς ἤδη πάρνοπας ἐκ Σιπύλου τοῦ ὄρους οὐ κατὰ ταὐτὰ οἶδα φθαρέντας, ἀλλὰ τοὺς μὲν ἐξέωσε βίαιος ἐμπεσὼν ἄνεμος, τοὺς δὲ ὕσαντος τοῦ θεοῦ καῦμα ἰσχυρὸν καθεῖλεν ἐπιλαβόν, οἱ δὲ αἰφνιδίῳ ῥίγει καταληφθέντες ἀπώλοντο.

​Beyond the temple there is a bronze Apollo, and they say that Phidias made the statue; and they call him Parnopius, because when locusts were devastating their land, the god said he would avert them from the country. That he did avert them they know, but they do not say in what manner. I myself know of locusts having been destroyed three times already on Mount Sipylus, and not in the same way; but some a violent wind fell upon and drove out, and others, after the god had rained, a strong heat overtook and destroyed, and others perished being caught by a sudden cold.

Syntax notes4 items
  1. 1.24.1ἐρρῖφθαι σφᾶς τῆς θεοῦ βουλομένης

    In the genitive absolute construction, the subject of the infinitive ἐρρῖφθαι is the accusative plural σφᾶς, referring back to the preceding plural noun τοὺς αὐλοὺς (the flutes).

  2. 1.24.2ὡς δὲ εἰκάσαι

    A restrictive absolute infinitive construction (ὡς + infinitive), expressing a cautious conjecture on the speaker's part: 'as one may conjecture' or 'presumably.'

  3. 1.24.3κράνος ἐστὶν ἐπικείμενος ἀνὴρ

    The middle-active participle ἐπικείμενος (putting on / wearing) takes the neuter accusative noun κράνος (helmet) as its direct object.

  4. 1.24.4ᾧ τὰ καθεστηκότα ἐς τὴν θυσίαν γράφων τὴν ἐπʼ αὐτοῖς λεγομένην αἰτίαν οὐ γράφω

    The relative dative ᾧ refers to Polieus as the recipient of the sacrifice. The construction contrasts the participle γράφων (while writing) with the main verb οὐ γράφω (I do not write), signaling the author's decision to describe the ritual but omit its mythical cause.

Translated by Gemini 3.5 Flash (published 2026-05-25)urn:cts:greekLit:tlg0525.tlg001.humanitext-grc2:1.24.1-1.24.8