- Source
- Aristotle. Aristotelis Ars Rhetorica. Ross, William David, editor. Oxford: Clarendon Press,1959 (printing).
- Translation
- AI-generated (gemini-3.5-flash) — machine translation; may contain errors
- Languages
- 日本語 · English · 简体中文 · 한국어
- CTS URN
- urn:cts:greekLit:tlg0086.tlg038.humanitext-grc2:3.19.1-3.19.6
- Generated
- Humanitext Reader · reader.humanitext.ai · 2026-10-28
Aristotle defines the four elements that compose the epilogue of a speech (disposing the audience, amplification and depreciation, moving the emotions, and refreshing the memory), explaining their respective roles and recommending an asyndetic style for the conclusion.
ὁ δʼ ἐπίλογος σύγκειται ἐκ τεττάρων, ἔκ τε τοῦ πρὸς ἑαυτὸν κατασκευάσαι εὖ τὸν ἀκροατὴν καὶ τὸν ἐναντίον φαύλως, καὶ ἐκ τοῦ αὐξῆσαι καὶ ταπεινῶσαι, καὶ ἐκ τοῦ εἰς τὰ πάθη τὸν ἀκροατὴν καταστῆσαι, καὶ ἐξ ἀναμνήσεως. πέφυκε γάρ, μετὰ τὸ ἀποδεῖξαι αὐτὸν μὲν ἀληθῆ τὸν δὲ ἐναντίον ψευδῆ, οὕτω τὸ ἐπαινεῖν καὶ ψέγειν καὶ ἐπιχαλκεύειν.1 δυοῖν δὲ θατέρου δεῖ στοχάζεσθαι, ἢ ὅτι τούτοις2 ἀγαθὸς ἢ ὅτι ἁπλῶς, ὁ δʼ ὅτι κακὸς τούτοις ἢ ὅτι ἁπλῶς. ἐξ ὧν δὲ δεῖ τοῦτο κατασκευάζειν, εἴρηνται οἱ τόποι πόθεν σπουδαίους δεῖ κατασκευάζειν καὶ φαύλους.
The epilogue is composed of four elements: first, making the hearer well-disposed toward oneself and ill-disposed toward the opponent; second, amplification and depreciation; third, putting the hearer into an emotional state; and fourth, refreshing their memory. For it is natural, after proving oneself to be truthful and the opponent to be false, to praise and blame and add the finishing touches in this way. One should aim at one of two things: either that one is good to these people or absolutely so, and that the opponent is bad to these people or absolutely so. The topics from which one must establish these have been stated, namely, whence one should present people as good and bad.
τὸ δὲ μετὰ τοῦτο, δεδειγμένων ἤδη, αὔξειν ἐστὶν κατὰ φύσιν ἢ ταπεινοῦν· δεῖ γὰρ τὰ πεπραγμένα ὁμολογεῖσθαι, εἰ μέλλει τὸ ποσὸν ἐρεῖν· καὶ γὰρ ἡ τῶν σωμάτων αὔξησις ἐκ προϋπαρχόντων ἐστίν. ὅθεν δὲ δεῖ αὔξειν καὶ ταπεινοῦν ἔκκεινται οἱ τόποι πρότερον.
The next step, once these things have already been demonstrated, is naturally to amplify or to depreciate; for the facts must be admitted if one is going to state the magnitude, just as the growth of bodies is from pre-existing things. The topics from which one must amplify and depreciate have been set out previously.
μετὰ δὲ ταῦτα, δήλων ὄντων καὶ οἷα καὶ ἡλίκα, εἰς τὰ πάθη ἄγειν τὸν ἀκροατήν. ταῦτα δʼ ἐστὶν ἔλεος καὶ δείνωσις καὶ ὀργὴ καὶ μίσος καὶ φθόνος καὶ ζῆλος καὶ ἔρις. εἴρηνται δὲ καὶ τούτων οἱ τόποι πρότερον, ὥστε λοιπὸν ἀναμνῆσαι τὰ προειρημένα. τοῦτο δὲ ἁρμόττει ποιεῖν οὐχ ὥσπερ φασὶν ἐν τοῖς προοιμίοις, οὐκ ὀρθῶς λέγοντες. ἵνα γὰρ εὐμαθὴς ᾖ, κελεύουσι πολλάκις εἰπεῖν. ἐκεῖ μὲν οὖν δεῖ τὸ πρᾶγμα εἰπεῖν, ἵνα μὴ λανθάνῃ περὶ οὗ ἡ κρίσις, ἐνταῦθα δὲ διʼ ὧν δέδεικται, κεφαλαιωδῶς.
After these, when it is clear both what kind of things they are and how great they are, one should lead the hearer into the emotions. These are pity, indignation, anger, hatred, jealousy, envy, and emulation. The topics of these also have been stated previously, so that what remains is to refresh the memory concerning what was said before. And it is fitting to do this not in the way they say one should do in the introduction, speaking incorrectly. For in order that the hearer may be quick to learn, they command to speak repeatedly. There, indeed, one must state the subject matter, so that the issue on which judgment is to be passed may not be unnoticed, but here one must state the means through which proof has been given, summarily.
ἀρχὴ δὲ διότι3 ἃ ὑπέσχετο ἀποδέδωκεν, ὥστε ἅ τε καὶ διʼ ὃ λεκτέον. λέγεται δὲ ἐξ ἀντιπαραβολῆς τοῦ ἐναντίου. παραβάλλειν δὲ ὅσα περὶ τὸ αὐτὸ ἄμφω εἶπον, ἢ καταντικρύ (ἀλλʼ οὗτος μὲν τάδε περὶ τούτου, ἐγὼ δὲ ταδί, καὶ διὰ ταῦτα), ἢ ἐξ εἰρωνείας (οἷον οὗτος γὰρ τάδʼ εἶπεν, ἐγὼ δὲ ταδί, καὶ τὶ ἂν ἐποίει, εἰ τάδε ἔδειξεν, ἀλλὰ μὴ ταδί), ἢ ἐξ ἐρωτήσεως (τί οὖν δέδεικται; ἢ οὗτος τί ἔδειξεν; ). ἢ δὴ οὕτως ἐκ παραβολῆς ἢ κατὰ φύσιν ὡς ἐλέχθη, οὕτως τὰ αὐτοῦ, καὶ πάλιν, ἐὰν βούλῃ, χωρὶς τὰ τοῦ ἐναντίου λόγου.
And the beginning is that one has performed what was promised, so that both what was said and why must be stated. And it is spoken from a comparison with the opponent. One should compare what both said about the same thing, either directly (“But he said these things about this, and I said those, and for these reasons”), or with irony (such as “For he said these things, and I said those,” and “What would he do, if he had proved these things, and not those?”), or from a question (“What then has been proved?” or “What has he proved?”). Either, then, in this way from comparison, or in the natural order in which it was spoken, stating one’s own points, and again, if you wish, separately those of the opponent’s speech.
τελευτὴ δὲ τῆς λέξεως ἁρμόττει ἡ ἀσύνδετος, ὅπως ἐπίλογος ἀλλὰ μὴ λόγος ᾖ· εἴρηκα, ἀκηκόατε, ἔχετε, κρίνατε.
And the asyndetic style is fitting for the end of the delivery, so that it may be an epilogue and not a speech: “I have spoken, you have heard, you have the matter, judge.”
- 1419b15ἐπιχαλκεύειν
The verb ἐπιχαλκεύειν (literally 'to forge upon, strike with a hammer on metal') is used here metaphorically to mean 'to add the finishing touches' or 'to forge to completion.' It is a rhetorical expression for strengthening and solidifying one's argument further after proving oneself true and the opponent false.
- 1419b15τούτοις
The dative τούτοις can be interpreted in two ways: first, as a neuter plural meaning 'in these respects' (dative of respect); second, as a masculine plural meaning 'for these people' (dative of interest or relation, referring to the audience/judges). Given that the audience (τὸν ἀκροατήν) has been the focus of the preceding sentence, the latter interpretation ('to be good or bad for these people') is more natural in the context of rhetorical persuasion.
- 1419b30διότι
The conjunction διότι usually means 'because' (introducing a causal clause), but here it is used like ὅτι to introduce a noun clause functioning as the subject (or nominative predicate) of the sentence, meaning 'that...'. The overall structure is: 'And the beginning is [to show] that one has performed what was promised.'
