- Source
- Aristotle. Aristotle's Metaphysics, Vol. 1-2. Ross, William David, editor. Oxford: Clarendon Press, 1924 (printing).
- Translation
- AI-generated (gemini-3.5-flash) — machine translation; may contain errors
- Languages
- 日本語 · English · 简体中文 · 한국어
- CTS URN
- urn:cts:greekLit:tlg0086.tlg025.humanitext-grc2:7.7#2
- Generated
- Humanitext Reader · reader.humanitext.ai · 2026-10-29
Aristotle distinguishes the processes of thinking and production in coming-to-be, and explains why produced things are called by paronymous adjectives (e.g., 'wooden') rather than the names of their materials, based on the ontological distinction between the persisting subject and the changing privation.
τῶν δὴ γενέσεων καὶ κινήσεων ἡ μὲν νόησις καλεῖται ἡ δὲ ποίησις, ἡ μὲν ἀπὸ τῆς ἀρχῆς καὶ τοῦ εἴδους νόησις ἡ δʼ ἀπὸ τοῦ τελευταίου1 τῆς νοήσεως ποίησις. ὁμοίως δὲ καὶ τῶν ἄλλων τῶν μεταξὺ ἕκαστον γίγνεται. λέγω δʼ οἷον εἰ ὑγιανεῖ, δέοι ἂν ὁμαλυνθῆναι. τί οὖν ἐστὶ τὸ ὁμαλυνθῆναι; τοδί, τοῦτο δʼ ἔσται εἰ θερμανθήσεται. τοῦτο δὲ τί ἐστι; τοδί. ὑπάρχει δὲ τοδὶ δυνάμει· τοῦτο δὲ ἤδη ἐπʼ αὐτῷ. τὸ δὴ ποιοῦν καὶ ὅθεν ἄρχεται ἡ κίνησις τοῦ ὑγιαίνειν, ἂν μὲν ἀπὸ τέχνης, τὸ εἶδός ἐστι τὸ ἐν τῇ ψυχῇ, ἐὰν δʼ ἀπὸ ταὐτομάτου, ἀπὸ τούτου ὅ ποτε τοῦ ποιεῖν ἄρχει τῷ ποιοῦντι ἀπὸ τέχνης,2 ὥσπερ καὶ ἐν τῷ ἰατρεύειν ἴσως ἀπὸ τοῦ θερμαίνειν ἡ ἀρχή (τοῦτο δὲ ποιεῖ τῇ τρίψει)· ἡ θερμότης τοίνυν ἡ ἐν τῷ σώματι ἢ μέρος τῆς ὑγιείας ἢ ἕπεταί τι αὐτῇ τοιοῦτον ὅ ἐστι μέρος τῆς ὑγιείας, ἢ διὰ πλειόνων· τοῦτο δʼ ἔσχατόν ἐστι, τὸ ποιοῦν τὸ μέρος τῆς ὑγιείας,—καὶ τῆς οἰκίας (οἷον οἱ λίθοι) καὶ τῶν ἄλλων· ὥστε, καθάπερ λέγεται, ἀδύνατον γενέσθαι εἰ μηδὲν προϋπάρχοι. ὅτι μὲν οὖν τι μέρος ἐξ ἀνάγκης ὑπάρξει φανερόν· ἡ γὰρ ὕλη μέρος (ἐνυπάρχει γὰρ καὶ γίγνεται αὕτη). ἀλλʼ ἆρα καὶ τῶν ἐν τῷ λόγῳ; ἀμφοτέρως δὴ λέγομεν τοὺς χαλκοῦς κύκλους τί εἰσι, καὶ τὴν ὕλην λέγοντες ὅτι χαλκός, καὶ τὸ εἶδος ὅτι σχῆμα τοιόνδε, καὶ τοῦτό ἐστι τὸ γένος εἰς ὃ πρῶτον τίθεται. ὁ δὴ χαλκοῦς κύκλος ἔχει ἐν τῷ λόγῳ τὴν ὕλην.—ἐξ οὗ δὲ ὡς ὕλης γίγνεται ἔνια λέγεται, ὅταν γένηται, οὐκ ἐκεῖνο ἀλλʼ ἐκείνινον, οἷον ὁ ἀνδριὰς οὐ λίθος ἀλλὰ λίθινος, ὁ δὲ ἄνθρωπος ὁ ὑγιαίνων οὐ λέγεται ἐκεῖνο ἐξ οὗ· αἴτιον δὲ ὅτι γίγνεται ἐκ τῆς στερήσεως καὶ τοῦ ὑποκειμένου, ὃ λέγομεν τὴν ὕλην (οἷον καὶ ὁ ἄνθρωπος καὶ ὁ κάμνων γίγνεται ὑγιής), μᾶλλον μέντοι λέγεται γίγνεσθαι ἐκ τῆς στερήσεως, οἷον ἐκ κάμνοντος ὑγιὴς ἢ ἐξ ἀνθρώπου, διὸ κάμνων μὲν ὁ ὑγιὴς οὐ λέγεται, ἄνθρωπος δέ, καὶ ὁ ἄνθρωπος ὑγιής· ὧν δʼ ἡ στέρησις ἄδηλος καὶ ἀνώνυμος, οἷον ἐν χαλκῷ σχήματος ὁποιουοῦν ἢ ἐν πλίνθοις καὶ ξύλοις οἰκίας, ἐκ τούτων δοκεῖ γίγνεσθαι ὡς ἐκεῖ ἐκ κάμνοντος· διὸ ὥσπερ οὐδʼ ἐκεῖ ἐξ οὗ τοῦτο, ἐκεῖνο οὐ λέγεται, οὐδʼ ἐνταῦθα ὁ ἀνδριὰς ξύλον, ἀλλὰ παράγεται ξύλινος, καὶ χαλκοῦς ἀλλʼ οὐ χαλκός, καὶ λίθινος ἀλλʼ οὐ λίθος, καὶ ἡ οἰκία πλινθίνη ἀλλʼ οὐ πλίνθοι, ἐπεὶ οὐδὲ ὡς ἐκ ξύλου γίγνεται ἀνδριὰς ἢ ἐκ πλίνθων οἰκία, ἐάν τις ἐπιβλέπῃ σφόδρα, οὐκ ἂν ἁπλῶς εἴπειεν, διὰ τὸ δεῖν μεταβάλλοντος γίγνεσθαι ἐξ οὗ, ἀλλʼ οὐχ ὑπομένοντος.3 διὰ μὲν οὖν τοῦτο οὕτως λέγεται.
Of comings-to-be and movements, one is called thinking and the other production; that which starts from the principle and the form is thinking, and that which starts from the end of thinking is production. And in the same way each of the other intermediate things comes to be. I mean, for instance, that if the subject is to be healthy, it will need to be made even. What, then, is being made even? This; and this will be if it is heated. And what is this? This. And this belongs to it potentially; and this is already in his power. The producing agent, then, and that from which the movement of being healthy begins, if it is from art, is the form in the soul; but if it is from spontaneity, it is from that which at some time begins the producing for the producer from art, just as in healing the beginning is perhaps from heating (and this he produces by rubbing). Heat, then, in the body is either a part of health, or some such thing follows it which is a part of health, or it is through several steps; and this is the last thing, that which produces the part of health— and so too with a house (as, for instance, the stones) and other things. So, as is said, it is impossible for anything to come to be if nothing pre-exists. It is clear, then, that some part must of necessity pre-exist; for the matter is a part (for this is present in the thing and comes to be). But does any of the things in the formula also pre-exist? Indeed, we state in both ways what bronze circles are, both saying of the matter that it is bronze, and of the form that it is such-and-such a figure, and this is the genus in which it is first placed. So the bronze circle has its matter in its formula. —And some of the things that come to be from something as matter are called, when they have come to be, not “that” but “made of that”, e.g., the statue is not “stone” but “stony”; but the man who becomes healthy is not called that from which he comes to be. The cause is that they come to be both from the privation and from the subject, which we call matter (for both the man and the sick man become healthy), but they are rather said to come to be from the privation, e.g., healthy from a sick man rather than from a man; therefore the healthy man is not called “sick”, but “man”, and the man is healthy. But where the privation is obscure and nameless, e.g., in bronze the privation of any shape whatever, or in bricks and wood the privation of a house, they seem to come to be from these as in the other case from the sick man. Therefore, just as in that case that from which this comes to be is not called by the name of that from which it came, so here too the statue is not called “wood”, but paronymously “wooden”, and “bronzen” but not “bronze”, and “stony” but not “stone”, and the house “bricky” but not “bricks”, since if one looks at it very carefully, one would not even say without qualification that a statue comes to be from wood, or a house from bricks, because that from which it comes to be must be something that changes, and not something that persists. It is for this reason, then, that we speak in this way.
- 1032b15ἡ μὲν ἀπὸ τῆς ἀρχῆς... ἡ δʼ ἀπὸ τοῦ τελευταίου...
The verb ἐστίν (or καλεῖται) is omitted. The parallel structure defines the contrasting concepts of thinking (starting from the principle and form) and production (starting from the end-point of thinking).
- 1032b23–25ἀπὸ τούτου ὅ ποτε τοῦ ποιεῖν ἄρχει τῷ ποιοῦντι ἀπὸ τέχνης
The dative τῷ ποιοῦντι is a dative of relation ('for the producer who acts by art'). The relative clause ὅ ποτε τοῦ ποιεῖν ἄρχει describes the spontaneous starting point as the very element (e.g., heating) that would trigger the production process for a skilled artisan.
- 1033a20διὰ τὸ δεῖν μεταβάλλοντος γίγνεσθαι ἐξ οὗ, ἀλλʼ οὐχ ὑπομένοντος
In the construction led by διὰ τὸ δεῖν, the indeclinable phrase ἐξ οὗ ('that from which [it comes to be]') acts as the logical subject of the infinitive, modified by the genitives μεταβάλλοντος (changing) and ὑπομένοντος (persisting). This syntactically explains why we designate the product with a paronymous adjective (e.g., 'wooden') rather than the material noun itself: because the source from which a thing is said to come to be must be a changing privation rather than the persisting substrate.
Translated by Gemini 3.5 Flash (published 2026-05-22) · Revision history (1, latest 2026-09-21)
- 2026-09-21 AI review — source 1
